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"North Country Blues" is a song by
Bob Dylan Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career sp ...
, released on his third studio album '' The Times They Are a-Changin''' in 1964. He also performed it at the 1963
Newport Folk Festival Newport Folk Festival is an annual American folk-oriented music festival in Newport, Rhode Island, which began in 1959 as a counterpart to the Newport Jazz Festival. It was one of the first modern music festivals in America, and remains a foca ...
. Its apparently simple format (ten verses of ABCB
rhyme scheme A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB r ...
), accompanied by only two chords (Cm & Bb) and subject matter (the perils of life in a mining community and its ultimate demise) appears to have been influenced by
Woody Guthrie Woodrow Wilson Guthrie (; July 14, 1912 – October 3, 1967) was an American singer-songwriter, one of the most significant figures in American folk music. His work focused on themes of American socialism and anti-fascism. He has inspired ...
.


Background

The specific location of the town is never stated. Daniel EpsteinEpstein, Daniel Mark (2011) ''The Ballad of Bob Dylan: A Portrait''. Harper recalled hearing Dylan introduce the song, in a performance in Washington D.C. in 1963, with the note that it was about the mining towns of Virginia. However, the title and references to "iron ore", "red iron", and "red iron pits" strongly suggests the location is on the
Mesabi Range The Mesabi Iron Range is a mining district in northeastern Minnesota following an elongate trend containing large deposits of iron ore. It is the largest of four major iron ranges in the region collectively known as the Iron Range of Minnesota ...
, a portion of the
Iron Range The term Iron Range refers collectively or individually to a number of elongated iron-ore mining districts around Lake Superior in the United States and Canada. Much of the ore-bearing region lies alongside the range of granite hills formed by ...
where
open-pit mining Open-pit mining, also known as open-cast or open-cut mining and in larger contexts mega-mining, is a surface mining technique of extracting rock or minerals from the earth from an open-air pit, sometimes known as a borrow. This form of mini ...
has predominated, and where Dylan's childhood residence in
Hibbing, Minnesota Hibbing is a city in Saint Louis County, Minnesota, United States. The population was 16,214 at the 2020 census. The city was built on mining the rich iron ore of the Mesabi Iron Range and still relies on that industrial activity today. At th ...
is situated.
Virginia, Minnesota Virginia is a city in St. Louis County, Minnesota, United States, on the Mesabi Iron Range. With an economy heavily reliant on large-scale iron ore mining, Virginia is considered the Mesabi Range's commercial center. The population was 8,423 ...
is a town near Hibbing, that, along with Hibbing, has shared boom and bust cycles due to changes in the mining industry, and may be the town that Dylan was talking about in the Washington concert.


Lyrics

The song opens with a deliberately conventional opening (''Come gather round friends and I'll tell you a tale...''). However, the darkness of the tale soon becomes apparent. Each verse contains at least one tragic situation or event: # Speaking of the current day, "the whole town is empty." # When the narrator was young, her mother "took sick" and obviously died, as she was "brought up by my brother." # One day her brother "failed to come home, the same as my father before him." (The implication is that they failed to come home from the mine, suggesting repeated mining tragedies.) # Her schooling was cut short "to marry John Thomas, a miner." # With three children, her husband's work was cut to a half-day shift "with no reason." # "The man" came to town and announced that mine #11 was closing. # The price of the mined ore is too high and not worth digging, because it's cheaper from South America where miners work "almost for nothing." # Total desolation, her husband is drinking heavily and the hours last "twice as long . . . as I waited for the sun to go sinking." # Her husband has started talking to himself, then one morning she wakes up to find him gone, leaving her "alone with three children." # The stores have all closed and her children "will go, as soon as they grow," because "there ain't nothing here now to hold them." Dylan hides the fact that the narrator is a woman to the end of verse four. The song ends bleakly, as by this time the woman has lost her husband, mother, father and brother; the mine is closed and the town is virtually abandoned; and soon her children will leave her in complete isolation and desolation. According to writer M. Marqusee, this apparently restricting and morose format, referred to as a "formally conservative exercise in first-person narrative", Dylan manages to achieve significant tonal and expressive variation.Marqusee, M (2003). ''Chimes of Freedom: The Politics of Bob Dylan's Art''. The New Press.


Cover versions

In 1968,
Joan Baez Joan Chandos Baez (; born January 9, 1941) is an American singer, songwriter, musician, and activist. Her contemporary folk music often includes songs of protest and social justice. Baez has performed publicly for over 60 years, releasing more ...
included a performance of "North Country Blues" on her Dylan tribute album '' Any Day Now.''


See also

*
Iron Range The term Iron Range refers collectively or individually to a number of elongated iron-ore mining districts around Lake Superior in the United States and Canada. Much of the ore-bearing region lies alongside the range of granite hills formed by ...


Notes

{{authority control Songs written by Bob Dylan Bob Dylan songs 1964 songs Joan Baez songs Song recordings produced by Tom Wilson (record producer)