The New Aesthetic is a term, coined by

James Bridle James Bridle (born 1980) is an artist, writer and publisher based in London. Bridle coined the New Aesthetic; their work "deals with the ways in which the digital, networked world reaches into the physical, offline one." Their work has explore ...

, used to refer to the increasing appearance of the visual language of digital technology and the Internet in the physical world, and the blending of virtual and physical. The phenomenon has been around for a long time but James Bridle articulated the notion through a series of talks and observations. The term gained wider attention following a panel at the SXSW conference in 2012.

History

Developing from a series of collections of digital objects that have become located in the physical, the movement circulates around a blog named "The New Aesthetic" and which has defined the broad contours of the movement without a manifesto. The New Aesthetic as a concept was introduced at South By South West (SXSW) on March 12, 2012, at a panel organised by James Bridle and included Aaron Cope, Ben Terrett, Joanne McNeil and Russell Davies.Berry, David M. (2012) Computationality and the New Aesthetic, Imperica, http://www.imperica.com/en/david-m-berry-computationality-and-the-new-aesthetic An article by Bruce Sterling in Wired Magazine propelled the ideas around the New Aesthetic into critical and public consciousness. Sterling's article described the concept's main outlines but also proposed some key critical areas for development.Sterling, Bruce (2012
"An Essay on the New Aesthetic"
Wired blog, April 2, 2012. Accessed 05/04/2012. The subsequent response from across the web was rapid and engaged with a number of significant contemporaneous contributions. The author Bruce Sterling has said of the New Aesthetic: :The “New Aesthetic” is a native product of modern network culture. It’s from London, but it was born digital, on the Internet. The New Aesthetic is a “theory object” and a “shareable concept.” :The New Aesthetic is “collectively intelligent.” It’s diffuse, crowdsourcey, and made of many small pieces loosely joined. It is rhizomatic, as the people at Rhizome would likely tell you. It’s open-sourced, and triumph-of-amateurs. It’s like its logo, a bright cluster of balloons tied to some huge, dark and lethal weight. Matthew Battles, a contributor to Metalab, a project of the

Berkman Center for Internet and Society The Berkman Klein Center for Internet & Society is a research center at Harvard University that focuses on the study of cyberspace. Founded at Harvard Law School, the center traditionally focused on internet-related legal issues. On May 15, 2008, ...

, gives a definition that makes reference to purported paradigmatic examples: :New Aesthetic is a collaborative attempt to draw a circle around several species of aesthetic activity—including but not limited to drone photography, ubiquitous surveillance, glitch imagery, Streetview photography, 8-bit net nostalgia. Central to the New Aesthetic is a sense that we’re learning to “wave at machines”—and that perhaps in their glitchy, buzzy, algorithmic ways, they’re beginning to wave back in earnest. One of the more substantive contributions to the notion of the New Aesthetic has been through a development of, and linking to, the way in which the digital and the everyday are increasingly interpenetrating each other. Here, the notion of the irrepresentability of computation, as both an infrastructure and an ecology, are significant in understanding the common New Aesthetic tendency towards pixelated graphics and a retro 8-bit form. This is related to the idea of an

episteme In philosophy, episteme (; french: épistémè) is a term that refers to a principle system of understanding (i.e., knowledge), such as scientific knowledge or practical knowledge. The term comes from the Ancient Greek verb grc, ἐπῐ́ ...

(or

ontotheology Ontotheology means the ontology of God and/or the theology of being. While the term was first used by Immanuel Kant, it has only come into broader philosophical parlance with the significance it took for Martin Heidegger's later thought. While, for ...

) identified with relation to computation and computational ways of seeing and doing: ''computationality''.

Michael Betancourt Michael Betancourt (born 1971) is a critical theorist, film theorist, art & film historian, and animator. His principal published works focus on the critique of digital capitalism, motion graphics, visual music, new media art, theory, and for ...

has discussed the New Aesthetic in relation to digital automation. The ‘new aesthetic’ provides a reference point for the examination of

Karl Marx Karl Heinrich Marx (; 5 May 1818 – 14 March 1883) was a German philosopher, economist, historian, sociologist, political theorist, journalist, critic of political economy, and socialist revolutionary. His best-known titles are the 1848 ...

's discussion of machines in ‘The Fragment on Machines.’ :The 'new aesthetic' documents is the shift from earlier considerations of machine labor as an amplifier and extension of human action -- as an augmentation of human labor -- to its replacement by models where the machine does not augment but supplant, in the process apparently removing the human intermediary that is the labor that historically lies between the work of human designer-engineers and fabrication following their plans. According to Betancourt, the New Aesthetic documents a shift in production that is different than that described by Marx. Where the machines Marx described were dependent on human control, those identified with the New Aesthetic work to supplant the human element, replacing it with digital automation, effectively removing living labor from the production process.

References

{{Reflist

External links

''New Aesthetic, New Anxieties''
a book critically exploring the New Aesthetic
''The New Aesthetic and Art: Constellations of the Postdigital''
a book exploring the New Aesthetic and art
''New-Aesthetic''
a

Tumblr Tumblr (stylized as tumblr; pronounced "tumbler") is an American microblogging and social networking website founded by David Karp in 2007 and currently owned by Automattic. The service allows users to post multimedia and other content to a sho ...

blog documenting examples of the New Aesthetic
Pixel Pour
Example of 8-bit retro representation
Computer Vision Makeup
CV Dazzle
Waving at the Machines
a keynote presentation by James Bridle on the key ideas of the New Aesthetic

''The New Yorker'' on James Bridle's drone projects Visual arts genres

History

References

Further reading

External links