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In
music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect ...
, number refers to an individual song, dance, or instrumental piece which is part of a larger work of
musical theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movemen ...
,
opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
, or
oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is mus ...
. It can also refer either to an individual song in a published collection or an individual song or dance in a performance of several unrelated musical pieces as in concerts and
revues
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own duri ...
. Both meanings of the term have been used in American English since the second half of the 19th century.
Musical theatre and related genres
In musical theatre, the lyrics of the individual song numbers are integrated with the narrative of the
libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
(or "book"). As early as 1917,
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over ...
wrote that "musical numbers should carry on the action of the play, and should be representative of the personalities of the characters who sing them." The lyricist
Oscar Hammerstein, another proponent of this view, even refused to list the numbers in ''
Rose-Marie
''Rose-Marie'' is an operetta-style musical with music by Rudolf Friml and Herbert Stothart, and book and lyrics by Otto Harbach and Oscar Hammerstein II. The story is set in the Canadian Rocky Mountains and concerns Rose-Marie La Flemme, a Fren ...
'' because he thought it would detract from what he viewed as the close integration between the book and the lyrics. However, both David Horn and Scott McMillin have proposed that full integration is not completely possible. For McMillin, the start of a musical number creates a noticeably different "feel" in which the singer becomes a "performer" not simply a character. For Horn, the individual numbers can serve not only to advance the narrative but also to directly address and engage the audience in an experience which stands apart from the dramatic context of the work., and this latter function had its roots in
vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition ...
entertainments. In revues, a type of multi-act popular theatrical entertainment that combines music, dance and sketches, there is no overall narrative, but rather a sequence of unrelated (often lavish) musical numbers. However, as Rick Altman points out, some of the numbers in these types of shows such "This Heart of Mine" in the film ''
Ziegfeld Follies
The ''Ziegfeld Follies'' was a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934 and 1936. They became a radio program in 1932 and 1936 as ''The Ziegfeld Follies of the Air ...
'' can be narratives in miniature. That number, according to Altman, "is not just musical—its dream-like dance grows out of the Bremer/Astaire
Lucille_Bremer">/nowiki>Lucille_Bremer_and_Fred_Astaire.html" ;"title="Lucille_Bremer.html" ;"title="/nowiki>Lucille Bremer">/nowiki>Lucille Bremer and Fred Astaire">Lucille_Bremer.html" ;"title="/nowiki>Lucille Bremer">/nowiki>Lucille Bremer and Fred Astaire] mimed narrative which opens the selection."
Opera and oratorio
Opera numbers may be arias, but also Musical ensemble, ensemble pieces, such as Duet (music), duets, Trio (music), trios, quartet
In music, a quartet or quartette (, , , , ) is an ensemble of four singers or instrumental performers; or a musical composition for four voices and instruments.
Classical String quartet
In classical music, one of the most common combinations o ...
s, quintet
A quintet is a group containing five members. It is commonly associated with musical groups, such as a string quintet, or a group of five singers, but can be applied to any situation where five similar or related objects are considered a single ...
s, sextet
A sextet (or hexad) is a formation containing exactly six members. The former term is commonly associated with vocal ensembles (e.g. The King's Singers, Affabre Concinui) or musical instrument groups, but can be applied to any situation where six ...
s or chorus
Chorus may refer to:
Music
* Chorus (song) or refrain, line or lines that are repeated in music or in verse
* Chorus effect, the perception of similar sounds from multiple sources as a single, richer sound
* Chorus form, song in which all verse ...
es. They may also be ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ...
s and instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instru ...
pieces, such as march
March is the third month of the year in both the Julian and Gregorian calendars. It is the second of seven months to have a length of 31 days. In the Northern Hemisphere, the meteorological beginning of spring occurs on the first day of Marc ...
es, sinfonia
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (sou ...
s, or intermezzi
In music, an intermezzo (, , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term ha ...
. Until the mid-19th century most operas were structured as a series of discrete numbers connected by recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...
or spoken dialogue. Oratorios followed a similar model. However, as the century progressed, numbers were increasingly unified into larger musical segments with no clear break between them. Early examples of this trend include Carl Maria von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his opera ...
's opera ''Euryanthe
''Euryanthe'' ( J. 291, Op. 81) is a German grand heroic-romantic opera by Carl Maria von Weber, first performed at the Theater am Kärntnertor in Vienna on 25 October 1823.Brown, p. 88 Though acknowledged as one of Weber's most important operas, ...
'' and Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career a ...
's secular oratorio '' Das Paradies und die Peri''.[Smither, Howard E (2000)]
''A History of the Oratorio'' (Vol. 4: ''The Oratorio in the Nineteenth and Twentieth Centuries'')
p. 191. University of North Carolina Press
See also
*Number opera A number opera (; ) is an opera consisting of individual pieces of music ('numbers') which can be easily extracted from the larger work."Number opera" in ''New Grove''. They may be numbered consecutively in the score, and may be interspersed with r ...
*Comédie mêlée d'ariettes
The French term ''comédie mêlée d'ariettes'' ('comedy mixed with little songs') was frequently used during the late ''ancien régime'' for certain types of '' opéra comique'' (French opera with spoken dialogue).
The term became popular in th ...
*Show tune
A show tune is a song originally written as part of the score of a work of musical theatre or musical film, especially if the piece in question has become a standard, more or less detached in most people's minds from the original context.
...
References
External links
{{Wiktionary, number
*AMC Networks
AMC Networks Inc. is an American entertainment company headquartered in 11 Penn Plaza, New York.
AMC Networks owns and operates the eponymous cable channel and its siblings, IFC, We TV, and Sundance TV; the art house movie theater IFC Cen ...
Greatest Song and Dance Musical Moments and Scenes
Musical terminology