Ode (Stravinsky)
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''Ode: Elegiacal Chant in Three Parts (in memory of Natalie Koussevitzky)'' is an orchestral work from 1943 composed by
Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the ...
. Prior to its completion, the score's working title had been ''Triads''.


History

In February 1943, upon the personal urging of Orson Welles, Stravinsky began work on a short-lived project composing music for
20th Century Fox 20th Century Studios, Inc. (previously known as 20th Century Fox) is an American film production company headquartered at the Fox Studio Lot in the Century City area of Los Angeles. As of 2019, it serves as a film production arm of Walt Dis ...
's '' Jane Eyre''. He copied a number of melodies he had selected from an early 19th century American collection of British folk songs, and began to make notes on the film's scenario. Emerging from this was background music for a hunting scene in the film, which incorporated a sketch the composer had labeled "Song for Bessie." After Bernard Herrmann replaced him in ''Jane Eyre'', Stravinsky recycled this music into what eventually became the "Eclogue" to the ''Ode''. While visiting New York City in April of that year,
Serge Koussevitzky Sergei Alexandrovich KoussevitzkyKoussevitzky's original Russian forename is usually transliterated into English as either "Sergei" or "Sergey"; however, he himself adopted the French spelling "Serge", using it in his signature. (SeThe Koussevit ...
presented the composer with a commission for a new orchestral work in memory of his wife, Natalia. Stravinsky's fee would be paid by the conductor's newly established Koussevitzky Foundation. The score was completed in July 1943. Stravinsky sent the finished ''Ode'' to Koussevitzky on July 9. He described the music's first part as "a praise to the departed," and its central section as a "concert champêtre, t ati music at the heart of nature, the principle which our wifedefended with such passion and which you realized so brilliantly in Tanglewood." Of the closing "Epitaph" the composer said that it was a "headstone inscription ... which will conclude my song in memory of the departed." Koussevitzky replied on July 21 that he was "deeply touched and grateful" for the music. Two weeks before the score's debut, Stravinsky assured Koussevitzky that the score and parts he had sent for the ''Ode'' were "carefully corrected" by him. Nevertheless, a number of errors committed by the music copyists and the composer himself had escaped his notice. The resulting "mild cacophony" heard in the closing moments of its world premiere on October 8, his wife
Vera Vera may refer to: Names *Vera (surname), a surname (including a list of people with the name) *Vera (given name), a given name (including a list of people and fictional characters with the name) **Vera (), archbishop of the archdiocese of Tarrag ...
noted, left Stravinsky feeling "sad because twas badly played." Although he apologized profusely to Koussevitzky in private for his "ridiculous inattentiveness" in proofreading the ''Ode'', Stravinsky never publicly acknowledged any culpability in the botched premiere.


Ballet

''Ode'' was choreographed as a ballet by
Lorca Massine Lorca Massine is a choreographer and dancer born in New York on July 25, 1944, to Russian émigré parents. His father, Léonide Massine, was also a notable choreographer and dancer of the 20th Century. Lorca studied dance with Yves Brieux, Vict ...
(son of Léonide). The premiere took place on June 23, 1972, as part of New York City Ballet's Stravinsky Festival at the
New York State Theater The David H. Koch Theater is a theater for ballet, modern and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally ...
, Lincoln Center."Dance: Balanchine and Robbins Take to the Stage"
by Clive Barnes, '' The New York Times'', June 24, 1972


Notes

{{Authority control Compositions by Igor Stravinsky Orson Welles New York City Ballet repertory New York City Ballet Stravinsky Festival Ballets by Lorca Massine 1972 ballet premieres Ballets to the music of Igor Stravinsky