Pesellino
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Francesco Pesellino (probably 1422–July 29, 1457), also known as Francesco di Stefano, was an
Italian Renaissance The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the trans ...
painter active in
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. His father was the painter Stefano di Francesco (died 1427), and his maternal grandfather was the painter Giuliano Pesello (1367–1446), from whose name the diminutive nickname "Pesellino" arose. After the death of his father in 1427, the young Pesellino went to live with his grandfather whose pupil he became. Pesellino remained in his grandfather's studio until the latter's death, when he began to form working partnerships with other artists, such as
Zanobi Strozzi Zanobi di Benedetto di Caroccio degli Strozzi (17 November 1412 – 6 December 1468), normally referred to more simply as Zanobi Strozzi, was an Italian Renaissance painter and manuscript illuminator active in Florence and nearby Fiesole. He was ...
and
Fra Filippo Lippi Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian painter of the Quattrocento (15th century) and a Carmelite Priest. Biography Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orph ...
. He married in 1442, and probably joined the Florentine
painters' guild The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was ident ...
in 1447. In the following years he made for reputation with small, highly-finished works for domestic interiors, including religious panels for private devotional use and secular subjects for pieces of furniture (i.e. wedding chests and wainscoting). Pesellino died of plague in Florence in 1457 at the age of 35. According to many art historians, his style "anticipated the developments of later Florentine painters such as
Andrea del Verrocchio Andrea del Verrocchio (, , ; – 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as ''Verrocchio'' after the su ...
and the Pollaiuoli Antonio_and_Piero_del_Pollaiuolo.html" "title="Antonio_del_Pollaiuolo.html" ;"title="he brothers Antonio del Pollaiuolo">Antonio and Piero del Pollaiuolo">Piero Piero is an Italian given name. Notable people with the name include: * Piero Angela (1928–2022), Italian television host *Piero Barucci (born 1933), Italian academic and politician * Piero del Pollaiuolo (c. 1443–1496), Italian painter * Piero ...
]".


Works

According to Vasari, Pesellino painted the predella of Fra Filippo Lippi's ''Novitiate Altarpiece'' for Basilica di Santa Croce, Florence, Santa Croce. The predella is now divided between the
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and the
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. Pesellino's only surviving documented work is the altarpiece of the ''
Trinity The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the F ...
'', commissioned in 1455 by the Confraternity of the Priests in
Pistoia Pistoia (, is a city and ''comune'' in the Italian region of Tuscany, the capital of a province of the same name, located about west and north of Florence and is crossed by the Ombrone Pistoiese, a tributary of the River Arno. It is a typi ...
and now at the National Gallery in London. It was left incomplete on Pesellino's death in 1457 and was finished in 1460 by Filippo Lippi and his workshop, which painted the predella and altar frontal. The main panel, which is about 1.8 meters square, shows the Trinity as the "Throne of Mercy," with God the Father supporting the Crucified Christ in his lap. The Trinity is flanked by four standing saints: Mamas, James, Zeno and Jerome. The altarpiece retains four of its original predella panels while the remaining fifth is now at the Hermitage, St Petersburg. The altar frontal, depicting the ''Virgin of Mercy'', was formerly at the
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, and was destroyed in 1945. The commission is unusually well documented. The documents provide a detailed account of the commissioning process and the painting's completion and delivery. They also tell how on Pesellino's death in 1457, his widow began litigation against Pesellino's business partner over the cost of the unfinished work. A number of preparatory drawings for the painting also survive. The altarpiece was later cut up into six parts, probably in the eighteenth century, and has now been reassembled. One missing section (the lower right) is a modern reconstruction. Early sources, such as Vasari's ''Lives of the Artists'', describe a number of other paintings by Pesellino, now lost, in prominent at the
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and the
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Casa Vecchia. At least one work by Pesellino is said to have hung in the same room as
Paolo Uccello Paolo Uccello ( , ; 1397 – 10 December 1475), born Paolo di Dono, was an Italian (Florentine) painter and mathematician who was notable for his pioneering work on visual perspective in art. In his book ''Lives of the Most Excellent Painters, S ...
's ''
Battle of San Romano The Battle of San Romano was fought on 1 June 1432, in San Romano, some 30 miles outside Florence,Private Life of a Masterpiece, BBC TV between the troops of Florence, commanded by Niccolò da Tolentino, and Siena, under Francesco Piccinino. ...
''. Some
panel painting A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not paint ...
s have been identified as Pesellino's by stylistic comparison with the altarpiece. These include two long horizontal panels with the ''Story of
David and Goliath Goliath ( ) ''Goləyāṯ''; ar, جُليات ''Ǧulyāt'' (Christian term) or (Quranic term). is a character in the Book of Samuel, described as a Philistine giant defeated by the young David in single combat. The story signified King Saul's ...
'' and the ''Triumph of David'', now at the National Gallery, London.Gordon:288-295 Other cassoni panels are in
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(
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) and
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(
Isabella Stewart Gardner Museum The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was found ...
), whilst the
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
and
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have other works. A small diptych of the ''Annunciation'' at the
Courtauld Institute The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist coll ...
is another good example of the small-scale
cabinet painting A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. The term is especially used for paintings that show full-length figures or landscapes at a s ...
s that made Pesellino's famous. The Hermitage has six very beautiful full-page miniatures by Pesellino from an illuminated manuscript.


Notes


References

*National Gallery Catalogues (new series): ''The Fifteenth Century Italian Paintings'', Volume 1, by
Dillian Gordon Dillian Rosalind Gordon OBE is a British art historian who worked as a curator at the National Gallery, London from 1978 to 2010, latterly as Curator of Italian Paintings before 1460. She lives in Oxford. She was appointed OBE in 2011 for servic ...
, 2003, * Vasari, Giorgio, ''Le Vite delle più eccellenti pittori, scultori, ed architettori'', many editions and translations. *Sheridan, Victoria, ''Inventing Pesellino: Biography, Language and Style in Art History'', M.A. Thesis (2003), University of California, Davis. OCLC#55762857 *Kanter, Laurence. "Pesellino," in ''Fra Angelico''. New York: Metropolitan Museum of Art, 2005.


External links


National GalleryBoston cassoni panels''Italian Paintings: Florentine School''
a collection catalog containing information about Pesellino and his works (see ''Pesellino'', pages: 95-98). {{DEFAULTSORT:Pesellino, Francesco 1422 births 1457 deaths 15th-century Italian painters Quattrocento painters Italian male painters Italian Renaissance painters Painters from Florence Manuscript illuminators Catholic painters