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Orlande de Lassus ( various other names; probably – 14 June 1594) was a composer of the late
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD ...
. The chief representative of the mature polyphonic style in the
Franco-Flemish school The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphonic vocal music composition or ...
, Lassus stands with
Giovanni Pierluigi da Palestrina Giovanni Pierluigi da Palestrina ( – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading ...
and
Tomás Luis de Victoria Tomás Luis de Victoria (sometimes Italianised as ''da Vittoria''; ) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Ren ...
as the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe.


Name

Lassus's name appears in many spellings, often changed depending on the place in which his music was being performed or published. In addition to Orlande de Lassus, variations include Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre and Roland de Lattre.


Life and career

Orlande de Lassus was born in Mons in the County of Hainaut,
Habsburg Netherlands Habsburg Netherlands was the Renaissance period fiefs in the Low Countries held by the Holy Roman Empire's House of Habsburg. The rule began in 1482, when the last Valois-Burgundy ruler of the Netherlands, Mary, wife of Maximilian I of Austr ...
(modern-day
Belgium Belgium, ; french: Belgique ; german: Belgien officially the Kingdom of Belgium, is a country in Northwestern Europe. The country is bordered by the Netherlands to the north, Germany to the east, Luxembourg to the southeast, France to th ...
). Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve, he left the
Low Countries The term Low Countries, also known as the Low Lands ( nl, de Lage Landen, french: les Pays-Bas, lb, déi Niddereg Lännereien) and historically called the Netherlands ( nl, de Nederlanden), Flanders, or Belgica, is a coastal lowland region in N ...
with
Ferrante Gonzaga Ferrante I Gonzaga (also Ferdinando I Gonzaga; 28 January 1507 – 15 November 1557) was an Italian condottiero, a member of the House of Gonzaga and the founder of the branch of the Gonzaga of Guastalla. Biography He was born in Mantua, th ...
and went to
Mantua Mantua ( ; it, Mantova ; Lombard and la, Mantua) is a city and '' comune'' in Lombardy, Italy, and capital of the province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the Eur ...
,
Sicily (man) it, Siciliana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Ethnicity , demographics1_footnotes = , demographi ...
, and later
Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...
(from 1547 to 1549). While in Milan, he made the acquaintance of the madrigalist
Spirito l'Hoste da Reggio Hoste da Reggio (also L'Hoste, L'Osto, Oste, and Bartolomeo Torresano) (c. 1520–1569) was an Italian composer of the Renaissance, active in Milan and elsewhere in northern Italy. He was well known for his madrigals, which were published in seve ...
, a formative influence on his early musical style. He then worked as a singer and a composer for Costantino Castrioto in
Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...
in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there, and in 1553, he became ''
maestro di cappella (, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term ha ...
'' of the
Basilica of Saint John Lateran The Archbasilica Cathedral of the Most Holy Savior and of Saints John the Baptist and John the Evangelist in the Lateran ( it, Arcibasilica del Santissimo Salvatore e dei Santi Giovanni Battista ed Evangelista in Laterano), also known as the Papa ...
, the ecumenical mother church of Rome and a spectacularly prestigious post indeed for a man only twenty-one years old. However, he stayed there for only a year. (Palestrina would assume this post a year later, in 1555.) No solid evidence survives for his whereabouts in 1554, but there are contemporary claims that he traveled in France and England. In 1555 he returned to the
Low Countries The term Low Countries, also known as the Low Lands ( nl, de Lage Landen, french: les Pays-Bas, lb, déi Niddereg Lännereien) and historically called the Netherlands ( nl, de Nederlanden), Flanders, or Belgica, is a coastal lowland region in N ...
and had his early works published in Antwerp (1555–1556). In 1556 he joined the court of Albrecht V, Duke of Bavaria, who was consciously attempting to create a musical establishment on a par with the major courts in Italy. Lassus was one of several Netherlanders to work there, and by far the most famous. He evidently was happy in
Munich Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Ha ...
and decided to settle there. In 1558 he married Regina Wäckinger, the daughter of a maid of honor of the Duchess. They had two sons, both of whom became composers, and his daughter married the painter Hans von Aachen. By 1563 Lassus had been appointed ''maestro di cappella'', succeeding
Ludwig Daser Ludwig Daser (c. 1526 – 27 March 1589) was a German renaissance composer and choirmaster. His career is marked by the Reformation and Counter-Reformation struggles of his time. A noted composer in his day, Daser has been largely overshadowed b ...
in the post. Lassus remained in the service of Albrecht V and his heir, Wilhelm V, for the rest of his life. By the 1560s Lassus had become quite famous, and composers began to go to Munich to study with him.
Andrea Gabrieli Andrea Gabrieli (1532/1533Bryant, Grove online – August 30, 1585) was an Italian composer and organist of the late Renaissance. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the V ...
went there in 1562, and possibly remained in the chapel for a year.
Giovanni Gabrieli Giovanni Gabrieli (c. 1554/1557 – 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift f ...
also possibly studied with him in the 1570s. His renown had spread outside strictly musical circles, for in 1570
Emperor Maximilian II Maximilian II (31 July 1527 – 12 October 1576) was Holy Roman Emperor from 1564 until his death in 1576. A member of the Austrian House of Habsburg, he was crowned King of Bohemia in Prague on 14 May 1562 and elected King of Germany (King ...
conferred nobility upon him, a rare circumstance for a composer.
Pope Gregory XIII Pope Gregory XIII ( la, Gregorius XIII; it, Gregorio XIII; 7 January 1502 – 10 April 1585), born Ugo Boncompagni, was head of the Catholic Church and ruler of the Papal States from 13 May 1572 to his death in April 1585. He is best known for ...
knighted him and in 1571, and again in 1573, the king of France, Charles IX, invited him to visit. Some of these kings and aristocrats attempted to woo him away from Munich with more attractive offers, but Lassus was evidently more interested in the stability of his position, and the splendid performance opportunities of Albrecht's court, than in financial gain. "I do not want to leave my house, my garden, and the other good things in Munich", he wrote to the Duke of Electorate of Saxony in 1580, upon receiving an offer for a position in
Dresden Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label= Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth ...
. In the late 1570s and 1580s Lassus made several visits to Italy, where he encountered the most modern styles and trends. In Ferrara, the center of avant-garde activity, he doubtless heard the
madrigals A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number ...
being composed for the d' Este court. However, his own style remained conservative and became simpler and more refined as he aged. In the 1590s his health began to decline, and he went to a doctor named Thomas Mermann for treatment of what was called "melancholia hypocondriaca", but he was still able to compose as well as travel occasionally. His final work was often considered one of his best pieces: an exquisite set of twenty-one '' madrigali spirituali'' known as the '' Lagrime di San Pietro'' ("Tears of St. Peter"), which he dedicated to
Pope Clement VIII Pope Clement VIII ( la, Clemens VIII; it, Clemente VIII; 24 February 1536 – 3 March 1605), born Ippolito Aldobrandini, was head of the Catholic Church and ruler of the Papal States from 2 February 1592 to his death in March 1605. Born ...
, and which was published posthumously in 1595. Lassus died in Munich on 14 June 1594, the same day that his employer decided to dismiss him for economic reasons. He never saw the letter. He was buried in Munich in the Alter Franziskaner Friedhof, a cemetery that was cleared of gravestones in 1789 and is now the site of
Max-Joseph-Platz Max-Joseph-Platz is a large square in central Munich which was named after King Maximilian Joseph. Max-Joseph-Platz serves as the western starting point of the royal avenue Maximilianstraße. Architecture The square was constructed with the erect ...
.


Music and influence

One of the most prolific, versatile, and universal composers of the late Renaissance, Lassus wrote over 2,000 works in all Latin, French, Italian and German vocal genres known in his time. These include 530 motets, 175 Italian
madrigals A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number ...
and
villanella In music, a villanella (; plural villanelle) is a form of light Italian secular vocal music which originated in Italy just before the middle of the 16th century. It first appeared in Naples, and influenced the later canzonetta, and from there also ...
s, 150 French
chanson A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic so ...
s, and 90 German lieder. No strictly instrumental music by Lassus is known to survive, or ever to have existed: an interesting omission for a composer otherwise so wide-ranging and prolific, during an age when instrumental music was becoming an ever-more prominent means of expression, all over Europe. The German music publisher Adam Berg dedicated 5 volumes of his ''Patrocinium musicum'' (published from 1573–1580) to Lassus' music.


Sacred music

Lassus remained
Catholic The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a ...
during this age of religious discord, though this neither hindered him in writing worldly secular songs nor in employing music originally to racy texts in his Magnificats and masses employing parody technique. Nevertheless, the Catholic Counter-Reformation, which under Jesuit influence was reaching a peak in Bavaria in the late sixteenth century, had a demonstrable impact on Lassus' late work, including the liturgical music for the Roman Rite, the burgeoning number of Magnificats, the settings of the Catholic Ulenberg Psalter (1588), and especially the great penitential cycle of spiritual madrigals, the Lagrime di San Pietro (1594).


Masses

Almost 60 masses have survived complete; most of them are parody masses) using as melodic source material secular works written by himself or other composers. Technically impressive, they are nevertheless the most conservative part of his output. He usually conformed the style of the mass to the style of the source material, which ranged from
Gregorian chant Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek (language), Greek) of the Roman Catholic Church. Gregorian chant developed ma ...
to contemporary madrigals, but always maintained an expressive and reverent character in the final product. Several of his masses are based on extremely secular French chansons; some of the source materials were outright obscene. ''Entre vous filles de quinze ans'', "Oh you fifteen-year old girls", by
Jacob Clemens non Papa Jacobus Clemens non Papa (also Jacques Clément or Jacob Clemens non Papa) ( – 1555 or 1556) was a Netherlandish composer of the Renaissance based for most of his life in Flanders. He was a prolific composer in many of the current styles, and ...
, gave him source material for his 1581 ''Missa entre vous filles'', probably the most scandalous of the lot. This practice was not only accepted but encouraged by his employer, which can be confirmed by evidence from their correspondence, much of which has survived. In addition to his traditional imitation masses, he wrote a considerable quantity of ''missae breves'', "brief masses", syllabic short masses meant for brief services (for example, on days when Duke Albrecht went hunting: evidently he did not want to be detained by long-winded polyphonic music). The most extreme of these is a work actually known as the ''Jäger Mass'' (''Missa venatorum'')—the "Hunter's Mass". Some of his masses show influence from the Venetian School, particularly in their use of
polychoral An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently ...
techniques (for example, in the eight-voice ''Missa osculetur me'', based on his own motet). Three of his masses are for double choir, and they may have been influential on the Venetians themselves; after all,
Andrea Gabrieli Andrea Gabrieli (1532/1533Bryant, Grove online – August 30, 1585) was an Italian composer and organist of the late Renaissance. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the V ...
visited Lassus in Munich in 1562, and many of Lassus's works were published in Venice. Even though Lassus used the contemporary, sonorous Venetian style, his harmonic language remained conservative in these works: he adapted the texture of the Venetians to his own artistic ends.


Motets and other sacred music

Lassus is one of the composers of a style known as ''
musica reservata In music history, ''musica reservata'' (also ''musica secreta'') is either a style or a performance practice in '' a cappella'' vocal music of the latter half of the 16th century, mainly in Italy and southern Germany, involving refinement, exclusivi ...
''—a term which has survived in many contemporary references, many of them seemingly contradictory. The exact meaning of the term is a matter of fierce debate, though a rough consensus among musicologists is that it involves intensely expressive setting of text and chromaticism, and that it may have referred to music specifically written for connoisseurs. A famous composition by Lassus representative of this style is his series of 12 motets entitled ''
Prophetiae Sibyllarum ''Prophetiae Sibyllarum'' ("Sibylline Prophecies" or "Sibylline Oracles") are a series of twelve motets by the Franco-Flemish composer Orlande de Lassus. The works are known for their extremely chromatic idiom. History This cycle of motets is ...
'', in a wildly chromatic idiom which anticipates the work of Gesualdo; some of the chord progressions in this piece were not to be heard again until the 20th century. Lassus wrote four settings of the Passion, one for each of the Evangelists, St. Matthew,
Mark Mark may refer to: Currency * Bosnia and Herzegovina convertible mark, the currency of Bosnia and Herzegovina * East German mark, the currency of the German Democratic Republic * Estonian mark, the currency of Estonia between 1918 and 1927 * F ...
, Luke and
John John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Secon ...
. All are for '' a cappella'' voices. He sets the words of
Christ Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious ...
and the narration of the Evangelist as chant, while setting the passages for groups polyphonically. As a composer of motets, Lassus was one of the most diverse and prodigious of the entire Renaissance. His output varies from the sublime to the ridiculous, and he showed a sense of humor not often associated with sacred music: for example, one of his motets satirizes poor singers (his setting of ''Super flumina Babylonis'', for five voices) which includes stuttering, stopping and starting, and general confusion; it is related in concept if not in style to Mozart's ''
A Musical Joke ''A Musical Joke'' (in German: ') K. 522, (Divertimento for two horns and string quartet) is a composition by Wolfgang Amadeus Mozart; the composer entered it in his ' (''Catalogue of All My Works'') on June 14, 1787. Commentators have opined th ...
''. Many of his motets were composed for ceremonial occasions, as could be expected of a court composer who was required to provide music for visits of dignitaries, weddings, treaties and other events of state. But it was as a composer of religious motets that Lassus achieved his widest and most lasting fame. Lassus's 1584 setting of the seven
Penitential Psalms The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms 6, 31, 37, 50, 101, 129, and 142 (6, 32, 38, 51, 102, 130, and 143 in the Hebrew numbering). *Psalm 6 – Domine, ne ...
of David (), ordered by King Charles IX of France, is one of the most famous collections of psalm settings of the entire Renaissance. According to George T. Ferris, it was claimed by some that he ordered them as an expiation of his soul after the massacre of St. Bartholomew of the
Huguenots The Huguenots ( , also , ) were a religious group of French Protestants who held to the Reformed, or Calvinist, tradition of Protestantism. The term, which may be derived from the name of a Swiss political leader, the Genevan burgomaster Be ...
. The counterpoint is free, avoiding the pervasive
imitation Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of that leads to the "development of traditions, and ultimately our culture. ...
of the Netherlanders such as Gombert, and occasionally using expressive devices foreign to Palestrina. As elsewhere, Lassus strives for emotional impact, and uses a variety of texture and care in text-setting towards that end. The penultimate piece in the collection, his setting of the '' De profundis'' (Psalm 129/130), is considered by many scholars to be one of the high-water marks of Renaissance polyphony, ranking alongside the two settings of the same text by Josquin des Prez. Among his other liturgical compositions are
hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hy ...
s,
canticle A canticle (from the Latin ''canticulum'', a diminutive of ''canticum'', "song") is a hymn, psalm or other Christian song of praise with lyrics usually taken from biblical or holy texts. Canticles are used in Christian liturgy. Catholic Church ...
s (including over 100
Magnificat The Magnificat (Latin for " y soulmagnifies he Lord) is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated into the liturgical servic ...
s),
responsories for Holy Week Tenebrae responsories are the responsories sung following the lessons of Tenebrae, the Matins services of the last three days of Holy Week: Maundy Thursday, Good Friday and Holy Saturday. Polyphonic settings to replace plainchant have been publis ...
, Passions,
Lamentations The Book of Lamentations ( he, אֵיכָה, , from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible it appears in the Ketuvim ("Writings") as one of the Five Megillo ...
, and some independent pieces for major feasts.


Secular music

Lassus wrote in all the prominent secular forms of the time. In the preface to his collection of German songs, Lassus lists his secular works:
Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...
madrigals and French chansons,
German German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Ge ...
and
Dutch Dutch commonly refers to: * Something of, from, or related to the Netherlands * Dutch people () * Dutch language () Dutch may also refer to: Places * Dutch, West Virginia, a community in the United States * Pennsylvania Dutch Country People E ...
songs. He is probably the only Renaissance composer to write prolifically in five languages –
Latin Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the ...
in addition to those mentioned above – and he wrote with equal fluency in each. Many of his songs became hugely popular, circulating widely in Europe. In these various secular songs, he conforms to the manner of the country of origin while still showing his characteristic originality, wit, and terseness of statement.


Madrigals

In his
madrigal A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th c.) and early Baroque music, Baroque (1600–1750) periods, although revisited by some later European composers. The Polyphony, polyphoni ...
s, many of which he wrote during his stay in Rome, his style is clear and concise, and he wrote tunes which were easily memorable; he also "signed" his work by frequently using the word 'lasso' (and often setting with the solfège syllables la-sol, i.e. A-G in the key of C). His choice of poetry varied widely, from
Petrarch Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited ...
for his more serious work to the lightest verse for some of his amusing
canzonetta In music, a canzonetta (; pl. canzonette, canzonetti or canzonettas) is a popular Italian secular vocal composition that originated around 1560. Earlier versions were somewhat like a madrigal but lighter in style—but by the 18th century, especial ...
s. Lassus often preferred cyclic madrigals, i.e. settings of multiple poems in a group as a set of related pieces of music. For example, his fourth book of madrigals for five voices begins with a complete
sestina A sestina (, from ''sesto'', sixth; Old Occitan: ''cledisat'' ; also known as ''sestine'', ''sextine'', ''sextain'') is a fixed verse form consisting of six stanzas of six lines each, normally followed by a three-line envoi. The words that end ...
by Petrarch, continues with two-part sonnets, and concludes with another sestina: therefore the entire book can be heard as a unified composition with each madrigal a subsidiary part.


Chansons

Another form which Lassus cultivated was the French chanson, of which he wrote about 150. Most of them date from the 1550s, but he continued to write them even when he was in Germany: his last productions in this genre come from the 1580s. They were enormously popular in Europe, and of all his works, they were the most widely arranged for instruments such as lute and keyboard. Most were collected in the 1570s and 1580s in three publications: one by Petrus Phalesius the Elder in 1571, and two by Le Roy and Ballard in 1576 and 1584. Stylistically, they ranged from the dignified and serious, to playful, bawdy, and amorous compositions, as well as drinking songs suited to taverns. Lassus followed the polished, lyrical style of Sermisy rather than the programmatic style of
Clément Janequin Clément Janequin (c. 1485 – 1558) was a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance, and along with Claudin de Sermisy, was hugely influential in the development o ...
for his writing. One of the most famous of Lassus's drinking songs was used by
Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...
in Henry IV, Part II. English words are fitted to (as ''Monsieur Mingo'') and sung by the drunken Justice Silence, in Act V, Scene iii.


German lieder

A third type of secular composition by Lassus was the German lied. Most of these he evidently intended for a different audience, since they are considerably different in tone and style from either the chansons or madrigals; in addition, he wrote them later in life, with none appearing until 1567, when he was already well-established at Munich. Many are on religious subjects, although light and comic verse is represented as well. He also wrote drinking songs in German, and contrasting with his parallel work in the genre of the chanson, he also wrote songs on the unfortunate aspects of overindulgence.


Dutch songs

In the preface to his collection of German songs, Lassus states that he had composed Dutch songs. However, no Dutch song has been preserved.Jan Willem Bonda
''De meerstemmige Nederlandse liederen van de vijftiende en zestiende eeuw''
Uitgeverij Verloren, 1996, , , p. 23


Cultural references

In the Arthur Conan Doyle short story "
The Adventure of the Bruce-Partington Plans "The Adventure of the Bruce-Partington Plans" is one of the 56 Sherlock Holmes short stories written by Sir Arthur Conan Doyle. It is one of eight stories in the cycle collected as '' His Last Bow'' (1917), and is the second and final main appea ...
," Sherlock Holmes is working on a monograph about the polyphonic motets of Lassus.


References


Sources and further reading

* Haar, James, "Orlande de Lassus", in ''The New Grove Dictionary of Music and Musicians'', ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. * *
Gustave Reese Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) ...
, ''Music in the Renaissance''. New York, W.W. Norton & Co., 1954. *
Harold Gleason Harold Gleason (1892–1980) was an American organist, teacher, lecturer, and scholar. He is best known as the author of ''Method of Organ Playing,'' published in numerous editions made by him and later by his wife, concert organist Catharine Croz ...
and Warren Becker, ''Music in the Middle Ages and Renaissance'' (Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986. * Jean-Paul C. Montagnier, ''The Polyphonic Mass in France, 1600-1780: The Evidence of the Printed Choirbooks,'' Cambridge: Cambridge University Press, 2017 (Chapter 5, "Lassus as Model").


External links

* Th
Orlando di Lasso-Gesamtausgabe
* * * *

by the Umeå Academic Choir
Database
of Orlando di Lasso manuscripts {{DEFAULTSORT:Lassus, Orlande de Belgian classical composers Renaissance composers 1532 births 1594 deaths 16th-century Franco-Flemish composers Madrigal composers People from Mons Walloon people Belgian male classical composers People of the Habsburg Netherlands Belgian Roman Catholics