![H](https://upload.wikimedia.org/wikipedia/commons/9/9e/H.J._Whitlock_-_Photograph_of_Arthur_Sullivan.jpg)
''On Shore and Sea'' is a "dramatic
cantata" composed by
Arthur Sullivan, with words by
Tom Taylor
Tom Taylor (19 October 1817 – 12 July 1880) was an English dramatist, critic, biographer, public servant, and editor of ''Punch'' magazine. Taylor had a brief academic career, holding the professorship of English literature and language a ...
. Sullivan completed this work to open the
Royal Albert Hall, and it was performed at the opening of the London International Exhibition of art and industry on 1 May 1871. The concert featured works commissioned from Italy, France, Germany, and Great Britain.
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (18 ...
was the French representative.
Background
The cantata has an appropriately international flavour, telling of war and reunion, based on a 16th-century conflict between Christians and
Moors
The term Moor, derived from the ancient Mauri, is an exonym first used by Christian Europeans to designate the Muslim inhabitants of the Maghreb, the Iberian Peninsula, Sicily and Malta during the Middle Ages.
Moors are not a distinct or ...
at a time when conflict raged between the
Saracen
upright 1.5, Late 15th-century German woodcut depicting Saracens
Saracen ( ) was a term used in the early centuries, both in Greek and Latin writings, to refer to the people who lived in and near what was designated by the Romans as Arabia Pe ...
settlements in Northern Africa and the Christian states of the Mediterranean, especially
Genoa
Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Italian region of Liguria and the sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of ...
. The theme is the sorrows and separations that are always incidental to war. The central characters are a sailor and his love, who are separated when he goes to battle, and later reunited. The final chorus, "Sink and Scatter, Clouds of War," was later renamed "The Song of Peace" and was played separately as a concert item.
The same year as ''On Shore and Sea'' premiered,
W. S. Gilbert
Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most fam ...
first worked together with Sullivan, on a burleque-style comic opera, ''
Thespis''. Four years later, in 1875,
Gilbert and Sullivan's second work together, ''
Trial by Jury
A jury trial, or trial by jury, is a legal proceeding in which a jury makes a decision or findings of fact. It is distinguished from a bench trial in which a judge or panel of judges makes all decisions.
Jury trials are used in a significan ...
'', would also be described as "a dramatic cantata," and this was Sullivan's only work, other than ''On Shore and Sea'' to be so described.
''On Shore and Sea'' was finally professionally recorded in 2014, by Victorian Opera Northwest, conducted by
Richard Bonynge. A review of the recording notes that the cantata and a companion piece, ''
The Masque at Kenilworth
''Kenilworth, A Masque of the Days of Queen Elizabeth'' (commonly referred to as "The Masque at Kenilworth"), is a cantata with music by Arthur Sullivan and words by Henry Fothergill Chorley (with an extended Shakespeare quotation) that premier ...
'', "emerge in good heart under veteran Richard Bonynge's life-ebullient conviction. The singers, solo and ensemble and orchestra deliver fully satisfactory results ... and more."
[Barnett, Rob]
Review: "On Shore and Sea" and "Kenilworth"
''MusicWeb International'', September 14, 2014
Synopsis
Near a small seaport on the
Italian Riviera
The Italian Riviera or Ligurian Riviera ( it, Riviera ligure; lij, Rivêa lìgure) is the narrow coastal strip in Italy which lies between the Ligurian Sea and the mountain chain formed by the Maritime Alps and the Apennines. Longitudinall ...
near 16th century Genoa, the fleet weighs anchor to the sounds of a joyous song of the sailors as they heave at the
windlass and spread the sail. Their brave declaration of their determination to sweep the Saracens from the sea is contrasted with the lament of the wives and mothers, sisters and sweethearts, left sorrowing on the shore. At sea, aboard one of the
galleys, in the midnight watch, the thoughts and prayers of Il Marinajo go back to the loved ones left behind and invoke for them the protection of our Lady, Star of the Sea. "What doth now the maid I love?" he wonders. "Does she sleep and dream of me? / Or prays she her aint above Shield of her sailor to be? / Sending her heart, like a dove, / Hither across the sea!" Months pass. The fleet appears on the horizon, and the crowd flocks to the port to greet its triumphant return. La Sposina faithfully awaits the return of Il Marinajo, her lover. She looks for him hopefully, but the galley aboard which her sailor served is missing: it has been taken by
Moorish sea rovers. Her beloved is captive, or slain. She gives expression to her desolation, amid the sympathizing sorrow of her companions.
Her lover, however, is not slain, but a slave, toiling at the oar, under the lash of his Moorish captors. While the Moors are celebrating their triumphs with song and feasting, he obtains the key to the chain securing all the prisoners and exhorts his fellow prisoners to strike for their liberty. The galley slaves rise up against their captors bolstered by their Christian faith and their love for their wives and mothers ashore. They overwhelm their captors, master the galley and steer homewards. Re-entering the port, they are welcomed by their beloved ones. The sorrow of separation is turned to rejoicing; La Sposina and Il Marinajo will live and die in each other's arms. The cantata ends with a
paean
A paean () is a song or lyric poem expressing triumph or thanksgiving. In classical antiquity, it is usually performed by a chorus, but some examples seem intended for an individual voice ( monody). It comes from the Greek παιάν (also πα ...
to the blessedness of Peace, inviting all nations to her temple.
Characters
*La Sposina (A Riviera Woman)
*Il Marinajo (A
Genoese Sailor)
*Chorus of Riviera Women
*Chorus of Genoese Sailors
*Chorus of Moorish Sea-Rovers
Musical numbers
*No.1. Choruses of sailors and women – "The windlass ply, the cable haul"
*No.2. Recitative, Song and Chorus – Il Marinajo and Sailors – "'Tis the mid-watch of night … The wave at her bows is afire"
*No.3. Recitative – La Sposina – "From spring-time on to summer draws the year"
*No.4. Song and Chorus – La Sposina and Women – "Soft and sadly sea-wind swell"
*No.5. Moresque – Instrumental
*No.6. Recitative and Chorus – Il Marinajo – "The Crescent o'er the Cross is hoisted high ... Alla'hu ak'bar"
*No.7. Recitative – Il Marinajo v "They chain not Christian souls that chain their limbs!"
*No.8. Chorus of Sailors (prisoners) at the oar – "With a will, oh brothers, with one will for all"
*No.9. Recitative and Duet – Il Marinajo and La Sposina – "Hark! on the night - the clash of falling chains … Here on thy heart, where I ne'er hoped to rest"
*No.10. Chorus – "Sink and scatter, clouds of war"
References
{{reflist
External links
Information at the G&S Archive, with links to text and scoreRecording of No. 9with piano accompaniment
On Shore and Sea
On Shore and Sea
1871 compositions