Pateando Piedras
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''Pateando piedras'' is the second studio album by the Chilean group
Los Prisioneros Los Prisioneros ("The Prisoners") were a Chilean rock/pop band formed in San Miguel, Santiago, in 1983. They are considered one of the most important Chilean bands, and arguably the strongest musical influences that Chile has made to Latin Ame ...
. It was released on September 15, 1986 in cassette format in Chile and 12-inch vinyl in South America. It was the group's first album to be released by a multinational company. It sold five thousand copies in its advance sale, and reached ten thousand units sold in a short time. The album was preceded by the hit single, "Muevan las industrias", which featured the group drawing European techno influences from bands like Depeche Mode. It meant the band's leap to massiveness and the defeat of the censorship imposed by the
dictatorship A dictatorship is a form of government which is characterized by a leader, or a group of leaders, which holds governmental powers with few to no limitations on them. The leader of a dictatorship is called a dictator. Politics in a dictatorship a ...
, by vetoing them on television and in the media. On November 1, 1986, the group promoted the album with two upside-down recitals at the Chile Stadium. The album became famous for its lyrics focused on social issues and a danceable sound with electronic components. It was chosen as the 15th best Chilean album of all time, according to Rolling Stone Chile magazine. In this way, it shares an important place in the musical history of Chile. It was reissued on CD for the first time in 1991, then in 1995 and in 2011 it was remastered along with the albums ''
La cultura de la basura Los Prisioneros ("The Prisoners") were a Chilean rock/pop band formed in San Miguel, Santiago, in 1983. They are considered one of the most important Chilean bands, and arguably the strongest musical influences that Chile has made to Latin Ame ...
'', ''
La voz de los '80 ''La voz de los '80'' is the debut studio album by the Chilean band Los Prisioneros, released independently under the Fusion label on December 13, 1984. Produced by leader, vocalist, and songwriter Jorge González (musician), Jorge González, who c ...
'' and ''
Corazones ''Corazones'' is the fourth studio album by the Chilean rock band Los Prisioneros, released in 1990. Produced by the Argentine Gustavo Santaolalla, in conjunction with Aníbal Kerpel on the EMI label, it was recorded, mixed and mastered in Los A ...
''.


Background

Jorge González composed ''Pateando piedras'' on the road when Los Prisioneros were covering demands for concerts throughout Chile: "When I think of Pateando Piedras, I evoke something provincial, clean, and I especially remember Concepción, because a large part of those songs were made while we were playing in the south". In 1985 Jorge González joined the group on keyboards. He and Miguel Tapia -as the band's guitarist Claudio Narea points out- had become followers of Depeche Mode and other groups that used the keyboard as their main instrument. González bought a Casio CZ 101, with lower case keys, and later bought one just like it. With this instrument he composed "¿Quién le tiene miedo a las máquinas?", "Pendiente fuerte de ti", "Ellos dicen no" and "Muevan las industrias" which made their debut in August of that year in a presentation at the Cariola Theater. The last two songs were the only ones included on the group's second album, while the song "Ellos dicen no", which talked about the media closing its doors on them, was completely modified and became "Por favor".


Recording

The recording of the album began in the winter of June 1986 after
Santiago Santiago (, ; ), also known as Santiago de Chile, is the capital and largest city of Chile as well as one of the largest cities in the Americas. It is the center of Chile's most densely populated region, the Santiago Metropolitan Region, whos ...
was recovering from a storm that overflowed the
Mapocho River The River Mapocho ( es, Río Mapocho) ( Mapudungun: ''Mapu chuco'', "water that penetrates the land") is a river in Chile. It flows from its source in the Andes mountains onto the west and divides Chile's capital Santiago in two. Course The Mapo ...
. For the recording of this album they worked again with the engineer Caco Lyon, who played a fundamental role in this work. ''Pateando piedras'' was a different recording from ''La voz de los '80''. "Seven of the songs do not have a bass but a keyboard bass. All the drums are programmed and three of the songs don't have a guitar," said Narea. Claudio bought two Fender guitars, a Lead 1 and a Telecaster Deluxe, both black; Jorge got himself a
Linn Linn may refer to: People * Linn (surname) * Linn (given name) * Linn da Quebrada, stage name of Brazilian singer, actress, screenwriter and television personality Lina Pereira dos Santos (born 1990) Places Germany * Linn (Gangkofen), a part ...
drum machine, borrowed from Miguel Conejeros of the Pinochet Boys group, he bought three Casio synthesizers, and a Simmons electronic drum set. However Jorge had already played the keyboard for the previous album but as an accompaniment to the songs and in Pancho Straub's studies a drum programmer was used. The first disc was recorded with an 8-track recorder and the second disc with a 16-track recorder. For this disc, sequencers such as the Voyetra were used, where it was recorded with a time code that controlled the sequencers, leaving 15 free tracks, he said. Lyon. The songs now came prepared and were not rehearsed. Claudio only participated playing the guitars, he could not get used to going from being a trio of guitar, bass and drums to being a
techno Techno is a Music genre, genre of electronic dance music (EDM) which is generally music production, produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central Drum beat, rhythm is typ ...
group, also he never felt comfortable playing the keyboard, so he left the sessions early to go to see who his wife, Claudia Carvajal, would be months later. He played the acoustic guitar on the song "
El baile de los que sobran "El baile de los que sobran" (The dance of those left over) is a single from the album '' Pateando piedras'' by the Chilean rock/pop band Los Prisioneros. It was considered by National Library of Chile as one of the most emblematic of Chilean ...
". They recorded a first version of this song, it was a rhythm box with a bass, at the beginning it didn't have a guitar, and the tempo was faster. Jorge didn't like it, so he recorded it again and asked Claudio to play the guitar, they lowered the tempo, and added the barking of the dog with the Emulator 2 sampler, according to Jorge González, without the dog, the song would have been dull. "Muevan las industrias" was recorded with a Linn Drum, the programmable battery that was in Chile at the time. Jorge González stated that he imagined the song while riding the subway to the university. The metallic sounds that can be heard were produced by Jorge hitting a gas cylinder from "Caco" Lyon's kitchen. He had previously tried to obtain these sounds with an iron that he collected from the Mapocho River.


Style and songs

Lalo Ibeas, leader of the group
Chancho en Piedra Chancho en Piedra is a Chilean funk rock band, considered influential in the popularization of alternative rock in Latin America. They are commonly described as similar to the Red Hot Chili Peppers, but are also known for their unique sound an ...
, said that it was very risky "to have made their second album radically changing the sound of the band, going from guitars to
The Clash The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the w ...
style, to the sound of synthesizers, and yet they kept playing like Los Prisioneros." Jorge has stated that he likes to make more
electronic music Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroa ...
and also because it has more diffusion, declaring that Los Prisioneros were more of a
techno-pop Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s ...
group than a
rock Rock most often refers to: * Rock (geology), a naturally occurring solid aggregate of minerals or mineraloids * Rock music, a genre of popular music Rock or Rocks may also refer to: Places United Kingdom * Rock, Caerphilly, a location in Wales ...
group. Musicologist Juan Pablo González considers it the essential album and a turning point in the band's career. "He marked a sound bridge in the 80s, from an artisan sound, where the wool of Chilote vests and arpeggiated guitars prevailed, towards this new wave world, of technological sounds and very clear texts, where there was no room for metaphors and the political agenda of the time", he also said that simple things like the barking of a dog, or the sound of a gas cylinder portrayed the Chilean society of the time genuinely. The first track "Muevan las industrias" talks about unemployment. According to Colombia.com, in Chile "there was a feeling of disappointment and anxiety due to the unemployment rates caused by the clearing of the national industry to make room for British, North American and French companies that invested in the country's economy and They stayed with the markets. Many people wandered the streets looking for what to do to survive, from this phenomenon arises "Muevan las industrias"". The second theme, "¿Por qué no se van?" criticized the avant-garde of the time, those snobbish artists and intellectuals who wanted to leave the country. The third song, "
El baile de los que sobran "El baile de los que sobran" (The dance of those left over) is a single from the album '' Pateando piedras'' by the Chilean rock/pop band Los Prisioneros. It was considered by National Library of Chile as one of the most emblematic of Chilean ...
" is considered by the group to be their best song and one of the most emblematic of Chilean popular music of the eighties. It tells about young people who were promised to go to university but, nevertheless, the neoliberal system left them with no chance of studying, leaving them practically unemployed for their future. "Estar solo" was described by González himself as a combination between
The Cure The Cure are an English rock band formed in 1978 in Crawley, West Sussex. Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith has remained the only constant member. The band's ...
and Depeche Mode that "didn't turn out very well" and described the lyrics as "half embarrassing", considering it one of the poorest songs on the album. "Por favor" was the curtain of a Radio Beethoven program that Carlos Fonseca, the band's manager, had. According to Jorge González, it was the first song by Los Prisioneros to have an acoustic piano.


Artwork

On the cover, Los Prisioneros appear on Line 2 of the
Santiago Metro The Santiago Metro ( es, Metro de Santiago) is a rapid transit system serving the city of Santiago, the capital of Chile. It currently consists of seven lines (numbered 1-6 and 4A), 136 stations, and of revenue route. The system is managed by th ...
going to San Miguel. In the original photo, Miguel appears standing, with his arms behind his head, looking into space; sitting in front of him, Jorge and Claudio looking at the camera. Jorge with an ironic smile and Claudio laughing happily. In 1987, during a promotional tour in
Buenos Aires Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South ...
, Argentina, the guitarist recounted in his book ''Los Prisioneros: Biografía de una amistad'', that the album cover had a different photo. "He looked the same except for one small detail: I didn't appear laughing," he said. As the representative of the group —Carlos Fonseca— explained to him, the original had been lost, so they decided to look for the one closest to the sequence —taken a second before or after the other— to replace it. "It was almost the same, only in this one I had a lost look," Claudio explained. Later, in Chile, the photograph was also changed, then, when Pateando piedras came out on CD, the photo where Claudio was smiling came out, however, shortly after they replaced it again with the other one. "Summarizing, the story goes like this: Kicking stones was released in September 1986. But already in April 1987 there was another photo. Then in 1991 it appeared. Then, in 1992, it got lost again," he concluded. The session at the Metro was in charge of Jorge Brantmayer, inspired by the techno "wave" that the band took with their publicized Casio synthesizers and Simmons de Tapia drums. The vinyl edition, which could only be purchased at Fusión, had a low-angle photo of the band on the back cover in front of a high-voltage tower, 40 kilometers south of Santiago, on the way to
Rancagua Rancagua () is a city and commune in central Chile and part of the Rancagua conurbation. It is the capital of the Cachapoal Province and of the O'Higgins Region, located south of the national capital of Santiago. It was originally named Sant ...
. Los Prisioneros never liked the photos of the Metro, according to Fonseca. At first Jorge suggested to Carlos that the three of them appear in the photo in a huge green field, and that they could be seen walking in the distance, however, EMI rejected the idea, since, according to them, it was going to look like a
Los Huasos Quincheros ''Los Huasos Quincheros'' (also known as ''Los Quincheros'') are a popular Chilean folk musical group, first formed in 1937. It currently consists of the musicians Antonio Antoncich, Jose Vicente Leon and Rafael Prieto.
album.


Release

This album was released on
September 15 Events Pre-1600 * 994 – Major Fatimid victory over the Byzantine Empire at the Battle of the Orontes. *1440 – Gilles de Rais, one of the earliest known serial killers, is taken into custody upon an accusation brought against him by ...
,
1986 The year 1986 was designated as the International Year of Peace by the United Nations. Events January * January 1 **Aruba gains increased autonomy from the Netherlands by separating from the Netherlands Antilles. **Spain and Portugal enter ...
, a week after the attack against
Pinochet Augusto José Ramón Pinochet Ugarte (, , , ; 25 November 1915 – 10 December 2006) was a Chilean general who ruled Chile from 1973 to 1990, first as the leader of the Military Junta of Chile from 1973 to 1981, being declared President of ...
in the Cajón del Maipo. The album sold five thousand copies in the first ten days of its distribution. A record never reached by a youth music group in Chile and in two months and two days after the album came out they achieved a second platinum record with twenty thousand copies sold, something that no artist had achieved since the days of the Nueva ola. Two months after the release of their second album, in November 1986 they officially launched ''Pateando piedras'', appearing at the Chile Stadium in front of some 11,000 people. The group broke a record by filling the venue twice in a row. After that the media began to take Los Prisioneros seriously. ''Super Rock'' magazine pointed them out as the best group in Chile. In addition, he awarded ''Pateando piedras'' as the best album, Jorge González as the best composer and chose the song "El baile de los que sobran" as the best song of the year. Other media did the same. The first single to be launched was "Muevan las Industrias".


Legacy

Before the anniversary no. 20 the Chilean actor Héctor Morales said that the album lyrics are still current, and that they can fit in any stage of the country. And shortly before for the anniversary no. 25, Jaime Bollolio from ''
El Mercurio ''El Mercurio'' (known online as ''El Mercurio On-Line'', ''EMOL'') is a Chilean newspaper with editions in Valparaíso and Santiago. Its Santiago edition is considered the country's newspaper of record and it is considered the oldest daily in ...
'' made an analysis of Chile today with the songs from Pateando piedras according to his order, from "Muevan las industrias" to "Independencia cultural", reaching contingent topics such as the
student movement Student activism or campus activism is work by students to cause political, environmental, economic, or social change. Although often focused on schools, curriculum, and educational funding, student groups have influenced greater political e ...
and HidroAysén. Not only does the contingency arrive in Chile for the album lyrics, but also in countries like Colombia and Peru. In the latter they were a phenomenon at the end of the eighties, according to Mario Ruiz, EMI Marketing Manager at the time, Los Prisioneros managed to open those markets for "
rock en español Rock en español () is a term used widely in the English-speaking world to refer to any kind of rock music featuring Spanish vocals. Compared to English-speaking bands, very few acts reached worldwide success or between Spanish-speaking countri ...
". The album was chosen as one of the most important of the
Ibero-American Ibero-America ( es, Iberoamérica, pt, Ibero-América) or Iberian America is a region in the Americas comprising countries or territories where Spanish or Portuguese are predominant languages (usually former territories of Portugal or Spain). P ...
Rock Rock most often refers to: * Rock (geology), a naturally occurring solid aggregate of minerals or mineraloids * Rock music, a genre of popular music Rock or Rocks may also refer to: Places United Kingdom * Rock, Caerphilly, a location in Wales ...
scene, placing Nº 160 on the list, "Los 250 mejores discos de rock iberoamericano", published by American magazine ''Al Borde'', in 2006. In 2008, it was chosen as the 15th-best Chilean album by ''
Rolling Stone ''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its ...
'' magazine. In this way, it shares an important place in the musical history of Chile. "Quieren dinero" was the main theme of the Chilean soap opera ''Cómplices'' (2006), being interpreted by Rigo Vizcarra. It was also part of the soundtrack of the Colombian Netflix film '' El robo del siglo'' (2020).


Track listing

Side A Side B


References


Bibliography

* * * {{Authority control 1986 albums Los Prisioneros albums Spanish-language albums Electronic albums by Chilean artists Pop albums by Chilean artists Rock albums by Chilean artists