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Natakapriya, (pronounced nāţakapriya, meaning ''the one dear to theatre'') is a
rāga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as ...
m in
Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...
(musical scale of South Indian classical music). It is the 10th ''
melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...
'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. According to the
Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...
school, the 10th melakarta rāgam is called Naţābharanam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras


Structure and Lakshana

It is a ''sampoorna'' rāgam - rāgam having all 7 ''
swara Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' ...
ms''. It is the 4th rāgam in the 2nd ''chakra Netra''. The mnemonic name is ''Netra-Bhu''. The mnemonic phrase is ''sa ra gi ma pa dhi ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes used in this scale are ''shuddha rishabham, sadharana gandharam, shuddha madhyamam, chathusruthi dhaivatham'' and ''kaisiki nishadham''. ''Natakapriya'' is the ''shuddha madhyamam'' equivalent of ''
Shadvidamargini Shadvidamargini (pronounced , meaning ''the one with the road to a hundred forms of knowledge'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 46th '' melakarta'' rāgam (parent scale) in the 72 ''mela ...
'', which is the 46th ''melakarta'' rāgam.


Asampurna Melakarta

Naţābharanam is the 10th ''Melakarta'' in the original list compiled by
Venkatamakhin Venkatamakhin (; ) or Venkatamakhi, was an Indian poet, musician, and musicologist of Carnatic music. He is renowned for his '' Chaturdandiprakashika'' in which he explicates the melakarta system of classifying ragas. Venkatamakhin composed ge ...
. The notes used in the scale are the same, but the scales are ''vakra'' (zig-zag usage in phrases of the scale). It is an ''shadava-sampurna'' raga (6 notes in ascending scale, while full 7 are used in descending scale).Shree Muthuswami Dikshitar Keerthanaigal, by A Sundaram Iyer, Music Book Publishers, Mylapore, Chennai * : * :


''Janya'' rāgams

''Sindhu Bhairavi'' is one of the few ''
janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a varie ...
'' rāgams (derived scales) associated with it. See List of ''Janya'' rāgams for a full list of its ''janyas''.


Popular compositions

Here are some compositions set to this raga.


Film Songs


Language:

Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia **Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils **Tamil Malaysians, Tamil people native to Malaysia * Tamil language, nativ ...


Related rāgams

This section covers the theoretical and scientific aspect of this rāgam. ''Natakapriya's'' notes when shifted using ''
Graha bhedam ''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic note (''śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani classical music is called a ''mur ...
'', yields 3 other major ''melakarta'' rāgams, namely, '' Vachaspati'', ''
Charukesi Charukesi (pronounced chārukēś‌i) is a rāga in Carnatic music (musical scale of South Indian classical music). It is the 26th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Tarangini in Muthuswami ...
'' and ''
Gourimanohari Gourimanohari or Gaurimanohari is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 23rd ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 23rd ''melakarta'' rāgam as per Muthu ...
''. For an illustration, refer '' Graha bhedam on Vachaspati''.


Notes


References

{{Janya, state=collapsed Melakarta ragas