Night Revels Of Han Xizai
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''The Night Revels of Han Xizai'' or ''The Night Entertainments of Han Xizai'' () is a painted
handscroll The handscroll is a long, narrow, horizontal scroll format in East Asia used for calligraphy or paintings. A handscroll usually measures up to several meters in length and around 25–40 cm in height. Handscrolls are generally viewed starting ...
attributed to Chinese 10th-century artist
Gu Hongzhong Gu Hongzhong (; 937–975) was a Chinese painter during the Five Dynasties and Ten Kingdoms period of Chinese history. Gu was active until 960 CEHan Xizai Han Xizai () (902 – August 31, 970''Spring and Autumn Annals of the Ten Kingdoms''vol. 28Acade ...
, a minister from
Southern Tang Southern Tang () was a state in Southern China that existed during Five Dynasties and Ten Kingdoms period, which proclaimed itself to be the successor of the former Tang dynasty. The capital was located at Nanjing in present-day Jiangsu Province ...
under the imperial government of emperor Li Yu, accompanied with realistic portrayals of more than forty people. Two copies of the artwork survived: a reproduction from the
Song Dynasty The Song dynasty (; ; 960–1279) was an imperial dynasty of China that began in 960 and lasted until 1279. The dynasty was founded by Emperor Taizu of Song following his usurpation of the throne of the Later Zhou. The Song conquered the rest ...
, currently housed in the
Palace Museum The Palace Museum () is a huge national museum complex housed in the Forbidden City at the core of Beijing, China. With , the museum inherited the imperial royal palaces from the Ming and Qing dynasties of China and opened to the public in 192 ...
at
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; and a replica from the
Ming Dynasty The Ming dynasty (), officially the Great Ming, was an Dynasties in Chinese history, imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol Empire, Mongol-led Yuan dynasty. The Ming dynasty was the last ort ...
, under the collection of the
Three Gorges Museum The Three Gorges Museum () is a museum in the Yuzhong District of Chongqing, about the Three Gorges and Chongqing. It is one of the largest museums in the country. The museum opened in 2005, replacing the former Chongqing Museum. It is loc ...
at
Chongqing Chongqing ( or ; ; Sichuanese dialects, Sichuanese pronunciation: , Standard Mandarin pronunciation: ), Postal Romanization, alternately romanized as Chungking (), is a Direct-administered municipalities of China, municipality in Southwes ...
. The painting is highly regarded as one of the greatest masterpieces of
Chinese art Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based in or draws on Chinese ...
.


Creation

Gu Hongzhong was reportedly sent to spy on Han Xizai. In one version of the story, Han Xizai repeatedly missed morning audiences with Li Yu because of his revelry and needed to be shamed into dignified behavior. In another version, Han Xizai refused Li Yu's offer to become prime minister. To check Han's suitability and find out what he was doing at home, Li Yu sent Gu Hongzhong alongside another court painter,
Zhou Wenju Zhou Wenju () ( fl. 942–961), also known as Chou Wen-chu, was a Chinese painter during the Five Dynasties and Ten Kingdoms period (907–960). His exact birth and death dates are not known. Zhou was born in Jurong, and specialized in figure ...
, to one of Han's night parties and depict what they saw. Each of two painters created a painting based on their observation after a night of partying. Unlike Gu's painting, the one made by Zhou was subsequently lost.


Composition

The painting is divided into five distinct parts and contains a seal of Shi Miyuan, a Song dynasty official. Viewed from right to left, the parts show Han Xizai listening to a
pipa The pipa, pípá, or p'i-p'a () is a traditional Chinese musical instrument, belonging to the plucked category of instruments. Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets rang ...
, striking a drum for dancers, resting, watching five female musicians playing flutes, and seeing off his guests. While in the early Tang period, musicians played sitting on floor mats, the painting shows them sitting on chairs, demonstrating the change that had occurred. Gu purposely created a somber ambiance, with none of the depicted persons smiling. The painting helped Li Yu dispel some of his distrust in Han, but did little to prevent the decline of Li's dynasty. "The first of the five scenes that make up the painting shows the enjoyment of music. With high hat and full beard, Han Xizai is sitting on a couch with red-robed Lang Can, a scholar who ranked first in the highest imperial examination. They are listening attentively to a pipa lute (a stringed musical instrument) played by the sister of Li Jiaming, assistant director of the Imperial Theatre and Music Academy, who sits watchfully by her side. The girl in light blue is Wang Wushan, a talented dancer serving Han Xizai. The man standing behind her is Han's student Shu Ya. Seated near the table are two guests, Chen Zhiyong, an official in charge of rites, and his student Zhu Xian. In the second scene, Wang Wushan is dancing to the beats of a drum that Han Xizai is striking. Everybody is focusing on her movements except Han's friend the monk Deming, who crosses his hands in front of his chest and bows his head. Although embarrassed, he cannot help but listen to the beats. In the third scene, surrounded by four female companions, Han is resting on a couch washing his hands in a basin. The fourth scene depicts the five females playing flutes. Han Xizai sits in a chair, cross-legged with his robe unbuttoned. In the fifth scene, Han holds two drumsticks in his right hand and waves goodbye to his guests with his left hand. A male guest is whispering to a maid behind Han. The five discrete scenes are artfully linked by screens. There remains an inscription about Han Xizai, twenty words in length, at the beginning of the scroll by a collector of the Southern Song. The Ming calligrapher Cheng Nanyun (active early fifteenth century) wrote a three-word title "Night Revelry" (''Yeyan tu''). At the end of the scroll a label in running script reads A Brief Biography of Han Xizai (''Han Xizai xiaozhuan'') with several authentication seals. The Qing emperor
Qianlong The Qianlong Emperor (25 September 17117 February 1799), also known by his temple name Emperor Gaozong of Qing, born Hongli, was the fifth Emperor of the Qing dynasty and the fourth Qing emperor to rule over China proper, reigning from 1735 t ...
(r. 1736-1795) also inscribed a colophon after the painting. The painting was included in ''The Precious Collection of the Stone Moat: the First Edition (Shiqu baoji)'', a catalogue of the Qianlong Emperor's calligraphy and painting collection."The Night Revels of Han Xizai. The Palace Museum, Beijing. https://en.dpm.org.cn/collections/collections/2009-09-24/849.html


References


External links


Entry
at the Palace Museum website {{DEFAULTSORT:Night Revels Of Han Xizai, The Chinese paintings 10th-century paintings 12th-century paintings Southern Tang