Philibert de l'Orme () (3-9 June 1514 – 8 January 1570) was a French
architect
An architect is a person who plans, designs and oversees the construction of buildings. To practice architecture means to provide services in connection with the design of buildings and the space within the site surrounding the buildings that h ...
and writer, and one of the great masters of
French Renaissance architecture. His surname is also written De l'Orme, de L'Orme, or Delorme.
Biography
Early career
Philbert de l'Orme was born between 3 and 9 June 1514 in
Lyon
Lyon,, ; Occitan: ''Lion'', hist. ''Lionés'' also spelled in English as Lyons, is the third-largest city and second-largest metropolitan area of France. It is located at the confluence of the rivers Rhône and Saône, to the northwest of t ...
. His father was Jehan de L'Orme, a master mason and entrepreneur, who, in the 1530s, employed three hundred workers and built prestigious buildings for the elite of the city.
[Boudon 1999, p. 204.] When Philibert was nineteen he departed Lyon for Italy, where he remained for three years, working on building projects for
Pope Paul III
Pope Paul III ( la, Paulus III; it, Paolo III; 29 February 1468 – 10 November 1549), born Alessandro Farnese, was head of the Catholic Church and ruler of the Papal States from 13 October 1534 to his death in November 1549.
He came to ...
.
[ In Rome he was introduced to Cardinal ]Jean du Bellay
Jean du Bellay (1492 – 16 February 1560) was a French diplomat and cardinal, a younger brother of Guillaume du Bellay, and cousin and patron of the poet Joachim du Bellay. He was bishop of Bayonne by 1526, member of the ''Conseil privé'' (pr ...
, the Ambassador of King François I
Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once ...
to the Vatican, who became his protector and client. Du Bellay was also the patron of his friend Francois Rabelais. In about 1540 de l'Orme moved to Paris, and was soon occupied with royal projects.
Royal architect of Henry II (1548-1559)
On April 3, 1548 he was a named architect of the King by Henry II. For a period of eleven years, he supervised all of the King's architectural projects, with the exception of changes to the Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
, which were planned by another royal architect, Pierre Lescot
Pierre Lescot (c. 1515 – 10 September 1578) was a French architect active during the French Renaissance. His most notable works include the Fontaine des Innocents and the Lescot wing of the Louvre in Paris. He played an important role in th ...
. His major projects included the Château de St Maur-des-Fossés, the Château d'Anet, the Château de Chenonceau
The Château de Chenonceau () is a French château spanning the river Cher, near the small village of Chenonceaux, Indre-et-Loire, Centre-Val de Loire. It is one of the best-known châteaux of the Loire Valley.
The estate of Chenonceau is firs ...
in the Loire Valley; the royal Château de Madrid in the Bois de Boulogne; the Château de Vincennes
The Château de Vincennes () is a former fortress and royal residence next to the town of Vincennes, on the eastern edge of Paris, alongside the Bois de Vincennes. It was largely built between 1361 and 1369, and was a preferred residence, after ...
, and major modifications to the Palace of Fontainebleau
Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence ...
.[Boudon 1999, pp. 204–205.]
He also made a reputation as a writer and theorist, and as an innovator in building techniques. He invented a new system for making the essential wooden frameworks for constructing stone buildings, called ''charpente à petits bois'', which was quicker and less expensive than previous methods and used much less wood. He demonstrated it before the King in 1555, and put it to work in construction at the new royal Château de Montceaux
The Château de Montceaux, also known as the Château de Montceaux-en-Brie or the Château de Montceaux-lès-Meaux, was a royal French Renaissance château, located in what is now the commune of Montceaux-lès-Meaux in the Seine-et-Marne departme ...
and at the royal hunting lodge in the Forest of Saint-Germain-en-Laye.[
]
Out of favor - architectural theorist (1559-1563)
The death of Henry II of France
Henry II (french: Henri II; 31 March 1519 – 10 July 1559) was King of France from 31 March 1547 until his death in 1559. The second son of Francis I and Duchess Claude of Brittany, he became Dauphin of France upon the death of his elder bro ...
on July 10, 1559 suddenly left him without a patron and at the mercy of rival architects who resented his success and his style. Two days later, on 10 July, he was dismissed from his official posts, and replaced by an Italian artist and architect, Francesco Primaticcio
Francesco Primaticcio (April 30, 1504 – 1570) was an Italian Mannerist painter, architect and sculptor who spent most of his career in France.
Biography
Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of I ...
, whose work was much in fashion. He had joined a religious order, and decided to turn his attention to meditation, scholarship and writing. He made another trip to Rome to inspect the new works of Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was insp ...
. Beginning in 1565 wrote the first volume of a work on architectural theory, which was scientific and philosophical. It was published in 1567, and was followed by new editions after his death in 1576, 1626 and 1648.[Boudon 1999, p. 205.]
Royal architect again (1563-1570)
Under Charles IX and Catherine de Medici, he returned to royal favor. He was employed on the enlargement of the Chateau of Saint Maur (1563) and, along with Jean Bullant
Jean Bullant (1515 – 13 October 1578) was a French architect and sculptor who built the tombs of Anne de Montmorency, Grand Connétable of France, Henri II, and Catherine de' Medici. He also worked on the Tuileries, the Louvre, and th ...
, on additions to the Tuileries Palace
The Tuileries Palace (french: Palais des Tuileries, ) was a royal and imperial palace in Paris which stood on the right bank of the River Seine, directly in front of the Louvre. It was the usual Parisian residence of most French monarchs, from ...
(1564). He died in Paris in 1570, while this project was underway.[
]
Reputation
In the 17th century, during the period of Louis XIV style
The Louis XIV style or ''Louis Quatorze'' ( , ), also called French classicism, was the style of architecture and decorative arts intended to glorify King Louis XIV and his reign. It featured majesty, harmony and regularity. It became the officia ...
that followed his death, his reputation suffered. The grand stairway that he built at the Tuileries Palace
The Tuileries Palace (french: Palais des Tuileries, ) was a royal and imperial palace in Paris which stood on the right bank of the River Seine, directly in front of the Louvre. It was the usual Parisian residence of most French monarchs, from ...
was demolished in 1664, as was his Château de Saint-Léger in 1668, to make way for classical structures. In 1683, he was denounced by François Blondel
François Blondel ( June 1618 – 21 January 1686) was a soldier, engineer of fortifications, mathematician, diplomat, military and civil engineer and architect, called "the Great Blondel", to distinguish him in a dynasty of French architects. ...
of the Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its pur ...
for his "villainous Gothic ornaments" and his "petty manner". Nonetheless, his two major theoretical works on construction and design continued to be important textbooks, and were regularly republished and read.
His reputation rose again in the 18th century, through the writings of Dezallier d'Argenville
The family of Dezallier d'Argenville produced two writers and connoisseurs, father and son, in the course of the 18th century. The father, Antoine-Joseph Dezallier d'Argenville (1680–1765) is now best known for writing the fullest French trea ...
, who wrote in 1787 that he had "abandoned the Gothic covering in order to redress French architecture in the style Ancient Greece." D'Argenville wrote the first biography and catalog of works. Though few of his building survived to be studied carefully, later important academic works on de l'Orme were written in the 19th and 20th centuries by art historians including H. Clouzot and Anthony Blunt
Anthony Frederick Blunt (26 September 1907 – 26 March 1983), styled Sir Anthony Blunt KCVO from 1956 to November 1979, was a leading British art historian and Soviet spy.
Blunt was professor of art history at the University of London, dire ...
.[
One of De l'Orme's primary accomplishments was to change the way architects trained and studied. He insisted that architects needed formal education in classical architecture, as well as in geometry and astronomy and the sciences, but also needed practical experience in construction. He himself was an accomplished scholar of ancient Greek and Roman architecture, as well as a humanist scholar. He argued that architects needed to be able to design and manage every aspect of the building, from the volumes to the ''lambris'' to adding up the cost, making detailed three-dimensional drawings of vaults, judging if wood was dry enough, and knowing to stop digging the foundation when the first sand was encountered. He had scorn for those architects who could design a facade but had no knowledge actual construction. His opponents scorned him for his background as the son of a masonry contractor. He was referred to by Bernard Palissy as "The god of the stone masons", which deeply offended him.][Boudon 1999, p. 206.]
His other major accomplishment was to resist the tendency to simply copy Italian architectural styles; he traveled and studied in Italy, and borrowed much, but he always added a distinctly French look to each of his projects.[
]
Works attributed to de l'Orme
File:Kapelle ensba paris 02.jpg, Court facade of the Château d'Anet, now serving as the facade of the chapel at the Ecole Nationale des Beaux-Arts in Paris
File:ChenonceauduCerceau01.jpg, The bridge over the Loire of the Chateau de Chenonceau was designed and built by de l'Orme[Hoffmann 1996, pp. 692–693. Only the arches of the bridge had been completed when work on it was halted upon the death of Henri II in 1559. The gallery on the bridge was likely designed by ]Jean Bullant
Jean Bullant (1515 – 13 October 1578) was a French architect and sculptor who built the tombs of Anne de Montmorency, Grand Connétable of France, Henri II, and Catherine de' Medici. He also worked on the Tuileries, the Louvre, and th ...
(Hanser 2006, pp. 60–63). According to Hanser, although some architectural historians credit the obscure Denis Courtin for the gallery, it was probably Bullant. (drawing by Jacques Androuet du Cerceau
Jacques I Androuet du Cerceau, also given as Du Cerceau, DuCerceau, or Ducerceau (1510–1584) was a well-known French designer of architecture, ornament, furniture, metalwork and other decorative designs during the 16th century, and the founder ...
)
File:Elevations of the de l'Orme wing. of the Tuileries. Drawing by Jacques Androuet du Cerceau..jpg, Elevations of the de l'Orme wing of the Tuileries Palace
The Tuileries Palace (french: Palais des Tuileries, ) was a royal and imperial palace in Paris which stood on the right bank of the River Seine, directly in front of the Louvre. It was the usual Parisian residence of most French monarchs, from ...
(drawing by Jacques Androuet du Cerceau)
The first major building of de l'Orme was the Château of Saint Maur (1541), built for the Cardinal Jean du Bellay
Jean du Bellay (1492 – 16 February 1560) was a French diplomat and cardinal, a younger brother of Guillaume du Bellay, and cousin and patron of the poet Joachim du Bellay. He was bishop of Bayonne by 1526, member of the ''Conseil privé'' (pr ...
, whom de l'Orme had met during his time in Rome. Its plan showed the influence of the Italian villas; and, like the Italian buildings, it was decorated with frescoes.
Much of his work has disappeared, but his fame remains. He was an ardent humanist
Humanism is a philosophical stance that emphasizes the individual and social potential and agency of human beings. It considers human beings the starting point for serious moral and philosophical inquiry.
The meaning of the term "humani ...
and student of the antique, he yet vindicated resolutely the French tradition in opposition to Italian tendencies; he was a man of independent mind and a vigorous originality. His masterpiece was the Château d'Anet (1552–1559), built for Diane de Poitiers
Diane de Poitiers (9 January 1500 – 25 April 1566) was a French noblewoman and prominent courtier. She wielded much power and influence as King Henry II's royal mistress and adviser until his death. Her position increased her wealth and family' ...
, the plans of which are preserved in Jacques Androuet du Cerceau
Jacques I Androuet du Cerceau, also given as Du Cerceau, DuCerceau, or Ducerceau (1510–1584) was a well-known French designer of architecture, ornament, furniture, metalwork and other decorative designs during the 16th century, and the founder ...
's ''Plus excellens bastimens de France'', though only part of the building remains. His designs for the Tuileries (also given by Androuet du Cerceau), begun by Catherine de' Medici
Catherine de' Medici ( it, Caterina de' Medici, ; french: Catherine de Médicis, ; 13 April 1519 – 5 January 1589) was an Florentine noblewoman born into the Medici family. She was Queen of France from 1547 to 1559 by marriage to King ...
in 1565, were magnificent. His work is also seen at Chenonceau and other famous ''château
A château (; plural: châteaux) is a manor house or residence of the lord of the manor, or a fine country house of nobility or gentry, with or without fortifications, originally, and still most frequently, in French-speaking regions.
Nowaday ...
x''; and his tomb of Francis I at Saint Denis Basilica
The Basilica of Saint-Denis (french: Basilique royale de Saint-Denis, links=no, now formally known as the ) is a large former medieval abbey church and present cathedral in the commune of Saint-Denis, a northern suburb of Paris. The building ...
remains a perfect specimen of his art.
The most easily viewed work of de l'Orme in Paris is the court facade of the Chateau d'Anet, which was moved to Paris after a major portion of the chateau was demolished, to illustrate for students the major works of the French Renaissance. It is attached to the front wall of the chapel of the Ecole des Beaux-Arts, and is visible from Rue Bonaparte
Rue Bonaparte is a street in the 6th arrondissement of Paris. It spans the Quai Voltaire/Quai Malaquais to the Jardin du Luxembourg, crossing the Place Saint-Germain-des-Prés and the place Saint-Sulpice and has housed many of France's most famou ...
.
Partial list of works
* Château de Saint-Maur (1541), demolished in 1796
* Tomb of François I
Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once ...
e in the Basilica of Saint-Denis, Paris (1547)
* Château d'Anet (1547-1555), built for Diane de Poitiers
Diane de Poitiers (9 January 1500 – 25 April 1566) was a French noblewoman and prominent courtier. She wielded much power and influence as King Henry II's royal mistress and adviser until his death. Her position increased her wealth and family' ...
. Only one wing remains.
* Plans of the Chapel of Saint-Éloi, Paris (1550-1566), (Long attributed, but not documented. Only a portion of the facade remains)
* Attribution du château d'Acquigny
* Facade of the residence of the Vicomte of the Duchy of Uzès
Uzès (; ) is a commune in the Gard department in the Occitanie region of Southern France. In 2017, it had a population of 8,454. Uzès lies about north-northeast of Nîmes, west of Avignon and south-east of Alès.
History
Originally ''Ucetia ...
(attributed)
* Completion of Sainte-Chapelle at the Château de Vincennes
The Château de Vincennes () is a former fortress and royal residence next to the town of Vincennes, on the eastern edge of Paris, alongside the Bois de Vincennes. It was largely built between 1361 and 1369, and was a preferred residence, after ...
(1552)
* Château de Villers-Cotterêts, southern portion( 1547-1559)
* Chapel of the Château of Villers-Cotterêts (1552-1553)
* Royal Château of Saint-Léger-en-Yvelines (demolished)
* Château de Meudon (attributed)
* Château de Montceaux
The Château de Montceaux, also known as the Château de Montceaux-en-Brie or the Château de Montceaux-lès-Meaux, was a royal French Renaissance château, located in what is now the commune of Montceaux-lès-Meaux in the Seine-et-Marne departme ...
* Château de Thoiry (1560s)
* The bridge upon which the Château de Chenonceau
The Château de Chenonceau () is a French château spanning the river Cher, near the small village of Chenonceaux, Indre-et-Loire, Centre-Val de Loire. It is one of the best-known châteaux of the Loire Valley.
The estate of Chenonceau is firs ...
is constructed
* Portions of the Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
* Portions of the new Chateau of Saint-Germain-en-Laye
* Portal of Château d'Écouen
The Château d'Écouen is an historic château in the commune of Écouen, some 20 km north of Paris, France, and a notable example of French Renaissance architecture. Since 1975, it has housed the collections of the Musée national de la Renaissan ...
, now the National Museum of the French Renaissance (mid 16th century). The wing he designed was destroyed in 1787, but vestiges are displayed inside the Chateau.
* Roofs of the towers of the Château de Bonnemare.
See also
*Catherine de' Medici's building projects
Catherine de' Medici's building projects included the Valois chapel at Saint-Denis, the Tuileries Palace, and the Hôtel de la Reine in Paris, and extensions to the château of Chenonceau, near Blois. Born in 1519 in Florence to an Italian fa ...
*, influenced by Philibert Delorme
Notes
Bibliography
* Boudon, Françoise (1999). "De l'Orme" in ''Dictionnaire des Architectes''. Paris: Encyclopaedia Universalis. .
* Blunt, Anthony
Anthony Frederick Blunt (26 September 1907 – 26 March 1983), styled Sir Anthony Blunt KCVO from 1956 to November 1979, was a leading British art historian and Soviet spy.
Blunt was professor of art history at the University of London, dire ...
(1958). ''Philibert de l'Orme''. London: A. Zwemmer. . .
*
Catholic Encyclopedia article
*
Philibert de l'Orme
* Hanser, David A. (2006). ''Architecture of France''. Westport, Connecticut: Greenwood Press. .
* Hoffmann, Volker (1996). "L'Orme elorme Philibert de" in ''The Dictionary of Art
''Grove Art Online'' is the online edition of ''The Dictionary of Art'', often referred to as the ''Grove Dictionary of Art'', and part of Oxford Art Online, an internet gateway to online art reference publications of Oxford University Press, ...
'', 34 volumes, edited by Jane Turner. New York: Grove. . Also a
Oxford Art Online
(article updated 26 November 2003).
* Lemerle, F. & Y. Pauwels (2016). ''Philibert De L'Orme (1514-1570). Un architecte dans l'histoire: Arts - Sciences - Techniques'' (= ''Études Renaissantes'' 17). Turnhout: Brepols. .
* Pérouse de Montclos, Jean-Marie (2000). ''Philibert De l'Orme : Architecte du roi (1514–1570)''. Paris: Mengès. .
* Potié, Philippe (1996). ''Philibert de L'Orme : Figures de la pensées constructive''. Marseille: Parenthèses. .
External links
* ''Nouvelles inventions pour bien bastir'', 1561
copy
at Gallica
* ''Le premier tome de l'architecture'':
** 1567
copy
at the website of the Library of the University of Bern
The University of Bern (german: Universität Bern, french: Université de Berne, la, Universitas Bernensis) is a university in the Switzerland, Swiss capital of Bern and was founded in 1834. It is regulated and financed by the Canton of Bern. It ...
** 1567
illustrations
at Gallica
** 1568
copy
at the Internet Archive
The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, including websites, software applications/games, music, ...
from the Research Library of the Getty Research Institute
** 1626
copy
at the Internet Archive from the Research Library of the Getty Research Institute (include
de l'Orme's portrait engraving
as well as ''Invention pour bien bastir'')
English translation of de l'Orme's ''Le premier tome de l'architecture''
French Renaissance architectural treatises, Centre d'Etudes Supérieures de la Renaissance
{{DEFAULTSORT:Lorme, Philibert De
1510s births
1570 deaths
16th-century French architects
16th-century French sculptors
French male sculptors
French architecture writers
Architects from Lyon
Renaissance architects
French military engineers