Portrait Of Pope Innocent X
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''Portrait of Pope Innocent X'' is an oil on canvas portrait by the Spanish painter
Diego Velázquez Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of th ...
, executed during a trip to Italy around 1650. Many artists and art critics consider it the finest portrait ever created. It is housed in the Galleria Doria Pamphilj in Rome. A smaller version is held by the Metropolitan Museum of Art in New York, and a study is on display at Apsley House in London. The painting is noted for its realism as an unflinching portrait of a highly intelligent, shrewd, and aging man. He is dressed in linen vestments, and the quality of the work is evident in the rich reds of his upper clothing, head-dress, and the hanging curtains. The pope, born
Giovanni Battista Pamphilj Pope Innocent X ( la, Innocentius X; it, Innocenzo X; 6 May 1574 – 7 January 1655), born Giovanni Battista Pamphilj (or Pamphili), was head of the Catholic Church and ruler of the Papal States from 15 September 1644 to his death in January ...
, was initially wary of sitting for Velázquez, but relented after he was shown reproductions of portraits by the artist. A contributing factor for this large advancement in the painter's career was that he had already depicted a number of members of Pamphilj's inner court. The pope, however, remained cautious, and the painting was initially displayed only to his immediate family, and was largely lost from public view through the 17th and 18th centuries.


History

The portrait was painted during Velázquez's second voyage to Italy, between 1649 and 1651. The subject's vestments are of light
linen Linen () is a textile made from the fibers of the flax plant. Linen is very strong, absorbent, and dries faster than cotton. Because of these properties, linen is comfortable to wear in hot weather and is valued for use in garments. It also ...
, suggesting that the picture was probably painted during summer, most likely in 1650. Velázquez included his signature on the paper in the pope's hands, but the date is not readable. There are two versions of the story of how Velázquez came to paint the portrait. According to one of these, while visiting Rome, Velázquez, already a renowned painter, was granted an audience with Pope Innocent X. He offered to paint a portrait of the pope, but Innocent X mistrusted Velázquez's fame, and asked for proof of Veláquez's skills. It would have been then that Velázquez painted the portrait of his servant Juan de Pareja (today at display in the Metropolitan Museum of New York). Once Innocent saw that portrait, he agreed to sit for the artist. Apparently, when the pope saw the finished portrait, he exclaimed: ''"È troppo vero! È troppo vero!"'' (''"It's too true! It's too true!"''), though he did not deny the extraordinary quality of the portrait. Experts doubt the veracity of this story, and argue that the pope allowed Velázquez to paint him because he had already painted with great success other people from the inner papal court, including the pope's barber. The portrait was kept at private display by Innocent's family, the
Pamphilj The House of Pamphili (often with the final ''long i'' orthography, Pamphilj) was one of the papal families deeply entrenched in Catholic Church, Roman and Italian politics of the 16th and 17th centuries. Later, the Pamphili family line merged ...
, who would display it in the
Doria Pamphilj Gallery The Doria Pamphilj Gallery is a large art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso (until recently, the entrance to the gallery was fr ...
where it remains to this day. For much of the 17th and 18th centuries, it was a relatively unknown work, familiar only to a few connoisseurs who regarded it to be one of the finest portraits ever. French historian Hippolyte Taine considered the portrait as "the masterpiece amongst all portraits" and said "once it has been seen, it is impossible to forget". The art dealer
René Gimpel René Albert Gimpel (4 October 1881–3 January 1945) was a prominent French art dealer of Alsatian Jewish descent who died in 1945 in Neuengamme concentration camp, near Hamburg, Germany. Friend and patron of living artists and collectors, he ...
noted in his diary in 1923 "
Morgan Morgan may refer to: People and fictional characters * Morgan (given name), including a list of people and fictional characters * Morgan le Fay, a powerful witch in Arthurian legend * Morgan (surname), a surname of Welsh origin * Morgan (singer), ...
would have offered a million dollars for it. Velázquez was faced with a ruddy Italian, and the artist, accustomed to the pale complexions of his country, unhesitatingly steeped his brush in red the color of wine and brought the bon vivant devastatingly to life.... That face is a whirlpool of flesh, and blood, and life; the eyes are searching."


Influence

The 20th century artist Francis Bacon painted a series of distorted variants, often known as the "Screaming Popes", which total more than forty-five known variants executed during the 1950s and early 1960s. The picture was described by
Gilles Deleuze Gilles Louis René Deleuze ( , ; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volu ...
as an example of creative re-interpretation of the classical. Bacon avoided seeing the original, but the painting remained the single greatest influence on him; its presence can be seen in many of his best works from the late 1940s to the early 1960s. In Bacon's 1953 version ''
Study after Velázquez's Portrait of Pope Innocent X ''Study after Velázquez's Portrait of Pope Innocent X'' is a 1953 painting by the artist Francis Bacon. The work shows a distorted version of the ''Portrait of Innocent X'' painted by Spanish artist Diego Velázquez in 1650. The work is one of ...
'', the pope is shown screaming yet his voice is "silenced" by the enclosing drapes and dark rich colors which have been said to create a grotesque and nightmarish tone. The pleated curtains of the backdrop are rendered transparent and appear to fall through the representation of the pope's face.Peppiatt, 148 A reversed form of the portrait features on the cover of occult rock band
Ghost A ghost is the soul or spirit of a dead person or animal that is believed to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely from an invisible presence to translucent or barely visible wispy shapes, to rea ...
's album '' Prequelle''.


References


Sources

* Peppiatt, Michael. ''Anatomy of an Enigma''. Westview Press, 1996. * Schmied, Wieland. ''Francis Bacon: Commitment and Conflict''. Munich: Prestel, 1996. {{ACArt, country=ES 1650 paintings Innocent
Innocent X Pope Innocent X ( la, Innocentius X; it, Innocenzo X; 6 May 1574 – 7 January 1655), born Giovanni Battista Pamphilj (or Pamphili), was head of the Catholic Church and ruler of the Papal States from 15 September 1644 to his death in January ...
Collections of the Doria Pamphilj Gallery Pope Innocent X