Never Too Late But Always Too Early
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''Never Too Late But Always Too Early'' is a two-CD live album by saxophonist
Peter Brötzmann Peter Brötzmann (born 6 March 1941) is a German saxophonist and clarinetist. Biography Early life Brötzmann was born in Remscheid, North Rhine-Westphalia, Germany. He studied painting in Wuppertal and was involved with the Fluxus movement ...
, bassist William Parker, and drummer
Hamid Drake Hamid Drake (born August 3, 1955) is an American jazz drummer and percussionist. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and improvised music. Incorporating Afro-Cuban, Indian, and Afr ...
. It was recorded in April 2001 at
Casa del Popolo Casa del Popolo is a bar, bistro, and music venue in Montreal, Quebec, Canada, on Saint Laurent Boulevard in the borough of Le Plateau-Mont-Royal. Its name is Italian for "House of the People". It was established in September 2000 by Mauro Pezz ...
in Montréal, and was released in 2003 by
Eremite Records Eremite Records is an independent American jazz record label founded in 1995 by Michael Ehlers, with early involvement from music writer Byron Coley. Ehlers was a student of Archie Shepp's at the University of Massachusetts Amherst. After college, ...
. The album is dedicated to
Peter Kowald Peter Kowald (21 April 1944 – 21 September 2002) was a German free jazz and free improvising double bassist and tubist. Career A member of the Globe Unity Orchestra, and a touring double-bass player, Kowald collaborated with many European ...
. The Brötzmann / Parker / Drake group has been known as the "Die Like a Dog Trio" since recording the album '' Die Like a Dog: Fragments of Music, Life and Death of Albert Ayler'' with trumpeter
Toshinori Kondo was a Japanese avant-garde jazz and jazz fusion trumpeter. Career Kondo was born in Ehime Prefecture. He attended Kyoto university in 1967, and became close friends with percussionist Tsuchitori Toshiyuki. In 1972 the pair left university, an ...
in 1993. An April 24, 2001, concert in Houston, Texas was described as "an electrifying performance that left the crowd drained but begging for more." Tad Hendrickson of
CMJ New Music Report CMJ Holdings Corp. is a music events and online media company, originally founded in 1978, which ran a website, hosted an annual festival in New York City, and published two magazines, ''CMJ New Music Monthly'' and ''CMJ New Music Report''. Th ...
wrote that the trio "operates at a level of intuitive musicianship seldom achieved by others."


Reception

The album was included in ''
The Wire ''The Wire'' is an American Crime film, crime drama Television show, television series created and primarily written by author and former police reporter David Simon. The series was broadcast by the cable network HBO in the United States. ''The ...
s 2003
Rewind Rewind may refer to: General uses * Rewind, the process of winding magnetic tape inside a cassette or a microfilm reel backwards to a previous point on the reel ** Rewind symbol, a media control symbol indicating tape rewind or analogous operatio ...
, and was listed as the year's #1 jazz recording. In a review for
AllMusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ...
, Thom Jurek wrote: "Brötzmann, Parker, and Drake reveal in depth here just how they have gelled as a trio... the intensity level is high from the jump." The authors of the ''
Penguin Guide to Jazz Recordings ''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by ...
'' awarded the album 4 stars, stating that it "catches the trio in magnificent form... Two long sets have very little in the way of treading water." A reviewer for ''
Pitchfork A pitchfork (also a hay fork) is an agricultural tool with a long handle and two to five tines used to lift and pitch or throw loose material, such as hay, straw, manure, or leaves. The term is also applied colloquially, but inaccurately, to th ...
'' commented: "This is a pernicious, pummeling disarray, like all of Brötzmann's albums, and he still makes time for some significant innovations... The instruments are still gloriously combusting all over this show, but there's a more melancholy lyricism affixed to them. This is the first Brötzmann album... that got stuck in my head hours after it had ended." Bill Shoemaker, writing for ''
Jazz Times ''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth ...
'', stated: "whenever Brotzmann plays with bassist William Parker and drummer Hamid Drake, there is a palpable aura of spirits unleashed, furiously seeking right... the cathartic power of this album makes for a fitting tribute to Kowald." In an article for ''Dusted Magazine'', Jason Bivins wrote: "It's a marathon ride, and from Brötz's opening shrieks on tarogato you know that seatbelts should remain firmly fastened. The trio cycles through most of its moods, registers, and instrumentations throughout the long and rewarding sets: crushing funk, rolling free expressionism, muscular swing, and the occasional dark textural mood... both discs are filled with the nice, harsh lyricism that distinguishes this band." ''The Free Jazz Collectives
Stuart Broomer Stuart Broomer is a Canadian editor, music critic, pianist, writer, jazz historian, and composer. He is a former editor with ''CODA'' magazine and currently works as an editor at Coach House Books. As a music critic he has written articles for Am ...
noted the album's "searing, visceral pull," and called Brötzmann "one of the great existential improvisers of free jazz, in that his intensity does not seem to move toward transcendence but instead speaks of expanding passion."


Track listing


Disc One

# "Never Run but Go I" – 19:19 # "Never Run but Go II" – 4:47 # "Never Run but Go III" – 9:31 # "Never Run but Go IV" – 9:51 # "The Heart and the Bones" – 18:26


Disc Two

# "Never Too Late but Always Too Early I" – 16:51 # "Never Too Late but Always Too Early II" – 11:02 # "Never Too Late but Always Too Early III" – 17:22 # "Half-Hearted Beast" – 7:41


Personnel

*
Peter Brötzmann Peter Brötzmann (born 6 March 1941) is a German saxophonist and clarinetist. Biography Early life Brötzmann was born in Remscheid, North Rhine-Westphalia, Germany. He studied painting in Wuppertal and was involved with the Fluxus movement ...
– tenor saxophone, tárogató, alto clarinet * William Parker – double bass, ngoni *
Hamid Drake Hamid Drake (born August 3, 1955) is an American jazz drummer and percussionist. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and improvised music. Incorporating Afro-Cuban, Indian, and Afr ...
– drums


References

{{Authority control 2003 live albums Peter Brötzmann live albums William Parker (musician) live albums Hamid Drake live albums Live free jazz albums Eremite Records live albums