HOME

TheInfoList



OR:

Penina Muhando, also known as Penina Mlama (born 1948), is a Tanzanian Kiswahili playwright, a theorist and practitioner of Theatre for Development in Tanzania.


Life and literary career

Muhando was born in Berega, Morogoro Region in Tanzania in 1948. She gained a BA in theatre arts, a BA in education, and a PhD in language and linguistics from the University of Dar es Salaam. Ada U. Azodo, "Muhando, Penina", in Jane Eldredge Miller (ed.), ''Who's Who in Contemporary Women's Writing'', Routledge, 2001, pp. 226–227. Muhando was among a group of Tanzanian playwrights in the late 1960s and early 1970s who emerged in the aftermath of President Julius Nyerere's
Arusha Declaration The Arusha Declaration ( sw, Azimio la Arusha) and TANU’s Policy on Socialism and Self Reliance (1967), referred to as the Arusha Declaration, is known as Tanzania’s most prominent political statement of African Socialism, ‘Ujamaa’, or ...
in 1967. '' Ujamaa'' socialism became the guiding philosophy of the country. In this environment, theatres were discouraged from performing plays by foreign artists. Local playwrights were called upon by Nyerere to use their art as a means of disseminating the main concepts of ''ujamaa'' to the people of Tanzania and for art to serve as a means of development. Muhando faced a dilemma between writing in English and Kiswahili. Works in English would open up a global clientele but remain inaccessible to most Tanzanians who did not speak the language. Swahili would open up this national audience at the expense of the global. She decided to focus on writing in Kiswahili because she felt that theater was primarily a tool of mass communication and being accessible to the Tanzanian population was more important. Muhando's earlier works, such as ''Haitia'' (Guilt, 1972), are enthusiastic about the prospects of ''ujamaa'' socialism. However, in the late 1970s and 1980s, it began to be clear that the expectations that ''ujamaa'' had created with respect to deepening of democracy and development had not been met. Muhando, along with other writers became more critical in this period. In plays such as ''Nguzo Mama'' (Mother, the main pillar, 1982), ''Lina Ubani'' (There is an antidote for rot, 1984), and ''Mitumba Ndui'' (The Pox, 1989) she registered her disappointment by focusing on political corruption, jockeying for political power and the pursuit of personal profit over community development. In 2013, Muhando was named the chairperson of
BASATA Baraza la Sanaa la Taifa (BASATA; Swahili for National Arts Council) is the national council founded in 1984 by government legislation to serve as a facilitator and promoter of Tanzanian arts, music and theatre arts. BAMUTA Baraza la Muziki la T ...
(National Arts Council) by President Jakaya Kikwete for a three-year term.


Academic career

Muhando rose to become Professor and Head of the Department of Theatre Arts at the University of Dar es Salaam. She was one of the pioneers of Theatre for Development in Africa - a movement that sought to encourage marginalized people to use plays to engage in issues important to their lives within their communities and with experts. Alongside her colleague
Amandina Lihamba Amandina Lihamba (born 1944) is a Tanzanian academic, actress, playwright and theatre director. She is a professor at the University of Dar es Salaam in the Department of Fine and Performing Arts and has served as its dean, head of department, an ...
, she pioneered a particularly in-depth approach with their Oxfam-funded project 'Theatre for Social Development' which took place over eighteen months in Malya, in the Mwanza region of northern Tanzania. In 1996, Muhando and Lihamba's ''Tuseme'' project worked to empower secondary school girls through theatre. Her most important publication, ''Culture and development: the popular theatre approach in Africa'' (1991), gives a historical overview of community performance and popular theatre in Tanzania, and explores the methods and practices that she developed throughout her community theatre work. She also did important work on the aesthetics of African orature.


Works


Plays

* ''Haitia'' (Guilt), 1972 * ''Tambueni haki zetu'', 1973 * ''Heshima yangu'', 1974 * ''Pambo'' (Decoration), 1975 * ''Harakati za ukombozi'' (Liberation Struggle), with
Amandina Lihamba Amandina Lihamba (born 1944) is a Tanzanian academic, actress, playwright and theatre director. She is a professor at the University of Dar es Salaam in the Department of Fine and Performing Arts and has served as its dean, head of department, an ...
and Ndyanao Balisidya, 1982 * ''Nguzo mama'' (Mother Pillar), 1982 * ''Abjadi yetu'', 1983 * ''Lina ubani'' (Antidote to Rot), 1984 * ''Talaki si mke wangu'' (Woman, I Divorce You)


Books

* ''Fasihi na sanaa za maonyesho'' (Literature and performing arts), 1976 * ''Culture and development: the popular theatre approach in Africa,'' 1991


Articles

* 'Digubi: A Tanzanian Indigenous Theatre Form', The Drama Review, 1981 * 'Tanzania's Cultural Policy And Its Implications For The Contribution Of The Arts To Socialist Development', Utafiti, 1985 * 'Creating in the Mother-Tongue: The Challenges to the African Writer Today', '' Research in African Literatures,'' 21.4, 1990,: 5-14 * 'Women's participation in Communication for Development: the popular theatre alternative in Africa', '' Research in African Literatures,'' 1991 *'African Perspectives on Programs for North American Students in Africa: The Experience of the University of Dar es Salaam',
African Issues African or Africans may refer to: * Anything from or pertaining to the continent of Africa: ** People who are native to Africa, descendants of natives of Africa, or individuals who trace their ancestry to indigenous inhabitants of Africa *** Ethn ...
, 2000 * 'Popular theatre and development‐challenges for the future: The Tanzanian experience',
Contemporary Theatre Review ''Contemporary Theatre Review'' is a quarterly peer-reviewed academic journal published by Routledge and covering all aspects of theatre, live art, performance art, opera, dance, digital performance, activist and applied performance, theatre desi ...
, 2002


References

{{DEFAULTSORT:Muhando, Penina 1948 births Living people Tanzanian dramatists and playwrights Women dramatists and playwrights Swahili-language writers University of Dar es Salaam alumni University of Dar es Salaam faculty Tanzanian women writers