''Never Were the Way She Was'' is a collaborative album by
Colin Stetson
Colin Stetson (born March 3, 1975) is a Canadian-American saxophonist, multireedist, and composer based in Montreal. He is best known as a regular collaborator of the indie rock acts Arcade Fire, Bon Iver, Bell Orchestre, and Ex Eye. In additio ...
and
Sarah Neufeld, released on April 28, 2015 by
Constellation Records. It was recorded live in the studio without the use of
overdubs
Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more av ...
or
loops at the End of the World studio in
Vermont
Vermont () is a state in the northeast New England region of the United States. Vermont is bordered by the states of Massachusetts to the south, New Hampshire to the east, and New York to the west, and the Canadian province of Quebec to ...
.
[ Neufeld and Stetson had first met in 2006 when Neufeld's Bell Orchestre shared a bill with Antibalas, who Stetson was playing with.] The two artists had previously collaborated on the soundtrack to the 2013 film ''Blue Caprice
''Blue Caprice'' is a 2013 American independent drama film directed by Alexandre Moors, and based on the 2002 D.C. sniper attacks. The film stars Isaiah Washington and Tequan Richmond as the perpetrators of the attacks, John Allen Muhammad and Le ...
''.[ The album received favorable reviews and won a ]Juno Award
The Juno Awards, more popularly known as the JUNOS, are awards presented annually to Canadian musical artists and bands to acknowledge their artistic and technical achievements in all aspects of music. New members of the Canadian Music Hall of ...
.
Reception
At Metacritic
Metacritic is a website that review aggregator, aggregates reviews of films, TV shows, music albums, video games and formerly, books. For each product, the scores from each review are averaged (a weighted arithmetic mean, weighted average). M ...
, which assigns a normalised rating out of 100 to reviews from mainstream critics, ''Never Were the Way She Was'' received an average score of 81, based on 19 reviews, indicating "universal acclaim".[ ]AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ...
reviewer Thom Jurek said that the album was too short, commenting that the songs "last only as long as they hold interest for the players, though they all create a real desire for more in the listener - which is no complaint at all." Alexander Tudor of ''Drowned in Sound
''Drowned in Sound'', sometimes abbreviated to ''DiS'', is a UK-based music webzine financed by artist management company Silentway. Founded by editor Sean Adams, the site features reviews, news, interviews, and discussion forums.
History
''D ...
'' called the album a "triumph for instrumental music" and said that Stetson and Neufeld "work perfectly; long may they continue to work together." ''NME
''New Musical Express'' (''NME'') is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a f ...
'' reviewer Cian Traynor said that the pairing was "seamless" and that the album contained "expertly controlled energy" which "unfolds like a well-crafted score to an imagined film."[ Harley Brown of '']Spin
Spin or spinning most often refers to:
* Spinning (textiles), the creation of yarn or thread by twisting fibers together, traditionally by hand spinning
* Spin, the rotation of an object around a central axis
* Spin (propaganda), an intentionally b ...
'' called it a "cohesive meditation on the legacy of avant-garde greats" and said it was "an essential part of Stetson and Neufeld's own impressive canons."[ In his review for ]Pitchfork
A pitchfork (also a hay fork) is an agricultural tool with a long handle and two to five tines used to lift and pitch or throw loose material, such as hay, straw, manure, or leaves.
The term is also applied colloquially, but inaccurately, to th ...
, Jayson Greene said the album was an "implicit reminder of the things that can be done with two instruments and two hands."[
''Never Were the Way She Was'' won the 2016 ]Juno Award for Instrumental Album of the Year The Juno Award for "Instrumental Album of the Year" has been awarded since 1976, as recognition each year for the best instrumental album in Canada. The award was originally called the "Instrumental Artist of the Year".
Winners
Instrumental Artis ...
. The album was also longlisted nominee for the 2015 Polaris Music Prize The 2015 edition of the Canadian Polaris Music Prize was presented on September 21, 2015 at The Carlu event theatre in Toronto, Ontario. .["Polaris Music Prize Announces 2015 Long List"]
''Exclaim!
''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 ...
'', June 16, 2015.
Track listing
Personnel
* Colin Stetson
Colin Stetson (born March 3, 1975) is a Canadian-American saxophonist, multireedist, and composer based in Montreal. He is best known as a regular collaborator of the indie rock acts Arcade Fire, Bon Iver, Bell Orchestre, and Ex Eye. In additio ...
– tenor saxophone, bass saxophone, contrabass clarinet
* Sarah Neufeld – violin, voice
* Hans Bernhard – engineering
* Mark Lawson – mixing
* Harris Newman
Harris Newman is a mastering engineer working out of Grey Market Mastering in Montreal, Quebec, Canada. His studio shares a building with the Hotel2Tango recording studio, as well as Constellation Records. Newman has mastered hundreds of album ...
– mastering
* Kim Meinelt – photography
* Scott Irvine – photography
References
External links
{{Authority control
2015 albums
Collaborative albums
Colin Stetson albums
Constellation Records (Canada) albums
Juno Award for Instrumental Album of the Year albums