HOME

TheInfoList



OR:

''Prayers of Kierkegaard'', Op. 30, is an extended one-movement
cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of ...
written by
Samuel Barber Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Proba ...
between 1942 and 1954. The piece has four main subdivisions and is based on prayers by
Søren Kierkegaard Søren Aabye Kierkegaard ( , , ; 5 May 1813 – 11 November 1855) was a Danish theologian, philosopher, poet, social critic, and religious author who is widely considered to be the first existentialist philosopher. He wrote critical texts on ...
. It is written for
chorus Chorus may refer to: Music * Chorus (song) or refrain, line or lines that are repeated in music or in verse * Chorus effect, the perception of similar sounds from multiple sources as a single, richer sound * Chorus form, song in which all verse ...
, large
orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...
,
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
solo and incidental
tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...
and
alto The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by ...
solos.


Origins

Samuel Barber began writing the ''Prayers of Kierkegaard'' with the commission of the
Koussevitzky Music Foundation Sergei Alexandrovich KoussevitzkyKoussevitzky's original Russian forename is usually transliterated into English as either "Sergei" or "Sergey"; however, he himself adopted the French spelling " Serge", using it in his signature. (SeThe Koussevi ...
in 1942, but because of
World War II World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposin ...
and other interruptions, only completed the work 12 years later. It was premiered on December 3, 1954 by the
Boston Symphony Orchestra The Boston Symphony Orchestra (BSO) is an American orchestra based in Boston, Massachusetts. It is the second-oldest of the five major American symphony orchestras commonly referred to as the " Big Five". Founded by Henry Lee Higginson in 1881, ...
, the Cecilia Society Chorus, and soprano Leontyne Price, with Charles Munch conducting.


Historical significance

Samuel Barber chose a selection of prayers by philosopher and theologian Søren Kierkegaard derived from his '' Journals'' as well as his books ''The Unchangeableness of God'' and ''
Christian Discourses Søren Kierkegaard asked how the burden can be light if the suffering is heavy in his 1847 book ''Edifying Discourses in Diverse Spirits''. He also said the happiness of eternity still outweighs even the heaviest temporal suffering in the same boo ...
''. These works were harsh discourses of the vague practices of the Danish church, and were a direct reflection of Barber's orthodox
Presbyterian Presbyterianism is a part of the Reformed tradition within Protestantism that broke from the Roman Catholic Church in Scotland by John Knox, who was a priest at St. Giles Cathedral (Church of Scotland). Presbyterian churches derive their nam ...
-
Quaker Quakers are people who belong to a historically Protestant Christian set of Christian denomination, denominations known formally as the Religious Society of Friends. Members of these movements ("theFriends") are generally united by a belie ...
background. In direct correlation with his ''
Hermit Songs ''Hermit Songs'' is a cycle of ten songs for voice and piano by Samuel Barber. Written in 1953 on a grant from the Elizabeth Sprague Coolidge Foundation, it takes as its basis a collection of anonymous poems written by Irish monks and scholars ...
'' (1953), Barber began to use sacred texts to show the realistic but extremely hopeful outlook of
American Christianity Christianity is the most prevalent religion in the United States. Estimates from 2021 suggest that of the entire US population (332 million) about 63% is Christian (210 million). The majority of Christian Americans are Protestantism, Protestant ...
, especially the
Protestantism Protestantism is a branch of Christianity that follows the theological tenets of the Protestant Reformation, a movement that began seeking to reform the Catholic Church from within in the 16th century against what its followers perceived to b ...
of this period. Barber once said when speaking about the piece, "One finds here three basic truths: imagination, dialectic, and religious melancholy. The truth Søren Kierkegaard sought after was a truth which was a truth for me."


Musical significance

''Prayers of Kierkegaard'' is an unequivocal religious statement that Samuel Barber divided into four distinct parts, each representing a different prayer. The first section speaks of “God the Unchangeable” and begins in an unaccompanied chant performed by unaccompanied male voices in a
Gregorian chant Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe durin ...
style. It then continues with the orchestra responding to the chant in
imitative counterpoint In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...
until the chorus and orchestra join in climax on the words "Thou Art Unchanging", repeating the theme of the text. In the second section, which is recited in the first person, the soprano solo receives the melody from an
oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...
solo. This
minimalism In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Don ...
, however, is changed in the third section that reflects Russian chorus writing in the thickness of the lines. This prayer grows in both the chorus and the orchestra, until it expands into a dance which ends with the ''sempre forte'' "Father In Heaven" by the chorus. This is one of Samuel Barber's most personal works and "the prayers Barber chose to set were taken from Kierkegaard’s journals and sermons, and reflect both Kierkegaard’s and Barber’s belief in the power of God’s redemption through affirmative human deeds and personal self-awareness."


References


Further reading

* Giordano, Diego. "Samuel Barber: Kierkegaard, From a Musical Point of View". In ''Kierkegaard Research: Sources, Reception and Resources'' (Series), Jon Stewart (ed.), Vol. 12, ''Kierkegaard's Influence on Literature, Criticism, and Art'', Tome IV, ''The Anglophone World''. Aldershot: Ashgate 2012. * Heyman, Barbara B. ''Samuel Barber: The Composer and His Music''. New York and Oxford: Oxford University Press, 1992. . * Staubrand, Jens. ''Kierkegaard International Bibliography Music Works and Plays''. rederiksberg Søren Kierkegaard Kulturproduktion, 2009. In English and Danish. .


External links


Review of the premiere of the work in ''Time Magazine'' December 20, 1954
{{DEFAULTSORT:Prayers Of Kierkegaard Adaptations of works by Søren Kierkegaard Cantatas Compositions by Samuel Barber 1954 compositions