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Nikolay Yakovlevich Afanasyev (russian: Никола́й Я́ковлевич Афана́сьев; ) was an Imperial Russian
violin The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
virtuoso A virtuoso (from Italian ''virtuoso'' or , "virtuous", Late Latin ''virtuosus'', Latin ''virtus'', "virtue", "excellence" or "skill") is an individual who possesses outstanding talent and technical ability in a particular art or field such as ...
and composer. His
memoir A memoir (; , ) is any nonfiction narrative writing based in the author's personal memories. The assertions made in the work are thus understood to be factual. While memoir has historically been defined as a subcategory of biography or autobi ...
s 'Vospominaniya' ('Reminiscences') appeared in 1890, and recorded his experiences as a touring musician, as part of a panorama of Russian musical life during the mid 19th century. He became an honorary member of the Russian Musical Society in 1896.


Biography

Afanasyev was born in
Tobolsk Tobolsk (russian: Тобо́льск) is a town in Tyumen Oblast, Russia, located at the confluence of the Tobol and Irtysh rivers. Founded in 1590, Tobolsk is the second-oldest Russian settlement east of the Ural Mountains in Asian Russia, and i ...
in 1821. He obtained his musical education from his father, the violinist Yakov Ivanovich Afanasyev, an illegitimate son of Prince Ivan Dolgorukov. In 1838, two years after his debut as a violinist in
Moscow Moscow ( , US chiefly ; rus, links=no, Москва, r=Moskva, p=mɐskˈva, a=Москва.ogg) is the capital and largest city of Russia. The city stands on the Moskva River in Central Russia, with a population estimated at 13.0 million ...
, he was appointed
concertmaster The concertmaster (from the German ''Konzertmeister''), first chair (U.S.) or leader (U.K.) is the principal first violin player in an orchestra (or clarinet in a concert band). After the conductor, the concertmaster is the second-most signifi ...
of the
Bolshoi Theatre The Bolshoi Theatre ( rus, Большо́й теа́тр, r=Bol'shoy teatr, literally "Big Theater", p=bɐlʲˈʂoj tʲɪˈatər) is a historic theatre in Moscow, Russia, originally designed by architect Joseph Bové, which holds ballet and ope ...
Orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...
. However, he resigned in 1841 to conduct the
serf Serfdom was the status of many peasants under feudalism, specifically relating to manorialism, and similar systems. It was a condition of debt bondage and indentured servitude with similarities to and differences from slavery, which developed ...
orchestra of a wealthy landowner at Vïksa, near Saint Petersburg. In 1846, Afanasyev left to embark on a concert tour of Russia, and eventually settled in Saint Petersburg in 1851, where he continued to perform as a soloist and as the concertmaster (sometimes conductor) of the Italian Opera. He quit orchestral work to begin teaching
piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...
in 1853 at the Smolin'ïy Institute, before touring Western Europe with moderate success in 1857. After returning to Russia, Afanasyev chose to commit himself to composition, and reached his finest in his small-scale works, which tended to suffer far less from the inconsistencies in technical skill that stemmed from his informal training. He won particular acclaim for works which were inspired by the melodies and rhythms of
Russian folk music Russian folk music specifically deals with the folk music traditions of the ethnic Russian people. Ethnic styles in the modern era The performance and promulgation of ethnic music in Russia has a long tradition. Initially it was intertwined with ...
, an abiding interest of his which led to the publication of his popular
anthology In book publishing, an anthology is a collection of literary works chosen by the compiler; it may be a collection of plays, poems, short stories, songs or excerpts by different authors. In genre fiction, the term ''anthology'' typically categ ...
(1866) of folksongs arranged for four-part
choir A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which ...
. Afanasyev's
chamber music Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small numb ...
, most notably the
string quartet The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists ...
''Volga'' (c. 1860) which won a prize from the
Russian Musical Society The Russian Musical Society (RMS) (russian: Русское музыкальное общество) was the first music school in Russia open to the general public. It was launched in 1859 by the Grand Duchess Elena Pavlovna and Anton Rubinstei ...
in 1861, also enjoyed similar acclaim. ''Volga'' was the first string quartet written by a native Russian composer.Grove's Dictionary of Music and Musicians, 5th ed., 1954,
Eric Blom Eric Walter Blom (20 August 188811 April 1959) was a Swiss-born British-naturalised music lexicographer, music critic and writer. He is best known as the editor of the 5th edition of ''Grove's Dictionary of Music and Musicians'' (1954). Biogr ...
, ed., Vil. I, p. 65, AFANASIEV, Nikolay Yakovlevich
In contrast, his
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
s had far less enthusiastic receptions. Although the
Mariinsky Theatre The Mariinsky Theatre ( rus, Мариинский театр, Mariinskiy teatr, also transcribed as Maryinsky or Mariyinsky) is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music th ...
staged ''Ammalat-bek'' in 1870, it has not been performed anywhere since; ''Sten'ka Razin'' failed to pass state
censorship Censorship is the suppression of speech, public communication, or other information. This may be done on the basis that such material is considered objectionable, harmful, sensitive, or "inconvenient". Censorship can be conducted by governments ...
, while ''Vakula-kuznets'' was never performed. The manuscripts of several further operas and orchestral works remain unpublished. He died in
Saint Petersburg Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...
in 1898, aged 77.


References

*Spencer, Jennifer. "Afanas'yev, Nikolay Yakovlevich".
Grove Music Online
'' (subscription required). ed. L. Macy. Retrieved on March 17, 2007.


External links

* * {{DEFAULTSORT:Afanasyev, Nikolay Yakovlevich 1820 births 1898 deaths People from Tobolsk People from Tobolsky Uyezd Composers from the Russian Empire Russian Romantic composers Classical violinists from the Russian Empire Russian classical violinists Conductors (music) from the Russian Empire Russian male conductors (music) Concertmasters 19th-century classical composers 19th-century conductors (music) Russian male classical composers 19th-century classical violinists Male classical violinists