Schenkerian analysis Schenkerian analysis is a method of analyzing tonal music based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic coherence of the work by showing how it relates to an abstracted deep structure, the ''Ursatz' ...

, the primary tone or head tone (german: Kopfton) is the starting tone of the

fundamental line In Schenkerian analysis, the fundamental structure (german: Ursatz) describes the structure of a tonal work as it occurs at the most remote (or "background") level and in the most abstract form. A basic elaboration of the tonic triad, it cons ...

. The fundamental line itself originates as an arpeggiation of the tonic chord, filled by passing tones: :In accordance with the arpeggiation from which it stems, the fundamental line exhibits the space of a third, fifth, or octave. These spaces are filled by passing tones. The primary tone therefore necessarily is one of the higher tones of the tonic chord, , or . The fundamental line descends from its primary tone to the tonic, : :To man is given the experience of ending, the cessation of all tensions and efforts. In this sense, we feel by nature that the fundamental line must lead downward until it reaches , and the bass must fall back to the fundamental.Schenker (1979), § 10.

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Schenkerian analysis {{music-theory-stub