Peter Blume

Peter Blume (27 October 1906 – 30 November 1992) was an American painter and sculptor. His work contained elements of folk art, Precisionism, Parisian Purism, Cubism, and Surrealism.

Biography

Blume, born in Smarhon, Russian Empire to a Jewish family, emigrated with his family to New York City in 1912; the family settled in Brooklyn. He studied art at the Educational Alliance, the Beaux-Arts Institute of Design, and the Art Students League of New York, establishing his own studio by 1926. He trained with Raphael Soyer and Isaac Soyer, exhibited with Charles Daniel, and was patronized by the Rockefeller family. Blume married Grace Douglas in 1931; they had no surviving children. In 1948, Blume was elected into the National Academy of Design as an Associate member, and became a full member in 1956.

Works

An admirer of Renaissance technique, Blume worked by drawing and making cartoons before putting his work on canvas. He received a Guggenheim Fellowship in 1932 and spent a year in Italy. His first major recognition came in 1934 with a first prize for ''South of Scranton'' at a Carnegie Institute International Exhibition. The painting was inspired by a trip across Pennsylvania in an old car that required frequent repair. ''Eternal City'' (1934–1937) was politically charged, portraying Benito Mussolini as a jack-in-the-box emerging from the Colosseum; as a one-man, one-painting exhibition, it excited considerable attention from critics and audiences. This painting was inspired by Blume's trip to Italy which he took as a Guggenheim Fellow in 1932. After the trip from Rome, it took Blume 5 years to create this piece of work. In 1943 when Mussolini was deposed from power, the Museum of Modern Art purchased the artwork for its permanent collection within that same week.

Blume worked for the Section of Painting and Sculpture of the U.S. Treasury Department, painting at least two post office murals, in Geneva, New York, and Canonsburg, Pennsylvania.Park, Marlene and Gerald E. Markowitz, ''Democratic Vistas: Post Offices and Public Art in the New Deal'', Temple University Press, Philadelphia, 1984 p. 84

Blume's works often portrayed destruction and restoration simultaneously. Stones and girders made frequent appearances; ''The Rock'' (1944–1948), today in the collection of the Art Institute of Chicago, was interpreted by its viewers as symbolizing renewal in the wake of World War II. ''Recollection of the Flood'' (1969) depicted the victims of the 1966 Flood of the River Arno in Florence along with restorers at work. ''The Metamorphoses'' (1979) invoked the Greek legend of Deucalion and Pyrrha, who repopulated the earth after a deluge.

References

Further reading

*Cozzolino, R. (2015). ''Peter Blume: nature and metamorphosis''. Philadelphia, PA: University of Pennsylvania Press.
*Harnsberger, R.S. (1992). ''Ten precisionist artists: annotated bibliographies'' rt Reference Collection no. 14 Westport, CT: Greenwood Press.
*Trapp, F. (1987). ''Peter Blume''. New York: Rizzoli.

External links

A finding aid to the Peter Blume papers, 1870-2001, in Archives of American Art, Smithsonian Institution




* ttp://www.factmonster.com/ce6/people/A0808007.html The Columbia Encyclopediaat factmonster.com

Peter Blume - South of Scranton

{{DEFAULTSORT:Blume, Peter
1906 births
1992 deaths
People from Smarhon’
People from Oshmyansky Uyezd
Belarusian Jews
Jews from the Russian Empire
Emigrants from the Russian Empire to the United States
American people of Belarusian-Jewish descent
20th-century American painters
American male painters
National Academy of Design members
Art Students League of New York alumni
Precisionism
Jewish American artists
Jewish painters
Section of Painting and Sculpture artists
Artists from Brooklyn
American muralists
Beaux-Arts Institute of Design (New York City) alumni
20th-century American male artists
Members of the American Academy of Arts and Letters