O Soave Fanciulla
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"O soave fanciulla" (O gentle maiden) is a
romantic Romantic may refer to: Genres and eras * The Romantic era, an artistic, literary, musical and intellectual movement of the 18th and 19th centuries ** Romantic music, of that era ** Romantic poetry, of that era ** Romanticism in science, of that e ...
duet A duet is a musical composition for two performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a harmony, as the performers take turns performing a solo ...
from the first act of Giacomo Puccini's 1896 opera '' La bohème'' It is sung as the closing number in act 1 by Rodolfo ( tenor) and Mimì (
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
) where they realise they have fallen for each other.


Music

The duet, between 5 and 6 minutes in length, is written in the common time time signature, the key of
A major A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only k ...
, but ending in
C major C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and ...
. The last bar in the orchestra is characterized by descending
harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orche ...
harmonics through the final C major chord. When Mimì and Rodolfo realize they are in love ( unison "A! tu sol comandi, amor!"/"Fremon già nell'anima"), the music returns to the opera's love
leitmotif A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglici ...
from Rodolfo's aria "Che gelida manina" ("talor dal mio forziere"). They leave the stage together singing "Amor!". Mimì's last note is a high C, marked ''
perdendosi A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musi ...
'' (fading away), and while an E below is written for Rodolfo, many tenors also sing the high C, making the last note unison. Following Rodolfo's " Che gelida manina" and Mimì's "Sì, mi chiamano Mimì", the duet concludes one of most romantic passages in all of opera.


Libretto

The
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
is by Luigi Illica and Giuseppe Giacosa. Rodolfo and Mimì have met for the first time a few minutes ago. He told her about his life ("Che gelida manina"), and asked her to tell him about hers ("Sì, mi chiamano Mimì"). In this duet, "O soave fanciulla", they realize that they have fallen in love. Rodolfo's friends call him to join them but he would rather stay with Mimì, but she shyly suggests they all go out together. Rodolfo remarks how cold it is outside, but Mimì promises to stay near to him. She leaves the possibility of a later return to the garret open. They leave the stage."O soave fanciulla"
Music Lyrics Database site


References


External links


List of notable recordings
by Neil Kurtzman, medicine-opera.com * , performed live by
Renata Tebaldi Renata Tebaldi ( , ; 1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. O ...
and Jussi Björling, 1956 * , Renata Scotto and
Luciano Pavarotti Luciano Pavarotti (, , ; 12 October 19356 September 2007) was an Italian operatic tenor who during the late part of his career crossed over into popular music, eventually becoming one of the most acclaimed tenors of all time. He made numerou ...
, Metropolitan Opera, 1977 * , Cheryl Barker, David Hobson,
Baz Luhrmann Mark Anthony Luhrmann (born 17 September 1962), known professionally as Baz Luhrmann, is an Australian film director, producer, writer and actor. With projects spanning film, television, opera, theatre, music and recording industries, he is re ...
's production for Opera Australia, 1993 {{Authority control Arias by Giacomo Puccini Opera excerpts Arias in Italian Male–female vocal duets 1896 compositions