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The Ngoc Lu drum is regarded as one of the most important and prominent artifacts of the
Dong Son culture The Dong Son culture or the Lạc Việt culture (named for modern village Đông Sơn, a village in Thanh Hóa, Vietnam) was a Bronze Age culture in ancient Vietnam centred at the Red River Valley of northern Vietnam from 1000 BC until the ...
of the
Bronze Age The Bronze Age is a historic period, lasting approximately from 3300 BC to 1200 BC, characterized by the use of bronze, the presence of writing in some areas, and other early features of urban civilization. The Bronze Age is the second pri ...
, a civilisation that flourished in around the 2nd to 3rd century BC in the
Red River Delta The Red River Delta or Hong River Delta ( vi, Châu thổ sông Hồng) is the flat low-lying plain formed by the Red River and its distributaries merging with the Thái Bình River in northern Vietnam. ''Hồng'' (紅) is a Sino-Vietnamese wor ...
of
Vietnam Vietnam or Viet Nam ( vi, Việt Nam, ), officially the Socialist Republic of Vietnam,., group="n" is a country in Southeast Asia, at the eastern edge of mainland Southeast Asia, with an area of and population of 96 million, making i ...
. The high level of importance placed on it by historians and archaeologists is due to its well preserved and richly decorated nature.Higham, p. 124. The ''Ngoc Lu drum'' is the first artifact on the list of 30 items recognised as
National Treasures of Vietnam A National Treasure ( vi, Bảo vật quốc gia) or a national precious object is a tangible cultural heritage or object handed down from the past with historical, cultural or scientific value of exceptional significance to the country of Vietnam ...
for the first time in 2012.


Discovery

The drum was accidentally discovered in 1893 in
Hà Nam Province Hà is a Vietnamese surname. The name is transliterated as He in Chinese and Ha in Korean. Ha is the anglicized variation of the surname Hà. It is also the anglicized variation of Hạ. Notable people with the surname Hà * Hà Kiều Anh, ...
, southeast of Hanoi, by workers building a dike, rather than during a planned expedition.The Bronze Đông Sỏn Drums: A Collective Work of Archaeologists Thúc Cần Hà, Văn Huyên Nguyẽ̂n - 1989 "We have not classified the above in the series of Dong Son Drums discovered, but have listed them for reference. In the years 1893-1894, Nguyen Van Y, Nguyen Van Tiic and others from Ngọc Lũwere building the Tran Thiiy dike in Nhu Trac, ..." The drum was named after the Confucian name of the village where it was found, ''Ngọc Lũ'' (Sino-Vietnamese 玉缕, vernacular tên chữ name ''Làng Chủ'') in Bình Lục District.


The drum

In contrast to most other drums of the Dong Son, the tympanum bears three concentric panels, which depict animals or humans, interleaved with bands of geometric or circular patterns. The innermost panel appears to be a self-referencing depiction, as it is decorated with pictures of humans who appear to be performing a ceremony involving the drums themselves. Other musical instruments and rice growing and harvesting activities are also shown. The two outer panels are decorated with scenes of deer, hornbills and crane egrets. The inner panel repeats itself, despite the presence of minor variations. The scenes are the subject of multiple interpretations, but a prominent motif is that of a row of figures who appear to be male. They are plumed, and led by a man holding a spear that is directed towards the ground. He is followed in the line by five more men, at least two of whom appear to playing musical instruments. One appears to be playing a ''khen'' and either cymbals or bells, while another holds a wand-like object in his left hand. The men are wearing a type of kilt and highly feathered headgear, which includes a figure in the shape of a bird's head. Ahead of the leader, there is some sort of a structure that is supported by stilts with either decorated timber walls or some sort of streamers held at the eaves. A board of gongs is being percussed by a person wearing a kilt, but is not wearing a feathered headdress. Three people depicted beyond the house also do not have any headwear, with two having long hair and another with bun-tied hair. Two of the people are depicted threshing rice with a pole ornamented with feathers, while the other is shooing away a hornbill. A house is depicted beyond them which has decorated posts erected at a sharp angle, close to vertical, which is decorated with what appears to be feathers or streamers. The ends of the gables are further decorated with birds' heads. There are three people depicted inside the house, possibly playing percussion instruments. There is also a scene where one standing person and three seated people are brandishing long poles that appear to be used to strike a row of drums placed in front of them. This scene is repeated with a few variations. In one scene the drums are all of identical size, while in the others their sizes are sequenced. One percussionist uses one striking device, while another uses two for each hand. There are further variations of this scene with seated and standing percussionists. Archaeologists are agreed that the scene is likely to depict a festival or ritual of some kind, with the musicians appearing to be part of a parade. The feathered men contrast with those depicted in the house, who have unkempt hair and appear to be female. The decoration on the mantle of the drum depicts plumed warriors in a procession of elegant pirogues with decorated timbers. Birds' heads are found on their headgear, the ends of their water transport vessels and even the rudder.


References

* {{DEFAULTSORT:Ngoc Lu drum Archaeology of Vietnam Archaeological artifacts Dong Son bronze drums Drums Đông Sơn culture National Treasures of Vietnam Vietnamese musical instruments Vietnamese bronzeware Vietnamese inventions