Pieter De Bruyne
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Pieter De Bruyne (
Aalst, Belgium Aalst (; french: Alost, ; Brabantian dialect, Brabantian: ''Oilsjt'') is a City status in Belgium, city and Municipalities in Belgium, municipality on the Dender River, northwest from Brussels in the Flemish Region, Flemish Provinces of Belgium, ...
, 1931 - 1987) was a Flemish artist, designer and interior architect.


Life

In 1953, De Bruyne graduated as an interior architect at the Sint-Lucas School in
Brussels Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Bruss ...
. In 1955–56 and 1957, he participated in the salons of modern social furniture in Ghent, and in 1958, he received the “Golden Mark”. At this time, De Bruyne also did an internship at Studio
Giò Ponti Giovanni "Gio" Ponti ( ͡ʒo18 November 1891 – 16 September 1979) was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher. During his career, which spanned six decades, Ponti built more than a ...
in Milan. In 1959, he received an honourable mention in the international furniture competition of Cantù. In 1960, De Bruyne won a prize with chair designs in the European
Arflex Arflex is an Italian company that makes and sells contemporary furniture. History In 1947, after the war, a group of researchers and entrepreneurs began to work on two new upholstering materials, foam rubber and elastic tape made by Pirelli, ...
-
Domus (magazine) ''Domus'' is an architecture and design magazine founded in 1928 by architect Gio Ponti and Barnabite father Giovanni Semeria. Published by Editoriale Domus, the magazine is issued 11 times a year on a monthly basis and has its headquarters in R ...
competition in Milan. In 1961, he won another prize at Cantù with a dining room design. He held exhibitions in Belgium and abroad and took on the most diverse assignments. De Bruyne taught at the St.-Lukas Institute in Schaarbeek, and received a state prize in 1984 for his artistic career. The entire archive of his work is owned by the
Design Museum Gent Design Museum Gent is a museum in Belgium with an international design collection. The museum complex is located in the tourist centre of Ghent and comprises an 18th-century mansion and a modern wing. The museum holds a collection of Belgian desig ...
.


Work

On the occasion of an exhibit in the Saint Peter’s Abbey in Ghent in 1976, Jan Pieter Ballegeer writes: “But what is the message of De Bruyne’s furniture? There is, first and foremost, an attack of sorts on the familiar itself, an annihilation, if you will, of the common. There is a distortion of objects as one sees in
dadaism Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris ...
,
surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to l ...
and pop-art. However, De Bruyne’s deformation is not characteristically expressionistic, not mainly meant to be understood immediately, but rather delicately mysterious and complexly aesthetic, ingeniously manneristic. The designer’s artistic self-awareness lends to his furniture a remarkable monumentality? Their nature almost demands that they not be placed against walls or in corners, but that they stand free in space, like sculptures.


Pioneer of the postmodern

De Bruyne’s projects from the period 1970–1987 should definitely be linked to the
postmodern Postmodernism is an intellectual stance or mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by skepticism toward the " grand narratives" of moderni ...
school in architecture and design. The best-known designers in this respect are
Studio Alchimia Studio Alchimia was a post-radical Radical may refer to: Politics and ideology Politics *Radical politics, the political intent of fundamental societal change *Radicalism (historical), the Radical Movement that began in late 18th century Britain a ...
and the
Memphis Group The Memphis Group, also known as Memphis Milano, was an Italian design and architecture group founded by Ettore Sottsass. It was active from 1980 to 1987. The group designed postmodern furniture, lighting, fabrics, carpets, ceramics, glass and m ...
(
Alessandro Mendini Alessandro Mendini (16 August 1931 – 18 February 2019) was an Italian designer and architect. He played an important part in the development of Italian, Postmodern, and Radical design. He also worked, aside from his artistic career, for ''C ...
, A. Branzi,
Ettore Sottsass Ettore Sottsass (Innsbruck, Austria 14 September 1917 – Milan, Italy 31 December 2007) was a 20th century Italian architect, noted for also designing furniture, jewellery, glass, lighting, home and office wares, as well as numerous buildings an ...
). The many traits in common with the postmodern Italians should not obscure the fact that De Bruyne had already started this type of work in 1970, whereas
Studio Alchimia Studio Alchimia was a post-radical Radical may refer to: Politics and ideology Politics *Radical politics, the political intent of fundamental societal change *Radicalism (historical), the Radical Movement that began in late 18th century Britain a ...
and the
Memphis Group The Memphis Group, also known as Memphis Milano, was an Italian design and architecture group founded by Ettore Sottsass. It was active from 1980 to 1987. The group designed postmodern furniture, lighting, fabrics, carpets, ceramics, glass and m ...
only developed their activities a decade later. This is exactly why some call De Bruyne a precursor of postmodern furniture.


Chantilly cabinet

De Bruyne was paid hommage in the exhibition “Postmodernism, style and subversion 1970–1990” in the London
Victoria and Albert Museum The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and nam ...
(2011–2012), where his Chantilly cabinet (1975) took up a prominent place.


Egypt

In 1974, a special interest in
Egypt Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia via a land bridge formed by the Sinai Peninsula. It is bordered by the Mediter ...
takes hold. De Bruyne looks into the meaning of Egyptian contributions to furniture history. Like a scientist, De Bruyne collects data about the Egyptian furniture piece, analyses and compares it. A decade worth of numerous measurements results in hundreds of drawings about the structure of the Egyptian furniture. Based on these drawings, he makes mathematical and structural analyses. In 1985, De Bruyne comes up with spectacular results: he supposedly found the key to the secret canon and deciphered the underlying laws of Egyptian furniture, painting and sculpture. Moreover, his findings would serve as a basis for the understanding of Egyptian pyramids from a rational and mathematical perspective. De Bruyne plans a book with the results of his studies by the end of 1985, but finds some obstacles in his way that complicate the completion of his work. In February 1987, De Bruyne passes away. In 1982, he used the Egyptian measuring system in his own designs. By the end of his career, he would apply the entire canon to his work.


Furniture and objects

Pieter De Bruyne designed an unprecedented number of furniture pieces and objects, over 200 of which were realised. De Bruyne also designed more than 175 interiors and architectural projects. De Bruyne designed also 5 chandeliers for Arteluce ( Gino Sarfatti) and Stilnovo. De Bruyne's furniture has been exhibited both at home and abroad, including Los Angeles, London, Mainz, Zurich, Bari and Amsterdam. In 2022, De Bruyne made its debut at the art and design fair PAD Paris.


Pieter De Bruyne residence

In 1972, he renovated a neoclassicistic townhouse in Aalst, turning it into a work residence. In 2008 the building was protected as monument. The designer named several rooms after a special colour, which then defined its decoration, like the blue room.


Van Schuylenbergh residence

In 1979-1986, Pieter De Bruyne delivers his final masterpiece. A townhouse in Aalst near Brussels. In 2021 the building and its entire interior were protected as monument by the flemish minister Matthias Diependaele. In 2022, the property received national and international attention with the publication of an article in the specialised magazines Interior Design(US) and the German Häuser. Earlier, an article also appeared in heritage magazine Monumentaal(NL).


Bibliography

*Schofield, M., (red.) (1978) Decorative Art and Modern Interiors 1978, Volume 67, London, New York, 38-45. *Kieckens, Christian & Storgaard, Eva :''Pieter De Bruyne - Pionier van het postmoderne'', Uitg Academic & Scientific Publischers, Brussel, *Gillo Dorfles "I Mobili simbolici di Pieter De Bruyne", Domus 668, gennaio 1986, 72-73. *Sven-Claude Bettinger, "Pieter De Bruyne, Möbel-Plastiken und Interieurs für Ästheten", Raum, n°8 1983, 2-6. *Stefano Casciani, "Per una poetica industriale", Casa Vogue n°171 1986, 150-151. *Bekkers, L., (1988) Pieter De Bruyne, de ontwerper als kunstenaar, Ons Erfdeel 31.2 (maart-april), 175-181. *Daenens, L., Defour, F., (1991) Meubeldesign en kunst. Pieter De Bruyne, Frans Van Praet, Emile Veranneman, Brussel, Gemeentekrediet, 29-45. *Dufour, Frans. ''Belgische meubelkunst in de XXe eeuw, van Horta tot heden'', Uitg Lannoo, Tielt, ISBN D19794556 *Kieckens, C., (2000) De meubelkunst van Pieter De Bruyne, onuitgegeven nota. *Norberg-Schulz, C., en Vanderperren, J., (1980) Pieter De Bruyne 25 jaar Meubels, Gent. *Valcke, J., (1987) Naar de essentie van het meubel, Belgisch kreatief ambacht 23.3, 3-10.


References

{{DEFAULTSORT:De Bruyne, Pieter 20th-century Belgian architects Belgian interior designers Belgian furniture designers Belgian architects People from Aalst, Belgium 1931 births 1987 deaths