Post-bop is a genre of small-combo

jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major ...

that evolved in the early to mid 1960s in the United States. Pioneers of the genre, such as

Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of music ...

Charles Mingus Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, pianist, composer, bandleader, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and ...

Wayne Shorter Wayne Shorter (born August 25, 1933) is an American jazz saxophonist and composer. Shorter came to prominence in the late 1950s as a member of, and eventually primary composer for, Art Blakey's Jazz Messengers. In the 1960s, he joined Miles Davi ...

Herbie Hancock Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he help ...

John Coltrane John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of br ...

and

Jackie McLean John Lenwood "Jackie" McLean (May 17, 1931 – March 31, 2006) was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the ''DownBeat'' Hall of Fame in the year of their deat ...

, crafted syntheses of

hard bop Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospe ...

with contemporaneous developments in

avant-garde jazz Avant-garde jazz (also known as avant-jazz and experimental jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the early 1950s and developed through to the late 1960s. Orig ...

modal jazz Modal jazz is jazz that makes use of musical modes, often modulating among them to accompany the chords instead of relying on one tonal center used across the piece. Although precedents exist, modal jazz was crystallized as a theory by compose ...

and

free jazz Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during ...

that resulted in music with a complex and experimental flavor though still rooted in bop tradition, featuring less of the

blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...

and

soul In many religious and philosophical traditions, there is a belief that a soul is "the immaterial aspect or essence of a human being". Etymology The Modern English noun ''soul'' is derived from Old English ''sāwol, sāwel''. The earliest attes ...

leanings predominant in hard bop. The movement had a significant impact on subsequent generations of both acoustic jazz and

fusion Fusion, or synthesis, is the process of combining two or more distinct entities into a new whole. Fusion may also refer to: Science and technology Physics *Nuclear fusion, multiple atomic nuclei combining to form one or more different atomic nucl ...

musicians.

Definition

Post-bop refers to a body of music that emerged in the late 1950s and 60s that combined principles of bebop,

avant-garde The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical ...

and

, but also departed from earlier traditions in jazz. Post-bop can refer to a variety of Jazz music that is post-bebop chronologically but in the common understanding post-bop music reflects these influences: the more open approach to the jazz ensemble crystallized by the second

Miles Davis Quintet The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and ...

, and the modal intensity of that group as well as of the classic John Coltrane Quartet. According to

musicologist Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some mu ...

Jeremy Yudkin, post-bop does not follow "the conventions of bop or the apparently formless freedom of the new jazz". He wrote in his definition of the subgenre: According to scholar Keith Waters, some of the traits found in post-bop recordings are: a slower harmonic rhythm characteristic of modal jazz, techniques for playing "inside" and "outside" the underlying harmonic structure, an interactive (or conversational) approach to rhythm section accompaniment, unusual harmonic progressions, use of harmonic or metric superimposition, unusual underlying formal designs for head statements and chorus structure improvisation, or the abandonment entirely of underlying chorus structure beneath improvisation.

History

' second quintet was active during 1964 to 1968 and featured pianist

, bassist

Ron Carter Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded nu ...

, saxophonist

, and drummer Tony Williams. They recorded six studio albums that, according to

All About Jazz ''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near ...

's C. Michael Bailey, introduced post-bop: '' E.S.P.'' (1965), ''

Miles Smiles ''Miles Smiles'' is an album by jazz musician Miles Davis, released on February 16, 1967 on Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City on October 24 and October 25, 1966. It i ...

'' (1967), '' Sorcerer'' (1967), ''

Nefertiti Neferneferuaten Nefertiti () ( – c. 1330 BC) was a queen of the 18th Dynasty of Ancient Egypt, the great royal wife of Pharaoh Akhenaten. Nefertiti and her husband were known for a radical change in national religious policy, in whic ...

'' (1968), ''

Miles in the Sky ''Miles in the Sky'' is a studio album by American trumpeter and composer Miles Davis, released on July 22, 1968, by Columbia Records. It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray int ...

'' (1968), and ''

Filles de Kilimanjaro ' (French for ''Girls of Kilimanjaro'') is a studio album by American jazz trumpeter Miles Davis. It was recorded in June and September 1968, and released on Columbia Records. It was released in the United Kingdom by the company's subsidiary Colum ...

'' (1968).

Legacy

The abstractness and the free form of post bop music influenced fusion music in the 1970s. It transformed jazz music to another level that incorporates much more creative freedom and playing. The form free, harmonically free, and abstract post bop influenced artists to move away from the diatonic approaches and opened up the creative aspects of Jazz music. According to the book ''Miles Davis, Miles Smiles, and the Invention of Post Bop, “Miles Davis is really the one who started Post Bop and continued on the legacy of his own creation towards fusion and hard bop."

References

External links

"Post Bop"
Indie Jazz.

Rhapsody.com.
"Post Bop"
Jazz Music Archives.
"Post-Bop"

AllMusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ...

"Post-Bop Records Of The Modern Era"
''

'', August 16, 2005. {{Jazzfooter, state=collapsed Jazz genres

Definition

History

Legacy

See also

References

External links