Now And Then (Beatles Song)

"Now and Then" is a song by the English rock band the Beatles, released on 2 November 2023. Dubbed "the last Beatles song", it appeared on a double A-side single, paired with a new stereo remix of the band's first single, " Love Me Do" (1962), with the two serving as "bookends" to the band's history. Both songs were included on the expanded re-issues of the 1973 compilations ''1962–1966'' and ''1967–1970'', released on 10 November 2023.

"Now and Then" is a psychedelic soft rock ballad that John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished. After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project '' The Beatles Anthology'', following " Free as a Bird" and "Real Love", both based on two other Lennon demos of the same name. Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions.

The final version features additional lyrics by McCartney. Lennon's voice was extracted from the demo using the machine-learning-assisted audio restoration technology commissioned by Peter Jackson for his 2021 documentary '' The Beatles: Get Back''. Jackson also directed the music video for "Now and Then". The song received acclaim from critics, who felt it was a worthy finale for the Beatles. It topped the charts in the United Kingdom, Germany, and Austria, and reached the top ten in Australia, Belgium, Canada, Ireland, the Netherlands, Sweden, Switzerland, and the United States. It is the only Beatles UK number one single not attributed to the Lennon–McCartney songwriting partnership.

Composition and history

John Lennon wrote "Now and Then" in the late 1970s, and recorded a five-minute piano demo in around 1977 on a tape recorder at his home at the Dakota in New York City. The lyrics are typical of the apologetic love songs that Lennon wrote in the latter half of his career. For the most part the verses are nearly complete, though there are still a few lines that Lennon did not flesh out on the demo tape performance. Writing for the '' Los Angeles Times'', Stephen Thomas Erlewine called Lennon's composition "a wispy, melancholy ballad", while ''Billboard'' Kyle Denis described the song as "a lovelorn guitar-centric rock ballad".

Referring to the original demo, Craig Jenkins of ''Vulture'' said "'Now and Then' languished in an unfinished state, its vocal and piano melodies enshrouded in too dense a thicket of abrasively scratchy hiss to massage into the high-quality recordings the Beatles were known for".

Beatles' first version with Harrison

In January 1994, the year Lennon was posthumously inducted into the Rock and Roll Hall of Fame, his widow, Yoko Ono, gave Paul McCartney two cassette tapes she had previously mentioned to George Harrison. The tapes, which both had a note on them reading "For Paul", included home recordings of songs that Lennon had never completed and/or released commercially, two of them on one tape being the eventually completed and released " Free as a Bird" and "Real Love". The two other songs on the other tape were "Grow Old with Me" and "Now and Then". "Grow Old with Me" had already been released in 1984 on the posthumous album '' Milk and Honey'', so the Beatles turned their attention to "Now and Then". In March 1995, the three surviving Beatles began to work on it by recording a rough backing track that was to be used as an overdub. It included acoustic guitars played by McCartney and Harrison, a rough drum track by Ringo Starr, an electric guitar by Harrison, and a bass and "a few synth hings played by McCartney." However, after several days of recording, all work on the song ceased and plans for a third reunion single were scrapped.

Producer Jeff Lynne reported that sessions for "Now and Then" actually consisted only of "one day – one afternoon, really – messing with it. The song had a chorus but is almost totally lacking in verses. We did the backing track, a rough go that we really didn't finish". Additional factors behind scrapping the song were that the piano Lennon was playing on during his demo recording was noisy, which kept drowning out Lennon's vocals, as well as a technical defect in the original recording. As with "Real Love", a 60- Hz mains hum can be heard throughout the demo recording. However, it was noticeably louder on "Now and Then", making it considerably more difficult to remove. An additional problem with the recording was the piano Lennon was playing on during the recording was also very noisy and drowned Lennon's vocals out.

The project was largely shelved because of Harrison's dislike of the song due to its low-quality recording. McCartney later stated that Harrison called Lennon's demo recording "fucking rubbish". McCartney told '' Q'' magazine in 1997 that "George didn't like it. The Beatles being a democracy, we didn't do it." Some such as Ben Lindbergh of '' The Ringer'' later speculated that, given Harrison had said "Apart from the quality, which was worse than the other two Free as a Bird' and 'Real Love' I didn't think Now and Then'was much of a song", he might have been critical of the song itself and not merely the recording quality. When the Beatles released their version of the song in 2023, Harrison's widow Olivia issued a press release stating: "George felt the technical issues with the demo were insurmountable and concluded that it was not possible to finish the track to a high enough standard. If he were here today, Dhani and I know he would have wholeheartedly joined Paul and Ringo in completing the recording of 'Now and Then.'"

Period of limbo (1996–2021)

Throughout 2005 and 2006, press reports speculated that McCartney and Starr would release a complete version of the song in the future. Reports circulated in 2007 that McCartney was hoping to complete the song as a " Lennon–McCartney composition" by writing new verses, utilizing archival recordings of backing vocals and guitar work from Harrison (who had died in 2001), and laying down a new drum track recorded by Starr.

Prior to the 2023 release, the only available recording of the song was from Lennon's original demo. In February 2009, the same version of Lennon's recording was released on a bootleg CD, taken from a different source, with none of the "buzz" which hampered the Beatles' recording of the song in 1995.

During a Lynne documentary shown on BBC Four in 2012, McCartney stated about the song: "And there was another one that we started working on, but George went off it... that one's still lingering around, so I'm going to nick in with Jeff and do it. Finish it, one of these days." McCartney said in October 2021 that he still hoped to finish the track.

MAL restoration and final version

For the 2021 documentary series '' The Beatles: Get Back'', director Peter Jackson's production company WingNut Films isolated instruments, vocals, and individual conversations utilising its audio restoration technology over a four year period. The neural network, called MAL ( machine-assisted learning) – named after the Beatles' former road manager Mal Evans, and as a pun to HAL 9000 of '' 2001: A Space Odyssey'' – was also later used for the 2022 remix of the 1966 album ''Revolver'', based directly on four-track master tapes. WingNut applied the same technique to Lennon's home recording of "Now and Then", while preserving the clarity of his vocal performance separated from the piano. The studio worked on a digital copy of the original tape provided by Sean Lennon, which was of much better quality than the third-generation copy that the three surviving Beatles had used in 1995. Lennon's vocals were isolated from his solo piano demo, which allowed the song to finally be finished. McCartney recorded bass guitar, a slide guitar solo in the style of Harrison as a tribute to him, electric harpsichord, backing vocals, and piano in the style of Lennon's demo in his home studio in East Sussex while Starr later recorded a finalized drum track and backing vocals in his home studio in Los Angeles. Additionally, Harrison's guitar parts (both acoustic and electric) from the 1995 sessions were inserted into the song.

The restoration was followed by the addition of a string section written by McCartney, Giles Martin (the son of Beatles' former producer and longtime collaborator George Martin), and Ben Foster, recorded at Capitol Studios. The piece was given the decoy name of "Give & Take" to avoid leaks from the musicians and recorded during late April 2022. Finally, McCartney and Martin added portions of original vocal recordings of " Here, There and Everywhere", " Eleanor Rigby" (both from ''Revolver''), and " Because" (from the 1969 album '' Abbey Road'') into the new song, following the methods used for the 2006 remix album '' Love''. Ben Lindbergh of ''The Ringer'' contrasted the original recording to the released version: "McCartney collaborates with his former muse not just by building on Lennon's work, but by undoing it. The Beatles release is almost a minute shorter than the Lennon demo, largely because the latter includes two pre-chorus bridges that the former removes (aside from a subtle, hard-to-hear allusion in McCartney's piano chords during the new solo)". Speaking about the removal of the pre-chorus bridge, McCartney said "It had a big middle section and I thought it rambled a bit. I thought to myself, Well, if I was working with John now ... I'd say, 'We've got to do something about that middle and maybe even remove it. I think it'll make the song stronger.' So we did. I think he would have been OK with that. Of course I'm never going to know but, y'know, I think mine's the best guess we can have." The finished track was produced by McCartney and Martin, while Lynne was credited for "additional production", and mixed by Spike Stent. Meanwhile, the stereo and Dolby Atmos mixes, alongside the vinyl mastering, were completed at Abbey Road Studios.

On 13 June 2023, McCartney told BBC Radio 4's ''Today'' programme that he had "just finished" work on extracting Lennon's voice from an old demo of the latter's in order to complete the song, using (in his words) artificial intelligence. Dubbing the project "the final Beatles record", he did not name the song; however, BBC News reported it was likely that the song is "Now and Then" and that it would be released later in 2023. On the use of AI for sound source separation, McCartney clarified in June 2023 that "nothing has been artificially or synthetically created. It's all real and we all play on it. We cleaned up some existing recordings – a process which has gone on for years."

Promotion

On 25 October 2023, an image of an orange-and-white cassette tape with the tape reel winding was published on the Beatles' official website and official social media accounts. The bottom left of the tape read " Type I (Normal) Position", and the copyright section read "Yoko Ono Lennon, MPL Communications Ltd, G. H. Estate Ltd and Startling Music Ltd". The following day, the song was announced as a double A-side single for a release date of 2 November 2023, backed with a new stereo remix of " Love Me Do" – with both songs also featured on the expanded re-issues of the 1973 compilations ''1962–1966'' and ''1967–1970''.

A 12-minute documentary film, ''Now and Then – The Last Beatles Song'', written and directed by British fimmaker Oliver Murray, debuted on 1 November 2023 on the Beatles' YouTube channel, Disney+, and linear channels including CBC Television in Canada, and TVN24 in Poland. The short film tells the story of the song's inception, including commentaries by McCartney, Starr, Harrison, Sean Lennon, and Jackson. The film also played excerpts of John Lennon's separated vocal tracks and from the final song.

To celebrate the release of "Now and Then", animated projection mappings of the cassette tape from the Beatles' website popped up at Beatles-related locations across Liverpool, including the Strawberry Field, the road sign for Penny Lane, outside Lennon's childhood home, and the Cavern Club.

The BBC prepared an extended edition of '' The One Show'' on BBC One, BBC Radio 2 podcast series ''Eras: The Beatles'' hosted by Martin Freeman, as well as other programming on BBC Two and the BBC iPlayer. In the United States, iHeartMedia said it would premiere "Now and Then" simultaneously over 740 of its radio stations, with the song repeated hourly for the rest of the day on the company's classic rock stations. Sirius XM said the song also premiered on The Beatles Channel at the moment it was released.

A music video for "Now and Then", directed by Jackson, premiered on 3 November 2023. It features new footage of the Beatles, including snippets provided by Pete Best, scenes filmed during the 1995 recording sessions for ''Anthology'', footage of a younger Lennon juxtaposed with McCartney, unseen home movie footage of Harrison, and new footage of McCartney and Starr performing. Additionally, visual effects produced by Wētā FX were added.

Reception

On Metacritic, the single has a 87 out of 100, indicating "universal acclaim". In the first review published for its completed incarnation, Erlewine wrote in the ''Los Angeles Times'' that the track was "elegant ndsoftly psychedelic" with "a wistful undercurrent", calling it "a fitting conclusion to the Beatles' recorded career – not so much a summation ut rathera coda that conveys a sense of what the band both achieved and lost". In '' The Guardian'', Alexis Petridis gave the song four stars out of five, calling it "a poignant act of closure". Rob Sheffield of '' Rolling Stone'' called it "the final masterpiece that the Beatles—and their fans—deserve". Ed Power of '' The Irish Times'' praised Lennon's vocals on the track, deeming it "a 2023 pop odyssey sure to warm the cockles of Beatles fans young, old and in-between".

'' Vulture'' Craig Jenkins said the tune had lyrics and orchestral flourishes similar to " The Long and Winding Road", writing "If this is the end of the Beatles, they have left us with a snapshot of their strengths." '' The Arizona Republic'' Ed Masley praised the song for making him cry repeatedly, saying he could not ask for more from a Beatles song. In '' Clash'', Robin Murray said the "beautiful" single felt like McCartney's "super-human attempt to re-frame the group's ending. Instead of rancour, unity. Instead of solo competition, studio unity. Instead of losing his friends, finding their voices once more." Mark Beaumont of '' The Independent'' gave the tune a perfect five-star rating, writing "Sorry Swifties, hard luck Elton, in your face Sphere – this is the musical event of the year and one of the greatest tear-jerkers in history."

Other critics felt "Now and Then" did not live up to some of the band's previous songs. Geoff Edgers of '' The Washington Post'' wrote that the song was "kind of mundane"; of its inclusion on the ''1967–1970'' reissue, he concluded, "A passable song is simply not good enough when you're sharing vinyl with ' Strawberry Fields Forever', ' A Day in the Life' or 'Let It Be.'" For '' The New York Times'', Jon Pareles concluded, "Its existence matters more than its quality ... The song can't compare to the music the four Beatles made together in the 1960s. All it can do is remind listeners of a synergy, musical and personal, that's now lost forever." Comparing the song to the other posthumous Beatles releases "Free as a Bird" and "Real Love", Mark Richardson wrote for ''Pitchfork'': "To my ear, 'Now and Then' is the weakest of the posthumous singles ... 'Now and Then' is pretty much impossible to imagine as an actual Beatles song, and it seems especially far from what might have been Lennon's original intention. And yet, it's enjoyable just the same." Ben Lindbergh of ''The Ringer'' wrote: "I can't help but be a bit let down by the bridge's omission. Without those surprising, distinctly Lennon-esque digressions, the song's structure is simpler and more repetitive."

Russell Root wrote for ''Salon'' that the song was "not a Beatles song, but rather a Beatles tribute song", noting that "the studio versions of [' Free as a Bird' and 'Real Love'] stay truer to both the original demos and the Beatles' own sound." Jem Aswad of ''Variety (magazine), Variety'' said, "So in the end, 'Now and Then' is not a lost Beatles classic. But to paraphrase McCartney's famous quote regarding criticism of '' The White Album'', 'It's a bloody new Beatles song, shut up!'"

Mastering engineer Ian Shepherd noted the lack of dynamics in the stereo version, also pointing out that the Dolby Atmos version does not suffer from the loudness war problems. Miles Showell confirmed that the mix he received was heavily limited.

This was named the third best rock song of 2023 by '' Ultimate Classic Rock''.

Chart performance

"Now and Then" debuted on the UK Singles Chart on 3 November 2023 at number 42, based on ten hours of sales. The following week it rose 41 positions to reach number one on the chart, the Beatles' first UK number one song in 54 years since their 1969 single " The Ballad of John and Yoko", setting a record for the longest gap between number one singles by any musical act. Furthermore, it became the first song co-written by Starr to top the UK chart. It accumulated 78,000 units in its first full week of sales and streaming with 48,000 from physical sales and downloads.

In the United States, it debuted at number one on the ''Billboard'' Digital Song Sales chart for the week ending 11 November 2023. The song sold 17,000 downloads, all on 2 November, the final day of the chart's tracking week. That same week, it also debuted at number 5 on the ''Billboard'' Bubbling Under Hot 100 chart. "Now and Then" debuted at number 7 on the ''Billboard'' Hot 100 dated 18 November, and was their 35th top ten single on that chart with 73,000 units sold. "Now and Then" reached number one on the ''Billboard'' Adult Alternative Airplay chart for the week ending 9 December 2023, and was the band's first number one on a ''Billboard'' radio airplay chart since "Let It Be" topped the Adult Contemporary chart in April 1970.

Personnel

The Beatles

* John Lennon – lead and backing vocals
* Paul McCartney – lead and backing vocals, bass, lap steel guitar, piano, electric harpsichord, shaker
* George Harrison – backing vocals, acoustic guitar, electric guitar
* Ringo Starr – backing vocals, drums, tambourine, shaker

Additional musicians

* Neel Hammond, Adrianne Pope, Charlie Bisharat, Andrew Bulbrook, Songa Lee, Serena McKinney – violin
* Ayvren Harrison, Caroline Buckman, Drew Forde, Linnea Powell – viola
* Mia Barcia-Colombo, Giovanna Clayton, Hillary Smith – cello
* Mike Valerio – double bass
* Jérôme Leroy – conductor

Production

* Paul McCartney, Giles Martin, Ben Foster – string arrangement
* Produced by Paul McCartney and Giles Martin, with additional production by Jeff Lynne
* Mark "Spike" Stent – stereo mix
* Giles Martin, Sam Okell – Atmos mixes
* Miles Showell – vinyl mastering
* Oli Morgan – Atmos mastering
* Bruce Sugar, Steve Genewick, Greg McAllister, Geoff Emerick, Keith Smith, Mark "Spike" Stent, Steve Orchard, Jon Jacobs – engineering

Charts

Weekly charts

Monthly charts

Year-end charts

Release history

Notes

References

External links

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