The Nāsadīya Sūkta (after the incipit ', or "not the non-existent"), also known as the Hymn of Creation, is the 129th hymn of the 10th mandala of the

Rigveda The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts ('' śruti'') known as the Vedas. Only on ...

(10:129). It is concerned with

cosmology Cosmology () is a branch of physics and metaphysics dealing with the nature of the universe. The term ''cosmology'' was first used in English in 1656 in Thomas Blount's ''Glossographia'', and in 1731 taken up in Latin by German philosopher ...

and the

origin of the universe Cosmogony is any model concerning the origin of the cosmos or the universe. Overview Scientific theories In astronomy, cosmogony refers to the study of the origin of particular astrophysical objects or systems, and is most commonly used ...

. Nasadiya Sukta begins with the statement: "Then, there was neither existence, nor non-existence." It ponders when, why, and through whom the universe came into being in a contemplative tone, and provides no definite answers. Rather, it concludes that the gods too may not know, as they came after creation, and that even the surveyor of that which has been created, in the highest heaven may or may not know. To this extent, the conventional English title ''Hymn of Creation'' is perhaps misleading, since the poem does not itself present a

cosmogony Cosmogony is any model concerning the origin of the cosmos or the universe. Overview Scientific theories In astronomy, cosmogony refers to the study of the origin of particular astrophysical objects or systems, and is most commonly used ...

creation myth A creation myth (or cosmogonic myth) is a symbolic narrative of how the world began and how people first came to inhabit it., "Creation myths are symbolic stories describing how the universe and its inhabitants came to be. Creation myths develo ...

akin to those found in other religious texts, instead provoking the listener to question whether one can ever know the origins of the universe.

Interpretations

The hymn has attracted a large body of literature of commentaries both in Indian

darsanas Hindu philosophy encompasses the philosophies, world views and teachings of Hinduism that emerged in Ancient India which include six systems ('' shad-darśana'') – Samkhya, Yoga, Nyaya, Vaisheshika, Mimamsa and Vedanta.Andrew Nicholson (20 ...

and in Western

philology Philology () is the study of language in oral and written historical sources; it is the intersection of textual criticism, literary criticism, history, and linguistics (with especially strong ties to etymology). Philology is also defined as ...

. The hymn, as

Mandala 10 The tenth mandala of the Rigveda has 191 hymns. Together with Mandala 1, it forms the latest part of the Rigveda, containing much mythological material, including the Purusha sukta (10.90) and the dialogue of Sarama with the Panis (10.108), and ...

in general, is late within the Rigveda Samhita, and expresses thought more typical of later Vedantic philosophy. Even though untypical of the content of the Vedic hymns, it is one of the most widely received portions of the Rigveda. An atheist interpretation sees the Creation Hymn as one of the earliest accounts of skeptical inquiry and

agnosticism Agnosticism is the view or belief that the existence of God, of the divine or the supernatural is unknown or unknowable. (page 56 in 1967 edition) Another definition provided is the view that "human reason is incapable of providing sufficien ...

.Patri, Umesh and Prativa Devi.
Progress of Atheism in India: A Historical Perspective
". Atheist Centre 1940-1990 Golden Jubilee. Vijayawada, February 1990. Retrieved 2007-04-02. Astronomer

Carl Sagan Carl Edward Sagan (; ; November 9, 1934December 20, 1996) was an American astronomer, planetary scientist, cosmologist, astrophysicist, astrobiologist, author, and science communicator. His best known scientific contribution is research on ex ...

quoted it in discussing India's "tradition of skeptical questioning and unselfconscious humility before the great cosmic mysteries."Carl Sagan, '' Cosmos: A Personal Voyage Part 10 - The Edge of Forever'
44:08
/ref> The text begins by paradoxically stating "not the non-existent existed, nor did the existent exist then" ('), paralleled in verse 2 by "then not death existed, nor the immortal" ('). But already in verse 2 mention is made that there was "breathing without breath, of its own nature, that one" '). In verse 3, being unfolds, "from heat (

tapas A tapa () is an appetizer or snack in Spanish cuisine. Tapas can be combined to make a full meal, and can be cold (such as mixed olives and cheese) or hot (such as ''chopitos'', which are battered, fried baby squid, or patatas bravas). In so ...

) was born that one" ('). Verse 4 mentions desire (

kāma ''Kama'' (Sanskrit ) means "desire, wish, longing" in Hindu, Buddhist, Jain, and Sikh literature.Monier Williamsकाम, kāmaMonier-Williams Sanskrit English Dictionary, pp 271, see 3rd column Kama often connotes sensual pleasure, sexua ...

) as the primal seed, and the first poet-seers ( kavayas) who "found the bond of being within non-being with their heart's thought".

Karel Werner Karel Werner (12 January 1925 – 26 November 2019) was an indologist, orientalist, religious studies scholar, and philosopher of religion born in Jemnice in what is now the Czech Republic. Life Werner has described his childhood in the small ...

describes the author's source for the material as one not derived from reasoning, but a "visionary, mystical or Yogic experience put into words." Werner writes that prior to creation, the Creation Hymn does not describe a state of "nothingness" but rather "That One (''tad ekam'')" which is, "Spaceless, timeless, yet in its own way dynamic and the Sole Force, this Absolute..." Brereton (1999) argues that the reference to the sages searching for being in their spirit is central, and that the hymn's gradual procession from non-being to being in fact re-enacts creation within the listener (see ), equating poetic utterance and creation (see śabda).

Metre

Nasadiya Sukta consists of seven trishtubhs, although para 7b is defective, being two syllables short, :' :"if he has created it; or if not .. Brereton (1999) argues that the defect is a conscious device employed by the rishi to express puzzlement at the possibility that the world may ''not'' be created, parallel to the syntactic defect of pada 7d, which ends in a subordinate clause without a governing clause: :' :"he verily knows; or maybe he does not know ..

Interpretations

Metre

Text and translation

See also

Notes

Further reading