New Year's Day (Taylor Swift Song)

"New Year's Day" is a song by American singer-songwriter Taylor Swift, taken from her sixth studio album, ''Reputation'' (2017). Written and produced by Swift and Jack Antonoff, "New Year's Day" is a pop ballad that is driven by delicate piano riffs and incorporates occasional guitar and synth notes; its acoustic arrangement is a stark contrast to ''Reputation'' heavy electronic production. In the lyrics, a narrator spends the morning after a New Year's Eve party with her lover, and they together clean up their shared house and care for each other.

Big Machine Records released "New Year's Day" to US country radio as a single on November 27, 2017. Prior to the release, Swift performed the song live on ''The Tonight Show Starring Jimmy Fallon'' on November 13. Music critics lauded the song for what they deemed intimate production and lyrics and a representation of Swift's artistic maturity. Some commented that its position as the last track on ''Reputation'' is appropriate for the album. The song charted on ''Billboard'' charts including Country Airplay, Hot Country Songs, and Canada Country. It also charted on Belgium's Ultratip chart.

Production and writing

Taylor Swift wrote and produced "New Year's Day" with Jack Antonoff for her sixth studio album, ''Reputation'' (2017). For his recording sessions with Swift, Antonoff encouraged her to capture emotions at a particular time, when "you can feel like you can conquer the world, or you can feel like the biggest piece of garbage that ever existed". He said that "New Year's Day" was the fastest song to complete on ''Reputation'', as the two recorded "scratch takes" that did not filter out unwanted sounds from the outside environment. In an interview with ''Entertainment Weekly'', Antonoff recalled that the recording session was inspired by singer-songwriter Joni Mitchell for capturing emotional honesty: "You don't want to get the perfect tune. You don't want to get the absolute perfect vocal take or the perfect panning or compression. ... It has nothing to do with genre, or how loud or soft it is. You just want the song to feel like itself."

The song was engineered by Laura Sisk at Rough Customer Studio in Brooklyn Heights. It was mixed by Serban Ghenea at MixStar Studios in Virginia Beach, Virginia, and mastered by Randy Merrill at Sterling Sound Studios in New York. The inspiration for the song's lyrics came from a New Year's Eve party at Swift's residence in London. She said, "I was thinking about how everybody talks and thinks about who you kiss at midnight ..But I think there's something even more romantic about who's gonna deal with you on New Year's Day. Who's willing to give you Advil and clean up the house? I think that states more of a permanence."

Composition

"New Year's Day" is a pop piano ballad featuring a stripped-down production incorporating raw piano sounds and occasional guitar and slight synth harmonies, a stark contrast to ''Reputation'' synth-heavy electronic production. Lyrically consistent with Swift's themes of capturing temporary feelings at a particular moment, "New Year's Day" has a setting of a New Year's Eve house party that has just ended. Swift observes, "There's glitter on the floor after the party," as barefoot girls carry their shoes through the lobby, and there is candle wax on the hardwood floor. After all of her friends have gone home, Swift tells her lover, "Don't read the last page, but I stay / When it's hard and it's wrong and we're making mistakes," and confesses that she "wants ourmidnights". Swift sings, "Hold on to the memories, they will hold on to you," and begs for her lover to not "become a stranger whose laugh hecould recognize anywhere".

Release

"New Year's Day" is the last track on the track listing of ''Reputation'', which was released worldwide on November 10, 2017. Prior to the album's release, Swift premiered a recorded live performance of the song on the ABC network during an ad break during the series ''Scandal'', broadcast on November 9, 2017. The performance had taken place at Swift's Holiday House in Watch Hill, Rhode Island in October 2017, as part of a fan-exclusive ''Reputation'' album-listening session. On November 13, 2017, Swift performed "New Year's Day" during an episode of ''The Tonight Show Starring Jimmy Fallon'' in tribute to host Jimmy Fallon's recently passed mother.

Big Machine Records promoted "New Year's Day" to US country radio on November 15, 2017, as a promotional single. The label then officially released the song to US country radio stations on November 27, 2017, after positive feedback from several country radio stations regarding Swift's performance on the ''Tonight Show''. Reaction to the song's country airplay was mixed, given Swift's announcement that she had abandoned her country roots to embrace mainstream pop in 2014. Radio stations including Chicago's WUSN and Houston's KKBQ, who lobbied to get the song played at their station, were receptive of "New Year's Day". Other country stations were more reserved; a representative of Massachusetts's WBWL commented: "Essentially, I believe that wifthas moved on from the country genre ... As she has moved on, our core country listeners have moved on from wift so I'll lay off of it for now. ... and it's not fair to add a pop song when great artists are waiting their turn."

"New Year's Day" was included on the set list of Swift's Reputation Stadium Tour (2018), which she launched in support of ''Reputation''. During the concerts, Swift performed the song as part of a mash-up with "Long Live"—a song from her 2010 album ''Speak Now''—on a piano. On April 23, 2019, she performed the song at the Lincoln Center for the Performing Arts during the ''Time'' 100 Gala, where she was honored as one of the "100 most influential people" of the year.

American singer-songwriter Olivia Rodrigo interpolated "New Year's Day" on the song "1 Step Forward, 3 Steps Back" from her debut album ''Sour'' (2021). Swift and Antonoff were credited as co-writers on the track.

Critical reception

"New Year's Day" received widespread acclaim from contemporary critics, who highlighted its acoustic production which contrasts with the generally synth-heavy production of ''Reputation'', and commended the intricate lyrics. Frank Guan from ''New York'' said: "'New Year's Day' isn't the best song on ''Reputation'', but it's one of the best." Guan found the song's theme of vulnerability a much more powerful sentiment than ''Reputation'' themes of vengeance and stardom, saying that Swift was "still an artistic force to be reckoned with". Zach Schonfeld from ''Newsweek'' deemed it the best track on ''Reputation'', writing: "It's gorgeous, more so than the song that has that title." ''Pitchfork'' Jamieson Cox praised Swift's songwriting for " onjuringrich scenes with just a handful of lines". In a review for '' Clash'', Shahzaib Hussain commended Swift's ability to connect to her audience by expressing "the intimate, diary-like invocation of her past work", a welcoming change from the "high-octane melodrama" of ''Reputation''.

Stephen Thomas Erlewine of AllMusic lauded the song as a high mark against the "monochromatic production" of ''Reputation'' for combining "vulnerability, melody, and confidence, but they are deeply felt and complex", which signified Swift's maturity as a singer-songwriter. Writing for ''Spin'', Anna Gacca downplayed ''Reputation'' influences from contemporary hip hop and R&B trends that diminished Swift's authenticity, but found "New Year's Day" to be a welcoming sign of Swift's core as a songwriter: "The Taylor Swift of 'New Year's Day' is ... the sentimentalist who valued songwriting above all else." Gacca also complimented the song's placement as the final track on ''Reputation'' for breaking free from the album's themes fueled by the tabloid scrutiny that Swift had experienced. In another review of ''Reputation'' for ''Spin'', Jordan Sargent similarly lauded the song for reasserting Swift's authenticity as a songwriter, calling it the album's "most placid, calming note".

BBC Music's Will Gompertz praised the song's production for highlighting Swift's vocals, unburdened by heavy electronics: "you hear a singer who can communicate feeling and thought with touching depth and sincerity." Retrospectively, ''New York'' Nate Jones considered "New Year's Day" the best song on ''Reputation''. Jane Song from '' Paste'' noted Swift's lyrical maturity, pointing out similarities between "New Year's Day" and previous songs " Enchanted" and "Mine" from Swift's 2010 album ''Speak Now''. Rob Sheffield of ''Rolling Stone'' similarly commented on Swift's maturity: "It captures the romance of mundane domestic details ... This is the kind of song she could keep writing into her forties and fifties."

Commercial performance

"New Year's Day" debuted at number 40 on the ''Billboard'' Hot Country Songs chart dated December 9, 2017. It was her 41st chart entry, and her first since her collaboration with Tim McGraw on "Highway Don't Care" in 2013. The same week, it debuted at number five on the ''Billboard'' Country Digital Song Sales chart, her 33rd top-ten entry. On the ''Billboard'' Country Airplay chart, the single debuted at number 57, her first chart entry since "Shake It Off" (2014). "New Year's Day" later peaked at number 33 and number 41 on the Hot Country Songs and Country Airplay charts, respectively. It peaked at number 44 on the ''Billboard'' Digital Song Sales chart. It also peaked on the ''Billboard'' Canada Country at number 50 and Belgian Flanders's Ultratip Bubbling Under chart at number 33.

Credits and personnel

Credits are adapted from the liner notes of ''Reputation''.
* Taylor Swift – vocals, songwriter, producer
* Jack Antonoff – producer, songwriter, piano, guitar, bass, and synths
* Laura Sisk – engineer
* Serban Ghenea – mixing
* John Hanes – mix engineer
* Randy Merrill – mastering

Charts

References

External links

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2010s ballads
2017 singles
Taylor Swift songs
New Year songs
Songs about parties
Song recordings produced by Jack Antonoff
Song recordings produced by Taylor Swift
Songs written by Taylor Swift
Songs written by Jack Antonoff
Big Machine Records singles