Panagia Ierosolymitissa
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The Panagia Ierosolymitissa icon () or the All-Holy Lady of Jerusalem icon of the Mother of God is an
acheiropoieton ''Acheiropoieta'' (Medieval Greek: , "made without hand"; singular ''acheiropoieton'') — also called icons made without hands (and variants) — are Christian icons which are said to have come into existence miraculously; not created by a human ...
located in the
Tomb of Mary ; hy, Սուրբ Մարիամ Աստվածածնի գերեզման), is a Christian tomb in the Kidron Valley – at the foot of Mount of Olives, in Jerusalem – believed by Eastern Christians to be the burial place of Mary, the mother of Jesus. ...
in
Gethsemane Gethsemane () is a garden at the foot of the Mount of Olives in Jerusalem where, according to the four Gospels of the New Testament, Jesus underwent the agony in the garden and was arrested before his crucifixion. It is a place of great resona ...
in Jerusalem. The icon is considered by
Orthodox Christians Orthodoxy (from Greek: ) is adherence to correct or accepted creeds, especially in religion. Orthodoxy within Christianity refers to acceptance of the doctrines defined by various creeds and ecumenical councils in Antiquity, but different Churc ...
to be the patroness of Jerusalem. Although occasionally confused, the ''Panagia'' ''Ierosolymitissa'' icon is distinct from th
''Jerusalem Icon of the Mother of God''


Description

The ''Panagia Ierosolymitissa'' is a variation of the popular
Hodegetria A Hodegetria , ; russian: Одиги́трия, Odigítria ; Romanian: Hodighitria, or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of s ...
type, in which the Virgin carries Christ in her arms. In the icon, Christ holds an orb in his left hand as his right hand extends in a gesture of blessing. Both figures in the icon have their bodies turned in a typical three-fourths twist of the body. The medium with which this icon was painted is unidentified, although it appears to be oil on canvas. The majority of the icon is covered in riza, a decorative metal revetment that serves to protect the more delicate image underneath. The icon sits upon a stone
antependium An ''antependium'' (from Latin ''ante-'' and ''pendēre'' "to hang before"; pl: ''antependia''), also known as a ''parament'' or ''hanging'', or, when speaking specifically of the hanging for the altar, an altar frontal (Latin: ''pallium altaris ...
which has two Greek inscriptions that state that it was donated during the ecclesiastical reign of the
Greek Orthodox Patriarch of Jerusalem , image = , imagewidth = , alt = , caption = Coat of arms , abbreviation = , type = , main_classification = , orientation = , scripture = ...
, Damianos I (1897–1931), by a hegumen named Ioakeim Anyphantopoulos from Crete in the year 1906: "ΕΠΙ ΠΑΤΡΙΑΡΧΕΙΑΣ ΔΑΜΙΑΝΟΥ ΤΟΥ Α′ ΑΦΙΕΡΩΜΑ ΗΓΟΥΜΕΝΟΥ ΙΩΑΚΕΙΜ ΑΝΥΦΑΝΤΟΠΟΥΛΟΥ ΤΟΥ ΚΡΗΤΟΣ 1906" A metal stamp on the riza (which was later added to the icon) indicates that it was crafted by a Moscow-based silversmith workshop of Borisov, and bears the date 1880.''Stegniy'' 2017: ''Stegniy'', Peter. Скитоначальник. Жизнь и судьба игумена Серафима (Кузнецова) kitonachal’nik. Zhizn’ i sud’ba igumena Serafima (Kuznetsova) Moscow. Greek letter abbreviations identify the Virgin and the
Christ Child The Christ Child, also known as Divine Infant, Baby Jesus, Infant Jesus, the Divine Child, Child Jesus, the Holy Child, Santo Niño, and to some as Señor Noemi refers to Jesus Christ from his nativity to age 12. The four canonical gospels, a ...
. A Russian inscription along the bottom edge of the icon says "Icon of the Jerusalem All-Holy Theotokos" ().


History

There are several theories and traditions about the origin of the icon.


Miraculous 19th-century creation

The commonly-held story regarding the origins of the ''Panagia Ierosolymitissa'' is that it miraculously appeared in the year 1870. This story became popular due to a leaflet released by the Greek Orthodox Patriarchate of Jerusalem verifying it. According to this story, the Mother of God appeared in the form of a stranger to a certain monastic iconographer by the name of Tatiana who lived at the Russian Convent of Mary Magdalene (on the lower western slope of Jerusalem's Mount of Olives) and commanded her to paint an icon. When Tatiana began the work and came back the next day, the icon was miraculously completed and was suffused with the smell of incense. She informed the abbess, and together they relocated the icon to
Gethsemane Gethsemane () is a garden at the foot of the Mount of Olives in Jerusalem where, according to the four Gospels of the New Testament, Jesus underwent the agony in the garden and was arrested before his crucifixion. It is a place of great resona ...
as the Holy
Theotokos ''Theotokos'' (Greek: ) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are ''Dei Genitrix'' or ''Deipara'' (approximately "parent (fem.) of God"). Familiar English translations are " ...
had instructed them.


Russian 20th-century painter

Another belief is that the icon was authored by a Russian nun named Sergiya (born near Tula, Russia, with the name Irina Trofimova) in the 1950s, and was miraculously saved from a flood. According to the research of Petr Stegniy, Irina Trofimova travelled to
Palestine __NOTOC__ Palestine may refer to: * State of Palestine, a state in Western Asia * Palestine (region), a geographic region in Western Asia * Palestinian territories, territories occupied by Israel since 1967, namely the West Bank (including East ...
as a young woman where she became a nun at the Eleon Russian Monastery (the Monastery of the Ascension on the Mount of Olives) and was trained in iconography. She lived there for 30 years, died in 1968, and was buried at the Gornensky Monastery in
Ein Karem ar, عين كارم , settlement_type = Neighborhood of Jerusalem , image_skyline = Ein Karem IMG 0624.JPG , imagesize = 300px , image_caption = View of Ein Karem , subdivision_type = Country , subdivision_ ...
. According to Stegniy, the ''Panagia Ierosolymitissa'' icon was restored by Sergiya after it was damaged in a flood, but was not painted by her. Sergiya's own words in a letter that she wrote in June 1956 attest to this:
"I now write icons for
he church of He or HE may refer to: Language * He (pronoun), an English pronoun * He (kana), the romanization of the Japanese kana へ * He (letter), the fifth letter of many Semitic alphabets * He (Cyrillic), a letter of the Cyrillic script called ''He'' in ...
the Mother of God in Gethsemane. You've probably heard that there was a flood and everything was damaged. Only one very large icon of the Mother of God in a ''kiot'' con caseunder glass rose up to the ceiling and stood against the wall just in front of the Tomb of Theotokos. This is a great miracle, since even after being in the water for 5 days, it remained untouched, while other icons sunk for twenty-five days until the water was pumped out. Now I write all these icons for free and with joy..."


Mixed-style painting (Russian and Greek)

Dr. Anastasia Keshman, Art History teacher of the Hebrew University of Jerusalem, speculates that the icon is not of supernatural origin, but rather that it was authored by an unknown iconographer who was influenced by both Russian and Greek styles of iconography.


Travels

In January 2000, the icon was briefly flown from Gethsemane to the Metropolitan area of Kitiou to celebrate 2000 years since the birth of Christ. A formal procession occurred in the afternoon at the Church of the Savior. On March 24, 2015, the icon was taken by the Exarch of the All-holy Tomb of Christ in Greece, Archimandrite Damianos, to the Holy Church of the Anargyioi (Holy Unmercenaries) in the
Plaka Pláka ( el, Πλάκα) is the old historical neighborhood of Athens, clustered around the northern and eastern slopes of the Acropolis, and incorporating labyrinthine streets and neoclassical architecture. Plaka is built on top of the residentia ...
, Athens where it remained until the end of
Great Lent Great Lent, or the Great Fast, (Greek: Μεγάλη Τεσσαρακοστή or Μεγάλη Νηστεία, meaning "Great 40 Days," and "Great Fast," respectively) is the most important fasting season of the church year within many denominat ...
that year.


Veneration

Some regard the ''Panagia Ierosolymitissa'' as the most accurate representation of the form of the Virgin. Paisios the Athonite is said to have had a special dedication to the icon, and had a picture of it in his cell on
Mount Athos Mount Athos (; el, Ἄθως, ) is a mountain in the distal part of the eponymous Athos peninsula and site of an important centre of Eastern Orthodox monasticism in northeastern Greece. The mountain along with the respective part of the penins ...
. He is quoted as saying, "The Panagia looks very similar to the icon of the ''Panagia Ierosolymitissa''. She is exactly the same. I have seen her many times and I do not know of any other icon which resembles her more."


Apolytikion to the ''Panagia Ierosolymitissa'' (in the first mode)

We venerate thy holy image as the symbol of thy glory, All-Holy Virgin of Jerusalem, we venerate thee, O Holy Mother of God. From thee springest forth mysteriously rivers of miracles; and thou irrigatest the hearts and souls of them that cry unto thee in faith; Glory to the Divine Word, O Pure One, glory to thy virginity, glory to thy unfeigned providence towards us, O thou Holy One.


Another hymn{{Cite web , last=Anargyroi , first=Agioi , date=2008-10-03 , title=Full of Grace and Truth: The Holy Icon of Panagia and Christ "Lady of Jerusalem" (Ierosolymitissa) , url=http://full-of-grace-and-truth.blogspot.com/2008/10/holy-icon-of-panagia-and-christ-lady-of.html , access-date=2023-02-13 , website=Full of Grace and Truth

Speedily help, O Lady, those who reverently pray in the tomb of Gethsemane to thy form not made by hands, soaked by the water of our streams of tears, O Virgin, bright, Ierosolymitissa.
There also exists
Paraklesis service to the ''Panagia Ierosolymitissa''


References

Greek Orthodox Church of Jerusalem Eastern Orthodox icons of the Virgin Mary Christian iconography