Pardessus De Viol
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The pardessus de viole is the highest-pitched member of the
viol The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitc ...
family of instruments. It is a bowed
string instrument String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the ...
with either five or six strings and a fretted neck. The pardessus first appeared in the early 18th century, and was commonly played by women, particularly in French-speaking countries.


Description

The pardessus de viole is the smallest of the viol family. Its size is similar to the
violin The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
's, and its range is correspondingly similar. The strings are made of gut (like on any bowed string instrument until the 1970s) and the top string was tuned to g'', a fourth higher than the top string of the treble viol. Like the treble viol, the pardessus de viole was almost never used to play accompaniment chords, but was always a melody instrument. When played, it is played upright on the lap with a bow. Unlike the treble viol and other viol instruments, the pardessus usually has only five strings. The five string pardessus is tuned in fifths and fourths (g, d', a', d'', g''), while six stringed pardessus are tuned like other viols in fourths with a third (g, c', e', a', d'', g'' or g, c', f', a', d'', g'').


History

The pardessus de viole was invented around the year 1700. Violins had begun emerging in Italy, and the pardessus was developed to allow people accustomed to viols to play violin music. With a sound more reminiscent of the viol to audiences unaccustomed to the sound of the violin, musicologist Annette Otterstedt has characterized the pardessus as a hybrid between viols and violins. The pardessus was often played by women, as the method of holding the pardessus in one's lap was considered more lady-like than holding a violin on the shoulder. The pardessus was most popular in French-speaking countries, but by 1770 it was starting to disappear from the landscape as viols generally were being eclipsed by the louder stringed instruments of the
violin family The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was viole da braccio which was used to distinguish them from the viol family (viole ''da gamba''). The standa ...
.


References


External links


Tina Chancey describing and playing a pardessus de viole

Discussion of the pardessus, with a performance beginning at 17:05

Painting of a noblewoman holding a pardessus
{{Authority control Viol family instruments Early musical instruments Baroque instruments