Palazzo Comunale, San Gimignano
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The Palazzo Comunale (), also known as the Palazzo del Popolo () of
San Gimignano San Gimignano () is a small walled medieval hill town in the province of Siena, Tuscany, north-central Italy. Known as the Town of Fine Towers, San Gimignano is famous for its medieval architecture, unique in the preservation of about a dozen of ...
has been the seat of the civic authority in the
comune The (; plural: ) is a local administrative division of Italy, roughly equivalent to a township or municipality. It is the third-level administrative division of Italy, after regions ('' regioni'') and provinces (''province''). The can also ...
since the 13th century. It is located on the Piazza del Duomo close to the Collegiate Church of the Assumption of the Blessed Virgin Mary. The building and Collegiate Church are at the heart of the medieval town, and are part of the
UNESCO World Heritage Site A World Heritage Site is a landmark or area with legal protection by an international convention administered by the United Nations Educational, Scientific and Cultural Organization (UNESCO). World Heritage Sites are designated by UNESCO for h ...
of the "Historic Centre of San Gimignano".UNESCO
Historic Centre of San Gimignano
(accessed 05-09-2012)
The building contains important fresco decorations by Memmo di Filippuccio,
Lippo Memmi Lippo Memmi (c. 1291 – 1356) was an Italian painter from Siena. He was the foremost follower of Simone Martini, who was his brother-in-law. Together with Martini, in 1333 he painted what is regarded as one of the masterworks of the Intern ...
and others, a museum and a gallery with works of the Florentine and Sienese schools of art - including paintings by
Coppo di Marcovaldo Coppo di Marcovaldo (c. 1225 – c. 1276) was a Florentine painter in the Italo-Byzantine style, active in the middle of the thirteenth century, whose fusion of both the Italian and Byzantine art, Byzantine styles had great influence on gen ...
,
Lippo Memmi Lippo Memmi (c. 1291 – 1356) was an Italian painter from Siena. He was the foremost follower of Simone Martini, who was his brother-in-law. Together with Martini, in 1333 he painted what is regarded as one of the masterworks of the Intern ...
,
Benozzo Gozzoli Benozzo Gozzoli (4 October 1497) was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions wi ...
,
Filippino Lippi Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tusc ...
,
Il Sodoma Il Sodoma (1477 – 14 February 1549) was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of ...
and
Pinturicchio Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname (meaning "little painter") because of his smal ...
.


History and architecture

The Palazzo Comunale dates from the late 13th century, and was built on the ruins of an existing building between 1289 and 1298.Official website of Comune di San Gimignano - About the Palazzo Comunale, Pinacoteca, and Torre Grossa
Further expanded in the 14th century,Lonely Planet - San Gimignano sights - Palazzo Comunale
/ref> the facade is characterised by arched windows, with the lower half of the frontage built with stone, and the upper part in brick. On the ground floor is a courtyard, which was built in 1323 and is decorated with the
coats of arms A coat of arms is a heraldic visual design on an escutcheon (i.e., shield), surcoat, or tabard (the latter two being outer garments). The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its wh ...
of those who have held public office in the municipality. The main civic offices of the town council are now located on this ground floor.SanGimignano.com - Comune tourism site - People's Palace
/ref> On the first floor is a stepped gallery from which dignitaries would address the gathered crowd in the square. The battlements date from a restoration of the nineteenth century, and the structure is capped by the "
Torre Grossa Torre Grossa is the tallest tower in San Gimignano San Gimignano () is a small walled medieval hill town in the province of Siena, Tuscany, north-central Italy. Known as the Town of Fine Towers, San Gimignano is famous for its medieval architec ...
” (great tower). This tower was completed in 1300 and (at 54 meters) is the highest tower in the walled town.


Museum

The Palazzo Comunale, seat of the government of San Gimignano, was built in 1288. Enlarged in 1323, the palace became the seat of the town after it had taken place in the nearby Palazzo Vecchio del Podestà, from 1337. The building houses the civic museum since 1852. The crenellated crown and other elements date back to the restoration carried out by Giuseppe Partini between 1878 and 1881. The Civic Museum of San Gimignano is located on the upper floors of the building and can be accessed both from the Piazza del Duomo and from the courtyard behind the Palace. The courtyard was built in 1323 and is decorated with frescoes or sculpted coats of arms and, in the center, a cistern arranged in 1361. Among the frescoes is a Sant'Ivo that makes justice of Sodom, a Madonna with two saints by an unidentified Sienese painter of the second half of the fourteenth century, and a Justice that tramples on the lie monochrome of Vincenzo Tamagni (sixteenth century). From here starts the external staircase for the entrance to the premises of the museum, covered by a canopy supported by brick columns.


Hall

The "Sala del Consiglio" is a large reception hall which was used as the council chamber. It is commonly known as the "Sala di Dante" and is named for the noted poet
Dante Alighieri Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: '' ...
who visited San Gimignano in 1300 as an ambassador of the Florentine Republic.SanGimignano.com - Comune tourism site - History
/ref> He pleaded before the mayor and the general council the cause of a Tuscan Guelph league. The room is decorated with a ''
Maestà Maestà , the Italian word for "majesty", designates a classification of images of the enthroned Madonna with the child Jesus, the designation generally implying accompaniment by angels, saints, or both. The ''Maestà'' is an extension of the "Sea ...
'' by Lippo Memmi. Commissioned in 1317 by Nello de Mino Tolomei (then
podestà Podestà (, English: Potestate, Podesta) was the name given to the holder of the highest civil office in the government of the cities of Central and Northern Italy during the Late Middle Ages. Sometimes, it meant the chief magistrate of a city ...
of San Gimignano), the fresco is believed to have been inspired by the one painted by his brother-in-law Simone Martini's ''Maestà'' from the
Palazzo Pubblico The Palazzo Pubblico (''town hall'') is a palace in Siena, Tuscany, central Italy. Construction began in 1297 to serve as the seat of the Republic of Siena's government, which consisted of the Podestà and Council of Nine, the elected officia ...
in
Siena Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centuri ...
.Art in Renaissance Italy By John T. Paoletti, Gary M. Radke The fresco shows
Mary Mary may refer to: People * Mary (name), a feminine given name (includes a list of people with the name) Religious contexts * New Testament people named Mary, overview article linking to many of those below * Mary, mother of Jesus, also calle ...
seated on a throne surrounded by adoring saints and angels (including patron Nello de Mino Tolomei). Just off the great hall is a meeting room which was originally used for private meetings. The next room was used by the city government. It contains the ancient carved and inlaid wooden seats (1475) and a bust of San Bartolo in coloured terracotta of the first half of the fifteenth century within a niche. On this floor, there is another small room with a bust of Guido Marabottini, in Florentine terracotta of the fifteenth century. From here also starts the staircase for the climb to the Torre Grossa. The actual art gallery is located on the second floor.


Gallery

The gallery itself is on the second floor and contains works by
Coppo di Marcovaldo Coppo di Marcovaldo (c. 1225 – c. 1276) was a Florentine painter in the Italo-Byzantine style, active in the middle of the thirteenth century, whose fusion of both the Italian and Byzantine art, Byzantine styles had great influence on gen ...
,
Lippo Memmi Lippo Memmi (c. 1291 – 1356) was an Italian painter from Siena. He was the foremost follower of Simone Martini, who was his brother-in-law. Together with Martini, in 1333 he painted what is regarded as one of the masterworks of the Intern ...
,
Benozzo Gozzoli Benozzo Gozzoli (4 October 1497) was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions wi ...
,
Filippino Lippi Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tusc ...
,
Il Sodoma Il Sodoma (1477 – 14 February 1549) was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of ...
,
Pinturicchio Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname (meaning "little painter") because of his smal ...
, Azzo di Masetto, Niccolò di Ser Sozzo;
Taddeo di Bartolo Taddeo di Bartolo (c. 1363 – 26 August 1422), also known as Taddeo Bartoli, was an Italian painter of the Sienese School during the early Renaissance. He is among the artists profiled in Vasari's biographies of artists or ''Vite''. Vas ...
,
Lorenzo di Niccolò Lorenzo di Niccolò or Lorenzo di Niccolò di Martino was an Italian painter who was active in Florence from 1391 to 1412. This early Renaissance artist worked in the Trecento style, and his work maintains influences of the Gothic style, marking a ...
, the so-called Master of 1419, and
Benedetto da Maiano Benedetto da Maiano (1442 – May 24, 1497) was an Italian Early Renaissance sculptor. Biography Born in the village of Maiano (now part of Fiesole), he started his career as companion of his brother, the architect Giuliano da Maiano. When he ...
.Palazzo Comunale site.
/ref> The first room is called ''The Trinity'', due to a painting on this topic (1497) by
Pier Francesco Fiorentino Pier Francesco Fiorentino (1444/1445 – after 1497) was a 15th-century painter active in San Gimignano for much of his mature life, depicting religious-themed subjects. Biography Fiorentino was born in Florence, the son of the Florentine pa ...
. It also houses a ''Madonna and Child with Saints'' by
Leonardo da Pistoia Leonardo da Pistoia, also known as Leonardo Grazia, (1502 – ca. 1548) was an Italian painter of the Mannerism school. Biography Da Pistoia was born in the city of Pistoia, Tuscany, and died in Naples. According to Benezit, he is often confu ...
and a ''
Pietà The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific form o ...
'' by Bastiano Mainardi. Other rooms contain a ''
Maestà Maestà , the Italian word for "majesty", designates a classification of images of the enthroned Madonna with the child Jesus, the designation generally implying accompaniment by angels, saints, or both. The ''Maestà'' is an extension of the "Sea ...
'' from the late thirteenth century, altar decorations by Memmo di Filippuccio, a ''Madonna and Child'' by Vincenzo Tamagni (1528), several Gothic altarpieces (including one showing scenes from the life of Saint Gimignano), a ''Madonna with Saints Gregory and Benedict'' by
Pinturicchio Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname (meaning "little painter") because of his smal ...
, and two medieval
crucifix A crucifix (from Latin ''cruci fixus'' meaning "(one) fixed to a cross") is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the ''corpus'' (Lati ...
es of the
Florentine school Florentine painting or the Florentine School refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the leading scho ...
. The Podestà apartments (''Camera del Podestà'') are frescoed with matrimonial scenes of a couple taking a bath and going to bed. (An unusual work by Memmo di Filippuccio dated to the early 14th century.)


References

{{Authority control Museums in the Province of Siena Towers in San Gimignano Palaces in Tuscany City and town halls in Italy Art museums and galleries in Tuscany Buildings and structures in San Gimignano