''Plenty, Plenty Soul'' is an album by American jazz vibraphonist

Milt Jackson Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solo ...

featuring performances recorded in 1957 and released on the

Atlantic The Atlantic Ocean is the second-largest of the world's five oceans, with an area of about . It covers approximately 20% of Earth's surface and about 29% of its water surface area. It is known to separate the " Old World" of Africa, Europe an ...

label.Milt Jackson discography
accessed January 17, 2012.

Reception

The

Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ...

review by

Scott Yanow Scott Yanow (born October 4, 1954) is an American jazz reviewer, historian, and author.Allmusic Biography/ref> Biography Yanow was born in New York City and grew up near Los Angeles. Since 1974, he was a regular reviewer of many jazz styles an ...

stated that "these all-star dates still sound fresh and enthusiastic decades later".Yanow, S
Allmusic Review
accessed January 17, 2012.

Track listing

:''All compositions by Milt Jackson, except as indicated'' # "Plenty, Plenty Soul" (Milt Jackson,

Quincy Jones Quincy Delight Jones Jr. (born March 14, 1933) is an American record producer, musician, songwriter, composer, arranger, and film and television producer. His career spans 70 years in the entertainment industry with a record of 80 Grammy Award n ...

) - 9:33 # "Boogity Boogity" (Jones) - 4:55 # "Heartstrings" - 4:53 # "Sermonette" (

Cannonball Adderley Julian Edwin "Cannonball" Adderley (September 15, 1928August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. Adderley is perhaps best remembered for the 1966 soul jazz single "Mercy, Mercy, Mercy", whi ...

) - 5:23 # "The Spirit-Feel" - 4:22 # "Ignunt Oil" - 5:35 # "Blues at Twilight" (Jones) - 6:46 :*Recorded in New York City on January 5 (tracks 4–7) and January 7 (tracks 1–3), 1957

Personnel

– vibes * Joe Newman -

trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...

Jimmy Cleveland James Milton Cleveland (May 3, 1926 – August 23, 2008) was an American jazz trombonist born in Wartrace, Tennessee.

trombone The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column ...

(tracks 1–3) *

alto saxophone The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor ...

(tracks 1–3) * Frank Foster (tracks 1–3),

Lucky Thompson Eli "Lucky" Thompson (June 16, 1924 – July 30, 2005) was an American jazz tenor and soprano saxophonist whose playing combined elements of swing and bebop. Although John Coltrane usually receives the most credit for bringing the soprano sa ...

(tracks 4–7) -

tenor saxophone The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while th ...

Sahib Shihab Sahib Shihab (born Edmund Gregory; June 23, 1925 – October 24, 1989) was an American jazz and hard bop saxophonist (baritone, alto, and soprano) and flautist. He variously worked with Luther Henderson, Thelonious Monk, Fletcher Henderson, ...

baritone saxophone The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contra ...

(tracks 1–3) *

Horace Silver Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at sch ...

piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...

Percy Heath Percy Heath (April 30, 1923 – April 28, 2005) was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout ...

(tracks 1–3),

Oscar Pettiford Oscar Pettiford (September 30, 1922 – September 8, 1960) was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom. Biography Pettiford was born in Okmulgee, Oklahoma, United ...

(tracks 4–7) - bass *

Art Blakey Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1 ...

(tracks 1–3),

Connie Kay Conrad Henry Kirnon (April 27, 1927 – November 30, 1994) known professionally as Connie Kay, was an American jazz and R&B drummer, who was a member of the Modern Jazz Quartet. Self-taught on drums, he began performing in Los Angeles in the mid ...

(tracks 4––7) –

drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ...

arranger In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orches ...

(tracks 1–3)

References

{{Authority control Atlantic Records albums Milt Jackson albums 1957 albums Albums produced by Nesuhi Ertegun