"Oh Bondage Up Yours!" is the debut single by English
punk rock band
X-Ray Spex. Released in September 1977, it is regarded by critics as a prototypic example of British punk, though it was not a chart hit.
Background
A version taped on 2 April 1977 at one of the band's earliest public performances had already been issued on a live compilation album, ''
The Roxy London WC2
''The Roxy London WC2'' is a live album of recordings taken from various punk bands that played at The Roxy club in Covent Garden, London between January and April 1977.
Overview
The original Harvest Records release in 1977 (cat. no. SHSP 4069 ...
'', in June.
The song attracted wide notice and led directly to the band's first record deal—a pact with the
Virgin
Virginity is the state of a person who has never engaged in sexual intercourse. The term ''virgin'' originally only referred to sexually inexperienced women, but has evolved to encompass a range of definitions, as found in traditional, modern ...
label for one single.
[Tyler (2005), n.p. ]
Poly Styrene, X-Ray Spex's songwriter as well as lead vocalist, had been motivated to join the punk scene like many others as a result of attending a
Sex Pistols
The Sex Pistols were an English punk rock band formed in London in 1975. Although their initial career lasted just two and a half years, they were one of the most groundbreaking acts in the history of popular music. They were responsible for ...
concert—her first encounter with the band, when she still went by Marianne Elliot-Said, was in
Hastings
Hastings () is a large seaside town and borough in East Sussex on the south coast of England,
east to the county town of Lewes and south east of London. The town gives its name to the Battle of Hastings, which took place to the north-west ...
in early July 1976. Concerned with issues of consumerism and disposability, reflected in the name she soon adopted, she wrote "Oh Bondage Up Yours!" shortly after seeing the Pistols for a second time the following month.
[Heylin (2007), p. 201.] The lyrics combine a depiction of contemporary capitalist materialism as a brand of servitude with a "feminist
..rallying cry".
[Dougan (2002), p. 1250.] Styrene later described it as "a call for liberation. It was saying: 'Bondage—forget it! I'm not going to be bound by the laws of consumerism or bound by my own senses.' It has that line in it: 'Chain smoke, chain gang, I consume you all': you are tied to these activities for someone else's profit."
X-Ray Spex' instrumental lineup featured a saxophonist, unusual for a punk band.
[Raha (2005), p. 89.] What made the woodwind player particularly stand out was that she was a girl, Susan Whitby, just 16 years old as of mid-1977. Band manager Falcon Stuart had helped convince Styrene that the presence of a second woman in the band would be a boon to their marketing.
Content
Whitby's "freeform" style on her horn, writes Maria Raha, often yielded "staccato wails that faded quickly, like those of a sax player whizzing by in a car".
[ Redubbed Lora Logic, her signature "rough rasp" would feature prominently in "Oh Bondage Up Yours!"
Richie Unterberger describes the single version's brief setup and raucous payoff:
]"Some people think little girls should be seen and not heard," Poly Styrene solemnly intones. ... "But I think"—and then the voice suddenly rises to a scream—"OH BONDAGE UP YOURS! 1-2-3-4!"
Then the band kicks in with all the immediacy of a custard pie in the face. Fuzzy power chords and careening saxophone bleats fight it out with Styrene's half-chanted, half-sung vocals, a mixture of glee and rage that periodically trails off into caterwauling shrieks.[Unterberger (1998), p. 280.]
Steve Huey describes it as "one of the most visceral moments in all of British punk", though Al Spicer considers the studio single recording a "fairly lacklustre" version.
In Gillian G. Gaar's analysis, the song "eagerly steamrolled over the idea of objectifying women by confronting the notion head on".[Gaar (2002), p. 200.] Raha writes, "Styrene and Logic were joyfully angry, liberated by the freedom punk afforded them."[ In Lauraine Leblanc's view, Styrene's compositions, and "Oh Bondage Up Yours!" in particular, exemplify the emphasis female punk artists placed on parody and paradox. As she describes, the first verse goes
]"Bind me, tie me, chain me to the wall / I wanna be a slave to you all!" Paradoxically, the chorus uns "Oh bondage! Up yours! / Oh bondage! Come on!" As Styrene continue on to the second verse, she reveal that the song is not about sex, but about consumerism: "Chain store, chain smoke, I consume you all / Chain gang, chain mail, I don't think at all!" In this one utterance, Styrene transformed a seemingly masochistic plea into an indictment of consumer culture, denouncing the blind impulses of the mainstream shopper. In depicting herself as both an agent of and resister to her submission, she created a parody of both positions, juxtaposing them powerfully against each other.
Logic later gave her view of the band leader's vision: "I think Marianne felt that everyone was in a type of bondage—restricted, crushed, and alienated by modern materialistic society. The goal of our society is sense gratification—that is the only prize on offer. But one can never satisfy the senses; it is an impossible goal."
Release and reception
Banned by the BBC #REDIRECT BBC #REDIRECT BBC #REDIRECT BBC
Here i going to introduce about the best teacher of my life b BALAJI sir. He is the precious gift that I got befor 2yrs . How has helped and thought all the concept and made my success in the 10th board ex ...
, the single was very well received by critics, and though it failed to register on the charts, it made the band a subject of extensive media interest.[ According to Gaar, among punk aficionados the single "quickly became an essential item that found its way into every self-respecting" collection.][ Retrospectively, John Dougan identifies it, alongside the early recordings of the ]Sex Pistols
The Sex Pistols were an English punk rock band formed in London in 1975. Although their initial career lasted just two and a half years, they were one of the most groundbreaking acts in the history of popular music. They were responsible for ...
and The Clash
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the wa ...
, as "one of punk rock's defining moments".[ ]Jon Savage
Jon Savage (born Jonathan Malcolm Sage; 2 September 1953 in Paddington, London) is an English writer, broadcaster and music journalist, best known for his history of the Sex Pistols and punk music, ''England's Dreaming'', published in 1991.
...
similarly calls it a "deserved press sensation" and a "definitive punk snapshot".
Within a few weeks of its release, Logic departed the band, apparently sacked because Styrene wanted to be the exclusive focus of attention.[ The band, now with a male saxophonist, signed with ]EMI
EMI Group Limited (originally an initialism for Electric and Musical Industries, also referred to as EMI Records Ltd. or simply EMI) was a British transnational conglomerate founded in March 1931 in London. At the time of its break-up in 201 ...
for its debut album, ''Germfree Adolescents
''Germfree Adolescents'' is the 1978 debut album of English punk rock band X-Ray Spex. It contained the UK hit singles "The Day the World Turned Dayglo" (No. 23 in April 1978), "Identity" (No. 24 in July 1978) and "Germ Free Adolescents" which r ...
'', on which "Oh Bondage Up Yours!" did not appear.
In 2021, it was ranked at No. 120 on Rolling Stone's "Top 500 Best Songs of All Time".
Personnel
* Poly Styrene (Marianne Elliot-Said) – vocals
* Lora Logic (Susan Whitby) – saxophone
* Jak Airport (Jack Stafford) – guitar
* Paul Dean – bass
* B. P. Hurding – drums
References
Sources
* Dougan, John (2002). "X-Ray Spex", in ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'', 3d ed., ed. Vladimir Bogdanov, Chris Woodstra, and Stephen Thomas Erlewine (Backbeat).
* Gaar, Gillian G. (2002). ''She's a Rebel: The History of Women in Rock & Roll'', 2d ed. (Seal).
* Heylin, Clinton (2007). ''Babylon's Burning: From Punk to Grunge'' (Canongate).
* Huey, Steve (2002). "''Germ Free Adolescents''", in ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'', 3d ed., ed. Vladimir Bogdanov, Chris Woodstra, and Stephen Thomas Erlewine (Backbeat).
* Leblanc, Lauraine (1999). ''Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture'' (Rutgers University Press).
* Raha, Maria (2005). ''Cinderella's Big Score: Women of the Punk and Indie Underground'' (Seal).
* Savage, Jon (1992). ''England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and Beyond'' (St. Martin's).
* Spicer, Al (2003). "X-Ray Spex", in ''The Rough Guide to Rock'', 3d ed., ed. Peter Buckley (Rough Guides).
* Tyler, Kieron (2005). Liner notes to ''Germfree Adolescents'' -Ray Spex(Castle 36202-2).
* Unterberger, Richie (1998). ''Unknown Legends of Rock 'n' Roll: Psychedelic Unknowns, Mad Geniuses, Punk Pioneers, Lo-Fi Mavericks & More'' (Backbeat).
{{X-Ray Spex
1977 debut singles
X-Ray Spex songs
Songs with feminist themes
1977 songs
Virgin Records singles
Songs banned by the BBC