The ''Penitent Magdalene'' is a wooden sculpture of

Mary Magdalene Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his cru ...

by the

Italian Renaissance sculptor Italian Renaissance sculpture was an important part of the art of the Italian Renaissance, in the early stages arguably representing the leading edge. The example of Ancient Roman sculpture hung very heavily over it, both in terms of style and t ...

Donatello Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and use ...

, created around 1453–1455. The sculpture was probably commissioned for the

Baptistery of Florence The Florence Baptistery, also known as the Baptistery of Saint John ( it, Battistero di San Giovanni), is a religious building in Florence, Italy, and has the status of a minor basilica. The octagonal baptistery stands in both the Piazza del D ...

. The piece was received with astonishment for its unprecedented realism. It is now in the Museo dell'Opera del Duomo in

Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico an ...

. The wood used by Donatello is that of

white poplar White poplar is a common name used to refer to several trees in the genus ''Populus'', including: * ''Populus alba'', native to Eurasia * '' Populus grandidentata'', bigtooth aspen * ''Populus tremuloides ''Populus tremuloides'' is a deciduous ...

Iconography

Though the " Penitent Magdalene" was the usual depiction for the many single figures of Mary Magdalene in art, Donatello's gaunt, emaciated figure differs greatly from most depictions, which show a beautiful young woman in nearly perfect health. The Magdalene Penitent is famous for the detailed and very realistic carvings on the statue. Medieval

hagiography A hagiography (; ) is a biography of a saint or an ecclesiastical leader, as well as, by extension, an adulatory and idealized biography of a founder, saint, monk, nun or icon in any of the world's religions. Early Christian hagiographies migh ...

in the

Western church Western Christianity is one of two sub-divisions of Christianity (Eastern Christianity being the other). Western Christianity is composed of the Latin Church and Western Protestantism, together with their offshoots such as the Old Catholic C ...

had conflated the figure of Mary Magdalene, already conflated with

Mary of Bethany Mary of Bethany is a biblical figure mentioned only by name in the Gospel of John in the Christian New Testament. Together with her siblings Lazarus and Martha, she is described by John as living in the village of Bethany, a small village in Juda ...

and the unnamed sinner in the

Anointing of Jesus The anointings of Jesus’s head or feet are events recorded in the four gospels. The account in Matthew 26, Mark 14, and John 12 takes place on the Holy Wednesday of Holy Week at the house of Simon the Leper in Bethany, a village in Judaea o ...

, with that of Saint

Mary of Egypt Mary of Egypt ( cop, Ϯⲁⲅⲓⲁ Ⲙⲁⲣⲓⲁ Ⲛⲣⲉⲙⲛ̀ⲭⲏⲙⲓ; ; c. 344 – c. 421) is an Egyptian saint, highly venerated as a Desert Mother in the Eastern Orthodox and Coptic Churches. The Catholic Church commemorates her a ...

. She was a popular figure in the

Eastern Churches Eastern Christianity comprises Christian traditions and church families that originally developed during classical and late antiquity in Eastern Europe, Southeastern Europe, Asia Minor, the Caucasus, Northeast Africa, the Fertile Crescent and ...

, who had been a prostitute before spending thirty years repenting in the desert. Donatello's depiction is similar to, and very probably influenced by,

Eastern Orthodox Eastern Orthodoxy, also known as Eastern Orthodox Christianity, is one of the three main branches of Chalcedonian Christianity, alongside Catholicism and Protestantism. Like the Pentarchy of the first millennium, the mainstream (or "canonical") ...

icons of Mary of Egypt, which show a similar emaciated figure. He thus ignored the Western legends by which Mary was daily fed by angels in the desert.

History

Documentation about the work is scarce. The earliest mentioning of the ''Penitent Magdalene'' dates from 1500 and mentions that the statue is being placed back in the

Baptistery In Christian architecture the baptistery or baptistry (Old French ''baptisterie''; Latin ''baptisterium''; Greek , 'bathing-place, baptistery', from , baptízein, 'to baptize') is the separate centrally planned structure surrounding the baptismal ...

in Florence against the southwest wall. Since then, the statue has been moved a few times: in 1688 it was replaced by the baptismal font and put in storage, in 1735 it was moved back to the Baptistery against the southeast wall and in 1912 it was put back against the southwest wall. Today, being moved after restoration, it can be seen in the ''Sala della Maddalena'' in the Museo dell'Opera del Duomo in Florence. The Renaissance art historian

Giorgio Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculpt ...

mentions the work in his ''

Vite ''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-ce ...

'':

"In the same baptistery, opposite this tomb, a statue from Donatello's own hand can be seen, a wooden Saint Mary Magdalene in Penitence which is very beautiful and well executed, for she has wasted away by fasting and abstinence to such an extent that every part of her body reflects a perfect and complete understanding of human anatomy."

Donatello executed the work when he was more than sixty years old, after he had spent a decade in

Padua Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the ...

. The dating has been established indirectly, based on a 1455 copy from

Neri di Bicci Neri di Bicci (1419–1491) was an Italian painter active in his native Florence. A prolific painter of mainly religious themes, he studied under his father, Bicci di Lorenzo, who had in turn studied under his father, Lorenzo di Bicci. The thre ...

's workshop now in the Museum of the Collegiate of

Empoli Empoli () is a town and ''comune'' in the Metropolitan City of Florence, Tuscany, Italy, about southwest of Florence, to the south of the Arno in a plain formed by the river. The plain has been usable for agriculture since Roman times. The comm ...

. In 1500 the work was in the city's baptistery. According to an Italian historian, it was seen by

Charles VIII of France Charles VIII, called the Affable (french: l'Affable; 30 June 1470 – 7 April 1498), was King of France from 1483 to his death in 1498. He succeeded his father Louis XI at the age of 13.Paul Murray Kendall, ''Louis XI: The Universal Spider'' (Ne ...

in the 1480s, when he was camped with his army near Florence. The work was damaged by the

1966 flood of the Arno The 1966 flood of the Arno ( it, Alluvione di Firenze del 4 novembre 1966) in Florence killed 101 people and damaged or destroyed millions of masterpieces of art and rare books. It is considered the worst flood in the city's history since 1557. Wi ...

, and the restoration process revealed some of the statue's original polychrome and gilding.

Sources

* * Janson, H.W. (1957), ''Sculpture of Donatello'', Princeton: Princeton University Press. * Avery, Charles (1991), ''Donatello: catalogo completo delle opere'', Firenze: Cantini, pp. 130–131 * Pope-Hennessy, John (1986), ''Donatello'', Berlin: Propyläen. * Strom, Deborah, "A New Chronology for Donatello's Wooden Sculpture" in ''Pantheon'' 38 no. 3 (1980) pp. 239–48.

References

{{Authority control Sculptures by Donatello Wooden sculptures in Italy 1450s sculptures Statues depicting Mary Magdalene