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Nikolai Petrovich Sheremetev (russian: Никола́й Петро́вич Шереметев) (28 June 1751 - 2 January 1809 O.S., 9 July 1751 - 14 January 1809 N.S.) was a Russian
count Count (feminine: countess) is a historical title of nobility in certain European countries, varying in relative status, generally of middling rank in the hierarchy of nobility. Pine, L. G. ''Titles: How the King Became His Majesty''. New York ...
, the son of
Petr Borisovich Sheremetev Pyotr Borisovich Sheremetev (russian: link=no, Пётр Бори́сович Шереме́тев) (1713–1788) was a Russian nobleman and courtier, the richest man in Russia aside from the tsar; he was the son of Boris Sheremetev. When his fa ...
, notable grandee of the epoch of empresses
Anna Ivanovna Anna Ioannovna (russian: Анна Иоанновна; ), also russified as Anna Ivanovna and sometimes anglicized as Anne, served as regent of the duchy of Courland from 1711 until 1730 and then ruled as Empress of Russia from 1730 to 1740. Much ...
,
Elizabeth Petrovna Elizabeth Petrovna (russian: Елизаве́та (Елисаве́та) Петро́вна) (), also known as Yelisaveta or Elizaveta, reigned as Empress of Russia from 1741 until her death in 1762. She remains one of the most popular Russia ...
, and
Catherine II , en, Catherine Alexeievna Romanova, link=yes , house = , father = Christian August, Prince of Anhalt-Zerbst , mother = Joanna Elisabeth of Holstein-Gottorp , birth_date = , birth_name = Princess Sophie of Anhal ...
. He was also the grandson of
Boris Petrovich Sheremetev Count Boris Petrovich Sheremetev (russian: Граф Бори́с Петро́вич Шереме́тев, tr. ; – ) was an Imperial Russian diplomat and general field marshal during the Great Northern War. He became the first Russian count in ...
. His father P. B. Sheremetev was passionate about the theatre and transferred this passion to his son. N. P. Sheremetev spent his early youth at court. From the age of 13 to 14 he started to act in private theatricals of his father, and then "on the big court theatre". In 1765 he played the role of the god Hymen in the mythological ballet ''Acis and Galathea'', in which his childhood comrade, the future Paul I, had distinguished himself. Having a special passion for music, Nikolai Petrovich masterfully played the
cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, ...
. From 1769 to 1773 he traveled abroad: he attended lectures in
Leiden University Leiden University (abbreviated as ''LEI''; nl, Universiteit Leiden) is a public research university in Leiden, Netherlands. The university was founded as a Protestant university in 1575 by William, Prince of Orange, as a reward to the city of L ...
in the Netherlands, traveled across England, Germany, and Switzerland, took music lessons, and got acquainted with theatre life. In France he took a great interest in
opéra comique ''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a l ...
. Returning to Moscow and receiving the post of director of the Moscow bank for noblemen, Sheremetev started to reconstruct his father's theatre: he engaged in special education of serf children, "certain to theatre" (
Russian Russian(s) refers to anything related to Russia, including: *Russians (, ''russkiye''), an ethnic group of the East Slavic peoples, primarily living in Russia and neighboring countries * Rossiyane (), Russian language term for all citizens and p ...
letters, foreign languages, music, singing, dance, diction, refined manners). Feeling extraordinary talent in one of his students, Parasha Kovaleva ( Praskovya Ivanovna Kovaleva), he gave her more and more attention, preparing for her star career as the future " Praskovya Zhemchugova", whom he married in 1801. Sheremetev's performances involved Moscow gentlefolk. From a small private theatre of the
count Count (feminine: countess) is a historical title of nobility in certain European countries, varying in relative status, generally of middling rank in the hierarchy of nobility. Pine, L. G. ''Titles: How the King Became His Majesty''. New York ...
P. B. Sheremetev, it grew into a troupe capable of giving "an opera and allegorical ballets". From the moment of his return from abroad Sheremetev not only watched closely all events of the Moscow theatre life, but on a regular basis he took out the troupe to performances of theatre Medox, and he invited lead actors of Peter theatre (theatre Medox) to teach serf actors. In the beginning of 1790 Sheremetev decided to transfer the serf theatre from Kuskovo to Ostankino. On July 22, 1795 the theatre was opened with the premiere of the heroic opera ''The Capture of Izmail'' (P. Potemkin's libretto, I. Kozlovski's music). Sheremetev's theatre left far behind numerous other serf troupes (the only exception was the theatre of the
Count Count (feminine: countess) is a historical title of nobility in certain European countries, varying in relative status, generally of middling rank in the hierarchy of nobility. Pine, L. G. ''Titles: How the King Became His Majesty''. New York ...
A. R. Vorontsov). In 1796 Sheremetev was made a senator, and in March he moved to
St. Petersburg Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...
to
Catherine II , en, Catherine Alexeievna Romanova, link=yes , house = , father = Christian August, Prince of Anhalt-Zerbst , mother = Joanna Elisabeth of Holstein-Gottorp , birth_date = , birth_name = Princess Sophie of Anhal ...
's court. On November 6, 1796 Catherine died and the throne was inherited by Paul I who gave Sheremetev the title of marshal. Sheremetev's life proceeded in
St.Petersburg Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...
, Pavlovsk, Gatchina; he was engaged in theatre much less. Because of the incurable illness of Zhemchugova, who was now his wife, the Count closed the theatre in Ostankino, and on November 6, 1801 he secretly married her, having first found in an archive the facts testifying to her "origin" from the Polish noble clan of Kovalev. The marriage was made public only after Zhemchugova's death (on February 23, 1803). Sheremetev sent a letter to the
tsar Tsar ( or ), also spelled ''czar'', ''tzar'', or ''csar'', is a title used by East Slavs, East and South Slavs, South Slavic monarchs. The term is derived from the Latin word ''Caesar (title), caesar'', which was intended to mean "emperor" i ...
, informing him about his marriage with a woman "whose origin incontestably had a noble beginning" and about the birth of his son and heir. Sheremetev died six years later, in 1809. In his will he gave instructions for a very simple funeral, in a simple board
coffin A coffin is a funerary box used for viewing or keeping a corpse, either for burial or cremation. Sometimes referred to as a casket, any box in which the dead are buried is a coffin, and while a casket was originally regarded as a box for jewe ...
, with the money intended for a funeral distributed instead to the poor and monasteries.


Ancestry


External links


Douglas Smith, ''The Pearl: A True Tale of Forbidden Love in Catherine the Great's Russia''
{{DEFAULTSORT:Sheremetev, Nikolai Petrovich 1751 births 1809 deaths Russian nobility Nikolai Burials at Lazarevskoe Cemetery (Saint Petersburg) Recipients of the Order of the White Eagle (Poland)