Penny Slinger, sometimes Penelope Slinger, is a British-born American artist and author based in California. As an artist, she has worked in different mediums, including photography, film and sculpture. Her work has been described as being in the genres of

surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to l ...

and feminist surrealism. Her work explores the nature of the self, the feminine and the erotic.CHRIS DARKE, 30 August 1998, The Independent
Decline and falconry
Retrieved September 7, 2014, "... Liaisons and working partnerships with sculptors Penny Slinger ..."HOLLAND COTTER, September 13, 2012, The New York Times

Retrieved September 7, 2014, "...Born in England, Penny Slinger emerged from art school in 1969, ... Slinger has always pointed to European Surrealism as an influence,... worked in many mediums over the years, including sculpture and stage design..."October 4, 2012, Museum and Gallery Listings for Oct. 5-11, The New York Times

Retrieved September 7, 2014, "...The main piece is her still unpublished book of photo-collages and texts called “An Exorcism.”..."

Work

Early Surrealist period 1969–1977

Slinger attended Farnham (now West Surrey) College of Art from 1964 to 1966. She studied at the Chelsea College of Arts in London where she made a series of short films that were later shown at

Anthology Film Archives Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema.Surrealist Explorations: A rediscovery of the feminist artist penelope slinger presents a timely reappraisal of her work for the first time in nearly 40 years
Retrieved September 9, 2014, "...Slinger studied in London....." She was accepted into the

Royal College of Art The Royal College of Art (RCA) is a public research university in London, United Kingdom, with campuses in South Kensington, Battersea and White City. It is the only entirely postgraduate art and design university in the United Kingdom. It offe ...

Film post graduate course, but did not take it up. While writing her thesis on the collage books of Max Ernst, she met

Sir Roland Penrose Sir Roland Algernon Penrose (14 October 1900 – 23 April 1984) was an English artist, historian and poet. He was a major promoter and collector of modern art and an associate of the surrealists in the United Kingdom. During the Second World W ...

who became her patron for many years and introduced her to Max Ernst. Penrose brought Slinger's art to the attention of Mario Amaya, who included her sculpture in the exhibition ''Young and Fantastic'' at the Institute of Contemporary Art in 1969. Slinger worked in photographic collage, producing her first book ''50% The Visible Woman.'' Published in 1969, the book continued her practice, started in her student days, of using herself as a muse and consists of a photo collage overlaid with her poetry. When published in 1971, Rolling Stone said, '''"This book will become as important on your bookshelf as Sgt. Pepper is on your record rack."'' In 1970 Slinger and filmmaker Peter Whitehead filmed and photographed at

Lilford Hall Lilford Hall is a Grade I listed Jacobean stately home in Northamptonshire in the United Kingdom. The 100-room house is located in the eastern part of the county, south of Oundle and north of Thrapston. History It was started in 1495 as a Tudor ...

, a decaying mansion in Northamptonshire, England. Although their film project remained unrealized, the photos formed the basis of Slinger's surreal journey of self-discovery told in the style of a photo romance. The result, ''An Exorcism'', was published in 1977 with a grant from Roland Penrose and Lee Miller's Elephant Trust. The ''Lilford Hall'' footage also resurfaced and was shown at Blum and Poe Gallery, Los Angeles 2014, as part of ''History Is Now'' at the Haywood Gallery, 2015, and at Anthology Film Archives, and Fortnight Institute, New York, 2019. In 1971 Slinger had her first solo exhibition at Angela Flowers Gallery, London, featuring assemblages of lifecasts of her head and transformed dolls. Art critic Peter Fuller, '"Penny Slinger's work is a documentation of the role of one woman in a world still dominated by concepts of male superiority....she emerges as one of the most active and socially relevant artists around." Slinger focused on surrealism in the 1960s and the 1970s to "plumb the depths of the feminine psyche and subconscious," according to a review in ''ArtDaily'' magazine.Liz Gangemi, April 19, 2014, Art Daily
British-born artist Penny Slinger's first solo exhibition in Los Angeles opens at Blum & Poe
Retrieved September 9, 2014, "...Penny Slinger, The Surprised Tin Opener, 1969/2014. C-print...." She wrote and illustrated numerous publications. She staged photographs, sometimes using her own body, to create "hauntingly surreal collages" for a series which she titled ''An Exorcism''. She photographed herself naked to explore ideas relating to dreams, desire, sex, female liberation, surrealism and memory. Some of her art focused on the

Arawak The Arawak are a group of indigenous peoples of northern South America and of the Caribbean. Specifically, the term "Arawak" has been applied at various times to the Lokono of South America and the Taíno, who historically lived in the Greater ...

peoples of South America and the Caribbean.1994, The New York Times
Visions of the Arawaks (1994)
Retrieved September 7, 2014, "...Artist Penny Slinger depicts Arawak culture in daily life, ceremonial rituals, body art, and dream landscapes. ..." Reviewer Kate Kellaway in ''

The Guardian ''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Gu ...

'' described her work as a "grotesque and militant contribution" with a "loud message about silence."Kate Kellaway of The Observer, 26 September 2009, The Guardian
Angels of Anarchy: Women Artists and Surrealism
Retrieved September 7, 2014, "...In Penny Slinger's grotesque and militant contribution...." As an author, with Nik Douglas, her book ''Sexual Secrets'' sold 100,000 copies,D.J.R. Bruckner, July 31, 1983, The New York Times

Retrieved September 7, 2014, "...A few years ago he issued ''Sexual Secrets: the Alchemy of Ecstasy'' by Nik Douglas and Penny Slinger which is in its 13th printing and has sold 100,000 copies. ..." and sold over a million copies in 19 translations. In 1977 she published "The Secret Dakini Oracle", a deck of cards for divination. With Douglas and Bhaskar Bhattacharya, she wrote ''The Path of the Mystic Lover - Baul Songs of Passion and Ecstasy'' in 1993, and provided 84 drawings for it. Slinger's work was part of the ''Angels of Anarchy'' exhibit at the Manchester Art Gallery in 2009.

Theater, film and feminism 1971 -1973

In 1971 Slinger joined the first British all women theater troupe, ''Holocaust'', directed by Jane Arden because she said she wanted to contribute her talents to something bigger than herself, and the intentions of the group felt in alignment with her own resolve to delve deeply into and express the unearthed realms of the feminine psyche. They performed ''A New Communion for Freaks, Prophets and Witches'' at the Open Space Theater London and at the Edinburgh Festival in 1971. Slinger created masks for the surrealist play ''Lying Figures'' by Francis Warner, premiered at Edinburgh Festival 1971. She was design collaborator with Carolee Schneemann on ''

The Four Little Girls ''The Four Little Girls'' (''Les Quatre Petites Filles'') is a play written in French by the painter Pablo Picasso. It is the second of two full-length plays written by Picasso, the first being '' Desire Caught by the Tail''. Written between Nov ...

'' by

Pablo Picasso Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th ce ...

, at the Open Space Theater London, 1971. In 1972 Slinger participated in the controversial cult classic, ''

The Other Side of the Underneath ''The Other Side of the Underneath'' is a 1972 British film written and directed by Jane Arden and starring Sheila Allen, Liz Danciger, Penny Slinger, Ann Lynn, and Suzanka Fraey. Other members of the Holocaust Theatre Company appear in the ...

'', directed by Jane Arden and shot on location in Wales. It was the only British feature film to be directed by a woman in the 1970s. Slinger had a major performing role and co art directed the movie. The British Film Institute DVD booklet for the film said, "The Other Side of the Underneath isn’t a work to love. It is a work to admire, to puzzle through and to wrestle with." In the same year Slinger opened her second solo exhibition at Angela Flowers gallery, ''Opening''. The invitation depicted her as a wedding cake, the exhibits consisted of a series of table tops and mouthpieces, as well as the Bride’s Cake photo series. The exhibition's themes of food and female eroticism can be seen in subsequent Feminist art. Laura Mulvey stated in ''Spare Rib'', '''"Is there feminine phantasy?...Penny Slinger's recent exhibition provided graphic images of phantasy that only a woman could have produced', 'Opening showed us how powerfully a woman is able to transform Surrealism."''

Tantra

Tantra Publications

In 1975 Jane Arden introduced Penny Slinger to Nik Douglas. They subsequently published a number of books together, including:

=Mountain Ecstasy

= Mountain Ecstasy, published in 1978, contains 64 full-color collages and poetry which combines Penny's Surrealist roots with Tantric symbolism.

=Secret Dakini Oracle

= Published in 1977 as a divination card deck and in 1978 as a book.

=Sexual Secrets, The Alchemy of Ecstasy

= Sexual Secrets, The Alchemy of Ecstasy was co written with Nik Douglas and published in 1979. It contains over 600 drawings by Penny Slinger. It has 19 language translations and an anniversary edition in 2000.

Tantric themes

Slinger had been working on using the Xerox copying machine to make mono prints of her face and body since she was teaching at Portsmouth College of Art in 1973. By 1976 she had manifested a group of images using this technique called Scrolls which were her response to the ‘Chakra Man’ motif in classical Tantric Art. During the mid seventies Slinger's three-dimensional work included a series of doll house like sculptures which blended Surreal and Tantric themes. In 1977 she exhibited the work at Patrick Seale Gallery, London, and at the Mirandy Gallery, London. In 1982 she had a retrospective exhibition of her Tantric work called, ''Visions of Ecstasy'' at Visionary Gallery, New York.

Caribbean and Arawak Art 1980–1994

In 1980 Slinger and Douglas moved to the Caribbean, first to Tortola, British Virgin Islands, then to Anguilla, where she lived until 1994. She decided to use her talents to contribute to the local culture. Her work with archaeology led her to create a series of over 100 paintings, pastels and block prints depicting Arawak people, the indigenous, original inhabitants of the islands, and their lifestyle. She also made a series of detailed drawings of Arawak artifacts. During this time Slinger opened her own gallery, created a series of historical murals for permanent installation at the airport and designed two sets of stamps. Her film ''Visions of the Arawaks'' was released in 1994 and consisted of a poetic and artistic journey into the spirit of a people through Penny’s painting and pastels.

Northern California and the Divine Feminine (1994–2017)

Slinger lived with Dr. Christopher Hills in Boulder Creek, California, until Hills’ death in 1997. Slinger continued to live on the northern California property until 2017, dedicating the property to the arts, inviting the creative people of the region to participate in many events she hosted over the years. In this period Penny worked in photography, video and audio. In 2010 she published the ''64 Dakini Oracle'' which depicted archetypal forms of the Divine Feminine in digital collage. During this time she also made a series of large assemblages utilizing life casts of her own body in relationship to many items she had collected and interacted with entitled ''The Alchemy of Stuff''.

Dior (2019-2022)

In 2019, Slinger was invited by Maria Grazia Chiuri, creative director at Dior, to transform the historical building at 30 Avenue Montaigne, Paris for the last fashion show before the building underwent renovation as part of the Dior Megastore. With the help of her creative partner Dhiren Dasu and Dior's creative team, she covered the walls, floors and ceilings of the interior with digital collages representing the elements, made four life size 3D modeled sculptures and hung a large lenticular composed of women's faces on the facade of the building. The project represented an artistic alchemy of the edifice. Slinger also designed the last look of the haute couture show, a gold leafed wearable doll house based on 30 Avenue Montaigne. In 2021/2022, Slinger collaborated with Dior again to produce a gold handbag for the Lady Dior collection, also based on the historic Parisian facade of the Dior headquarters.

Pandemic Art (2020)

Slinger created a series of photo collages during the Pandemic (2020) entitled ''My Body In a Box''. This series documents the personal and collective feelings of this period and featured her own naked body as part of her current practice addressing ageism.

Rediscovery of early works

2009 marked a renewed interest in Penny’s early work after her inclusion in the ''Angels of Anarchy'' exhibition at Manchester Art Museum and in ''The Dark Monarch'' ''– Magic & Modernity in British Art'' at Tate St. Ives in 2009. ''Penny Slinger-Out of the Shadows'', 2017, is a documentary by Richard Kovitch focusing on Penny’s life and work in the 1960s and 1970s, revealing the pioneering nature of her work. From 2018 Penny has resided in Los Angeles where she has been working on a series of large format prints of digital collages utilizing her own body as a body of experience. This series is engaged with her practice to use her body as her muse at this senior age to confront ageism which she considers the next bastion of feminism.

Personal life

Penny Slinger was partners with filmmaker Peter Whitehead from 1969 to 1972. She was partners with Tantric scholar Nik Douglas 1975–1993. They traveled together to Asia in the mid-1970s, moved to New York then the Caribbean from 1980 to 1993. Slinger was married to

microbiologist A microbiologist (from Ancient Greek, Greek ) is a scientist who studies microscopic life forms and processes. This includes study of the growth, interactions and characteristics of Microorganism, microscopic organisms such as bacteria, algae, f ...

Christopher Hills Christopher Hills (April 9, 1926 – January 31, 1997) was an English-born author, described as the "Father of Spirulina" for popularizing spirulina cyanobacteria as a food supplement. He also wrote 30 books on consciousness, meditation, yoga an ...

, the co-discoverer of the protein-rich plankton spirulina and co-founder of the University of the Trees in Boulder Creek, California. Hills died in 1997 at age 70. Since 2001, Slinger has worked with her creative partner, multidisciplinary artist Dhiren Dasu.

Exhibitions

Solo exhibitions

2022 50% Unboxed, Pace Gallery, New York, NY, USA 2021 50/50, Blum & Poe Gallery, Los Angeles, CA, USA 2019 Penny Slinger: Tantric Transformations, Richard Saltoun Gallery, London, UK 2018 ''Inside Out'' Fortnight Institute, New York, NY, USA 2017 ''Sex Work'', (solo booth, @ Frieze Art Show), Blum & Poe Gallery, London, UK 2015 ''Self Impressions'', Riflemaker, London, UK 2015 ''Penny Slinger'', Blum and Poe Gallery, Tokyo, Japan 2014 ''Penny Slinger'', Blum and Poe Gallery, Los Angeles, CA, USA 2012 ''Exorcism Revisited'', Broadway 1602 Gallery, New York, NY, USA 2012 ''Hear What I Say'', Riflemaker Gallery, London, UK 2011 ''A Photo Romance'', Riflemaker Gallery, London, UK 1993 ''Arawak Renaissance'' ''– The Tribute Continues'', New World Gallery, Anguilla. 1992 ''Amerindians- Studies of a Lost People'', Cotton Gin Art Gallery, Anguilla 1982 ''Visions of Ecstasy'', Visionary Gallery, New York, NY, USA 1977 ''Secrets'', Mirandy Gallery, London, UK 1977 ''Inner Vision'', Patrick Seale Gallery, London, UK 1973 exhibition ''Opening'', Angela Flowers Gallery, London, UK 1971 solo exhibition at the Angela Flowers Gallery, London, UK

Group exhibitions

2022 A Feminist Avant-Garde, Les Rencontres de la Photographie, Arles, France 2022 Punk is Coming, MOKA Westport, USA 2022 Black Book Presents: A Woman's Right to Pleasure, Sotheby's Gallery, Los Angeles, CA, USA 2021 Scarlet Women, Atelier Melusine, Chateau Mareuil, La Trimouille, France 2021 Oh Marilyn, Gazelli Art House, London, UK 2021 The Dream of the Fisherman's Wife, Ruttkowski 68, Paris, France 2020 Some of the Hole, Simian gallery, Copenhagen, Denmark 2020 LESS Festival of Contemporary Collage, Viborg, Denmark 2020 The Botanical Mind: Art, Mysticism and the Cosmic Tree, Camden Arts Center, London, UK 2020 Tantra: Enlightenment To Revolution, British Museum, London, UK 2020 The Enchanted Interior, Guildhall, London, UK 2020 Bodily Objects, Richard Saltoun Gallery, London, UK 2019 House of the Sleeping Beauties, Sothebys S/2, London, UK 2018 Visible Women, Norwich Castle Museum & Art Gallery, Norwich, UK 2018 The Hired Grievers, curated by Jason Dodge, Galeria Madragoa, Lisbon, Portugal 2018 ''Virginia Woolf:: An Exhibition Inspired by Her Writings'', Tate St Ives, Cornwall, UK 2018 ''The House of Fame'', convened by Linder, Nottingham Contemporary, Nottingham, UK 2018 ''Worship of Sticks and Stones'', Anat Ebgi, Los Angeles, CA, USA 2018 ''Paris Photo'', Richard Saltoun Gallery, Grand Palais, Paris, France ''2017 Dreamers Awake'', White Cube Gallery, London, UK ''2017 Women House'', Monnaie de Paris, Paris, France; traveled to National Museum in the Arts, Washington D.C., USA 2017 ''The Beguiling Siren is Thy Crest'', The Museum of Modern Art in Warsaw, Poland ''2017 Room'', Sadie Coles, London, UK 2016 ''The One Fest Goa'', India 2016 ''Inaugural Exhibition'', Broadway 1602, New York, NY 2016- 2017 ''Feminist Avant-Garde of the 1970s'', works from the Verbund Collection, Photographers' Gallery, London 2015 ''Photo London'', Somerset House, London, Riflemaker Booth 2015 ''Art 15'', Olympia, London 2015 ''History Is Now'', Hayward Gallery, London. 2015 ''Thea Porter - 70s Bohemian Chic'', Fashion & Textile Museum, London. 2015 ''The Feminist Avant-Garde of the 1970s'' , Hamburger Kunsthalle, Hamburg 2014 ''Woman'', Bozar Centre for Fine Arts, Brussels. 2014 ''Paris Photo'', Paramount Studios, Los Angeles. ''2014 Cry Me a River'', Etoile Polaire Lodge #1, New Orleans, LA 2014 ''I:MAGE 2014- Travelling with Unfamiliar Spirits'', Fulgur Esoterica, London 2013 ''Lips Painted Red'', Trondheim Kunstmuseum, Norway 2011 ''Threat'', Broadway 1602, New York. 2009 ''The Dark Monarch'', Tate Gallery, St Ives 2009 ''Angels of Anarchy'', Manchester Art Museum 1993 ''Presentes Caraibes - 500 Years of Amerindian History'', Fort Delgres, Guadeloupe. 1992 ''Addressing the Forbidden'', Edinburgh Art Festival. 1982 ''Imaginary Images'', Floating Foundatiopn of Photography, New York. 1982 ''Rated X'', Neikrug Gallery, New York 1982 ''Erotic Art Photography'', Jacques Baruch Gallery, Chicago. 1978 ''Surrealism and Company in this Decade'', Camden Arts Center, London. 1978 ''Metamorphosis'', University of Cambridge, England. 1974 ''Nude and Naked'', Nicholas Treadwell Gallery, London 1973 Exhibited in the 12th Bienal de São Paulo 1969 ''Young and Fantastic'' Institute of Contemporary Arts, London, UK

Upcoming Group Exhibitions

2022 Joan Didion, What She Means, Hammer Museum, Los Angeles, CA, USA 2022 Sensitive Content, Unit Gallery, London, UK 2022-2023 The Horror Show, Somerset House, London, UK 2023 Body Poetic, Giant, Bournemouth, UK

Publications

* '50% The Visible Woman', collages and poetry by Penelope Slinger, Empty Eye, 1971. * An Exorcism''—a book of surreal photo-collage by Penny Slinger, with introduction by Sir Roland Penrose, Villiers publications, 1977. * 'The Book of Matan' Automatic Writings from the Brink of Eternity edited by Nik Douglas, illustrated by Penny Slinger, Spearman Books, 1977. * 'Mountain Ecstasy' - full color collages and poetry by Penny Slinger and Nik Douglas, Dragons Dream, 1978. * 'Secret Dakini Oracle' divination card deck by Penny Slinger and Nik Douglas, US Games and Systems 1977. * 'Secret Dakini Oracle' book by Nik Douglas and Penny Slinger, Destiny Books, 1979. *'Sexual Secrets: The Alchemy of Ecstasy' by Nik Douglas and Penny SLinger, including more than 600 line drawings by Ms. Slinger. 1979, Destiny Books. . *'The Pillow Book' by Nik Douglas and Penny Slinger, Destiny Books, 1981. , *'The Erotic Sentiment in the Paintings of India and Nepal', Nik Douglas and Penny SLinger, Inner Traditions, 1989. *'The Erotic Sentiment in the Paintings of China and Japan', Nik Douglas and Penny Slinger, Inner Traditions, 1990. , *'The Path of the Mystic Lover—Baul Songs of Passion and Ecstasy' by B. Bhattacharya with Nik Douglas and Penny Slinger: Cover and 84 original drawings by Penny, Destiny Books, 1993. *Anniversary edition of 'Sexual Secrets-The Alchemy of Ecstasy', by Nik Douglas and Penny Slinger, Destiny Books, 2000. *'Tantric Dakini Oracle', boxed set cards and book, by Nik Douglas and Penny Slinger, Destiny Books, 2001.

References

External links

Penny Slinger's website
{{DEFAULTSORT:Slinger, Penny Living people American contemporary artists American draughtsmen American surrealist artists People from California American women essayists American essayists 1947 births 21st-century American women