Piano Sonata No. 1 (Mozart)
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Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...
's Piano Sonata No. 1 in
C major C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and ...
, K. 279 / 189d (
1774 Events January–March * January 21 – Mustafa III, List of Ottoman Sultans, Sultan of the Ottoman Empire, dies and is succeeded by his brother Abdul Hamid I. * January 27 ** An angry crowd in Boston, Massachusetts seizes, tars, and f ...
), is a piano sonata in three movements. It was written down, except for the first part of the opening movement, during the visit Mozart paid to Munich for the production of ''
La finta giardiniera ' ("The Pretend Garden-Girl"), K. 196, is an Italian-language opera by Wolfgang Amadeus Mozart. Mozart wrote it in Munich in January 1775 when he was 18 years old and it received its first performance on 13 January at the in Munich. There is deb ...
'' from late 1774 to the beginning of the following March. It is the first of his 18 piano sonatas. A typical performance of the sonata takes about 14 minutes.


Movements

The sonata is in 3 movements:


I. Allegro

The first movement, marked ''Allegro'', is structured in sonata form; the exposition opens with a turning figure for the left hand, which forms the basis for much of this movement. After a repeat of the opening 2 bars, an
Alberti bass Alberti bass is a particular kind of accompaniment figure (music), figure in music, often used in the classical music era, Classical era, and sometimes the Romantic music, Romantic era. It was named after Domenico Alberti (1710–1740/46), ...
is introduced for the left hand, whilst the right hand plays the
melody A melody (from Greek language, Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a Linearity#Music, linear succession of musical tones that the listener perceives as a single entity. In its most liter ...
based on the opening turning figure. The opening section uses
chromatic Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, ...
appogiaturas for colour. An imperfect cadence leads towards the dominant (
G major G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositi ...
) in preparation for the 2nd
subject Subject ( la, subiectus "lying beneath") may refer to: Philosophy *''Hypokeimenon'', or ''subiectum'', in metaphysics, the "internal", non-objective being of a thing **Subject (philosophy), a being that has subjective experiences, subjective cons ...
, as expected. The second subject focuses on rapid scales and leads to a perfect cadence in G major, ready for the development section. The exposition is repeated, which is standard for sonata form. The development begins in G minor uses the opening theme to follow a series of ascending
arpeggio A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played ...
s in several keys before moving towards G major and then back to the tonic, C major, for the recapitulation. The recapitulation follows a similar structure to the exposition, although the imperfect cadence that led to the dominant previously now leads to the final 10 bars of the exposition, this time in the tonic key. The first movement ends with a perfect cadence and a three bar elaboration on the tonic with an inverted c major chord.


II. Andante

The Andante is full of expressive shading, the result of Mozart's harmonic freedom. This movement is based in
F major F major (or the key of F) is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor F minor is a minor scale based on F, consis ...
, the
subdominant In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdomina ...
of the whole work's tonal home and is structured in sonata form. By the end of the exposition, Mozart has modulated to the dominant, C major and begins the development in this key. The work then quickly makes temporary transitions through G and
D minor D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for t ...
, in order to move back to the tonic for the recapitulation, which follows the exposition closely.


III. Allegro

The Allegro is in time, and is based in C major. This features an unusually active part for the left hand, another extended development section, and a surprising close: Mozart rounds the sonata off with two firm chords, which he marks ''Coda''.


References


External links

* * * (
Alte Mozart-Ausgabe The ''Alte Mozart-Ausgabe'' is the name by which the first complete edition of the music of Wolfgang Amadeus Mozart, is known nowadays, published by Breitkopf & Härtel from January 1877 to December 1883, with supplements published until 1910. Th ...
version) {{Authority control Piano Sonata 01 Compositions in C major 1774 compositions