Nampeyo With One Of Her Sikyatki-inspired Vessels, Ca on:
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Nampeyo (1859 – 1942) was a Hopi-Tewa potter who lived on the
Nampeyo was born on First Mesa in the village of Hano, also known as Tewa Village which is primarily made up of descendants of the Tewa people from Northern New Mexico who fled west to Hopi lands about 1702 for protection from the Spanish after the Pueblo Revolt of 1680. Her mother, White Corn was Tewa; her father Quootsva, from nearby Walpi, was a member of the Snake clan. According to tradition, Nampeyo was born into her mother's Tewa Corn clan. She had three older brothers, Tom Polacca, Kano, and Patuntupi, also known as Squash; Her brothers were born from about 1849 to 1858.Barbara Kramer.
Nampeyo and Her Pottery
'. University of Arizona Press; 2003. . pp. xi, 7, 194. Nampeyo could not read or write and never went to school. William Henry Jackson first photographed her in 1875; she was reputedly one of the most photographed ceramic artists in the Southwest during the 1870s. About 1878 or 1881,Lea S. McChesney
"Producing 'Generations in Clay'"
''Expedition Magazine''. Penn Museum. March 1994. Retrieved April 7. 2014. Nampeyo married her second husband, Lesou, a member of the Cedarwood clan at Walpi. Their first daughter, Annie, was born in 1884; William Lesso, was born about 1893; Nellie was born in 1896; Wesley in 1899; and Fannie was born in 1900.A Nampeyo Timeline
, Arizona State Museum at the University of Arizona. Retrieved April 7, 2014.
Hopi people make ceramics painted with beautiful designs, and Nampeyo was eventually considered one of the finest Hopi potters. Nampeyo learned pottery making through the efforts of her paternal grandmother. In the 1870s, she made a steady income by selling her work at a local trading post operated by Thomas Keam. By 1881 she was already known for her works of "old Hopi" pottery of Walpi.
She became increasingly interested in ancient pottery form and design, recognizing them as superior to Hopi pottery produced at the time. Her second husband, Lesou (or Lesso) was reputedly employed by the archaeologist J. Walter Fewkes at the excavation of the prehistoric ruin of Sikyátki on the First Mesa of the Hano Pueblo in the 1890s. Lesou helped Nampeyo find potsherds with ancient designs which they copied onto paper and were later integrated into Nampeyo's pottery. However, she began making copies of protohistoric pottery from the 15th through 17th centuries from ancient village sites, such as Sikyátki, which was explored before Fewkes and Thomas Varker Keam. Nampeyo developed her own style based on the traditional designs, known as Hopi Revival pottery from old Hopi designs and Sikyátki pottery. This is why researchers refer to her style as Sikyatki Revival after the proto-historic site.
Keam hired First Mesa potters to make reproductions of the works. Nampeyo was particularly skilled. Her pottery became a success and was collected throughout the United States and in Europe.
Kate Cory, an artist and photographer who lived among the Hopi from 1905 to 1912 at Oraibi and Walpi,Opitz, Glenn B., ''Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers'', Apollo Books, Poughkeepsie, NY, 1988 wrote that Nampeyo used sheep bones in the fire, which are believed to have made the fire hot or made the pottery whiter, and smoothed the fired pots with a plant with a red blossom. Both techniques are ancient Tewa pottery practices. Nampeyo used up to five different clays in one creation when the usual was two.
Nampeyo and her husband traveled to Chicago in 1898 to exhibit her pottery.Nampeyo.
Koshare Indian Museum. Retrieved April 7, 2014. Between 1905 and 1907, she produced and sold pottery out of a pueblo-like structure called Hopi House, a tourist attraction (combination of museum, curio shop, theatre, and living space for Native American dancers and artists) at the
Nampeyo and Her Pottery
'. University of Arizona Press; 2003. . p. 70. From 1925 until her death she made pottery by touch and they were then painted by her husband, daughters or other family members. In 2010, one of her artworks, a pot with a bulbous form with
She died in 1942 at the home of her son Wesley and her daughter-in-law, Cecilia.
She was a symbol of the Hopi people and was a leader in the revival of ancient pottery. She inspired dozens of family members over several generations to make pottery, including daughters Fannie Nampeyo and Annie Healing.Diane Dittemore
"The Nampeyo Legacy: A Family of Hopi-Tewa Potters".
''Southwest Art.'' Retrieved April 9, 2014. A 2014 exhibit at the Museum of Northern Arizona presents the works of four generations of artists descended from Nampeyo.
''Tennessee Today''. University of Tennessee. August 29, 2013. Retrieved April 9, 2014. * Koshare Indian Museum, La Junta, CA * Millicent Rogers Museum, Taos, NM * Museum of Northern Arizona, Flagstaff, AZBetsey Bruner
"A Family Connection: New MNA Exhibit Focuses on Family Legacy"
''Arizona Daily Sun''. November 10, 2013. Retrieved April 7, 2014. * National Museum of the American Indian, Smithsonian Institution, Washington, DC * Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, MA * Union Station, Kansas City, MO * Museum of Indian Arts and Culture/Laboratory of Anthropology, Santa Fe, NM * Haffenreffer Museum of Anthropology at
Photographic Resources Guide to the North American Collection
Thomas Keam's Southwest Expedition
Nampeyo – Hopi master potter
{{DEFAULTSORT:Nampeyo 1859 births 1942 deaths Hopi people Native American potters American women ceramists American ceramists Artists from Arizona Tewa 20th-century American women artists Native American women artists Women potters 20th-century Native Americans 20th-century Native American women 19th-century Native American women Native American people from Arizona
Hopi Reservation
The Hopi Reservation ( Hopi: Hopituskwa) is a Native American reservation for the Hopi and Arizona Tewa people, surrounded entirely by the Navajo Nation, in Navajo and Coconino counties in north-eastern Arizona, United States. The site has ...
in Arizona. Her Tewa name was also spelled Num-pa-yu, meaning "snake that does not bite". Her name is also cited as "Nung-beh-yong," Tewa for Sand Snake.
She used ancient techniques for making and firing pottery and used designs from "Old Hopi" pottery and sherds found at 15th-century Sikyátki ruins on First Mesa. Her artwork is in collections in the United States and Europe, including many museums like the National Museum of American Art, Museum of Northern Arizona, Spurlock Museum, and the Peabody Museum of Archaeology and Ethnology at Harvard University.
A world record for Southwest American Indian pottery was declared at Bonhams Auction House in San Francisco on December 6, 2010, when one of Nampeyo's art works, a decorated ceramic pot, sold for $350,000.
Early life
Nampeyo was born on First Mesa in the village of Hano, also known as Tewa Village which is primarily made up of descendants of the Tewa people from Northern New Mexico who fled west to Hopi lands about 1702 for protection from the Spanish after the Pueblo Revolt of 1680. Her mother, White Corn was Tewa; her father Quootsva, from nearby Walpi, was a member of the Snake clan. According to tradition, Nampeyo was born into her mother's Tewa Corn clan. She had three older brothers, Tom Polacca, Kano, and Patuntupi, also known as Squash; Her brothers were born from about 1849 to 1858.Barbara Kramer. Nampeyo and Her Pottery
'. University of Arizona Press; 2003. . pp. xi, 7, 194. Nampeyo could not read or write and never went to school. William Henry Jackson first photographed her in 1875; she was reputedly one of the most photographed ceramic artists in the Southwest during the 1870s. About 1878 or 1881,Lea S. McChesney
"Producing 'Generations in Clay'"
''Expedition Magazine''. Penn Museum. March 1994. Retrieved April 7. 2014. Nampeyo married her second husband, Lesou, a member of the Cedarwood clan at Walpi. Their first daughter, Annie, was born in 1884; William Lesso, was born about 1893; Nellie was born in 1896; Wesley in 1899; and Fannie was born in 1900.A Nampeyo Timeline
, Arizona State Museum at the University of Arizona. Retrieved April 7, 2014.
Artwork
Hopi people make ceramics painted with beautiful designs, and Nampeyo was eventually considered one of the finest Hopi potters. Nampeyo learned pottery making through the efforts of her paternal grandmother. In the 1870s, she made a steady income by selling her work at a local trading post operated by Thomas Keam. By 1881 she was already known for her works of "old Hopi" pottery of Walpi.
She became increasingly interested in ancient pottery form and design, recognizing them as superior to Hopi pottery produced at the time. Her second husband, Lesou (or Lesso) was reputedly employed by the archaeologist J. Walter Fewkes at the excavation of the prehistoric ruin of Sikyátki on the First Mesa of the Hano Pueblo in the 1890s. Lesou helped Nampeyo find potsherds with ancient designs which they copied onto paper and were later integrated into Nampeyo's pottery. However, she began making copies of protohistoric pottery from the 15th through 17th centuries from ancient village sites, such as Sikyátki, which was explored before Fewkes and Thomas Varker Keam. Nampeyo developed her own style based on the traditional designs, known as Hopi Revival pottery from old Hopi designs and Sikyátki pottery. This is why researchers refer to her style as Sikyatki Revival after the proto-historic site.
Keam hired First Mesa potters to make reproductions of the works. Nampeyo was particularly skilled. Her pottery became a success and was collected throughout the United States and in Europe.
Kate Cory, an artist and photographer who lived among the Hopi from 1905 to 1912 at Oraibi and Walpi,Opitz, Glenn B., ''Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers'', Apollo Books, Poughkeepsie, NY, 1988 wrote that Nampeyo used sheep bones in the fire, which are believed to have made the fire hot or made the pottery whiter, and smoothed the fired pots with a plant with a red blossom. Both techniques are ancient Tewa pottery practices. Nampeyo used up to five different clays in one creation when the usual was two.
Nampeyo and her husband traveled to Chicago in 1898 to exhibit her pottery.Nampeyo.Koshare Indian Museum. Retrieved April 7, 2014. Between 1905 and 1907, she produced and sold pottery out of a pueblo-like structure called Hopi House, a tourist attraction (combination of museum, curio shop, theatre, and living space for Native American dancers and artists) at the
Grand Canyon
The Grand Canyon (, yuf-x-yav, Wi:kaʼi:la, , Southern Paiute language: Paxa’uipi, ) is a steep-sided canyon carved by the Colorado River in Arizona, United States. The Grand Canyon is long, up to wide and attains a depth of over a m ...
lodge, operated by the Fred Harvey Company. She exhibited in 1910 at the Chicago United States Land and Irrigation Exposition.
One of her famous patterns, the migration pattern, represented the migration of the Hopi people, with feather and bird-claw motifs. An example is a 1930s vase in the collection of the Smithsonian Institution's National Museum of the American Indian in Washington, D.C. Her work is distinguished by the shapes of the pottery and the designs. She made wide, low, rounded, shaped pottery and, in later years, tall jars. Many of her works are identifiable by her "recognizable designs" and "her artistic idiosyncrasies."
Nampeyo's photograph was often used on travel brochures for the American southwest.
Nampeyo began to lose her sight due to trachoma about the turn of the 20th century.Barbara Kramer. Nampeyo and Her Pottery
'. University of Arizona Press; 2003. . p. 70. From 1925 until her death she made pottery by touch and they were then painted by her husband, daughters or other family members. In 2010, one of her artworks, a pot with a bulbous form with
Hopi Kachina figure
Hopi katsina figures ( Hopi language: or ), also known as kachina dolls, are figures carved, typically from cottonwood root, by Hopi people to instruct young girls and new brides about katsinas or ''katsinam'', the immortal beings that bring rai ...
s with "stylized faces" wearing "flamboyant black and burnt-umber headdresses" painted on "four sides of the pot"—sold for $350,000. Previous owners included Carter Harrison Jr.
Carter Henry Harrison IV (April 23, 1860 – December 25, 1953) was an American newspaper publisher and Democratic politician who served a total of five terms as mayor of Chicago (1897–1905 and 1911–1915) but failed in his attempt to becom ...
who was mayor of Chicago from 1911–1915, and Chicago's Cliff Dwellers art club, who received the work from Harrison in the 1930s.
Death and legacy
She died in 1942 at the home of her son Wesley and her daughter-in-law, Cecilia.
She was a symbol of the Hopi people and was a leader in the revival of ancient pottery. She inspired dozens of family members over several generations to make pottery, including daughters Fannie Nampeyo and Annie Healing.Diane Dittemore"The Nampeyo Legacy: A Family of Hopi-Tewa Potters".
''Southwest Art.'' Retrieved April 9, 2014. A 2014 exhibit at the Museum of Northern Arizona presents the works of four generations of artists descended from Nampeyo.
Public collections
* Arizona State Museum, University of Arizona * Denver Art Museum, Colorado * Kansas City Museum, Kansas City, MO"Pueblo Pottery Exhibit Opens at McClung Museum September 7"''Tennessee Today''. University of Tennessee. August 29, 2013. Retrieved April 9, 2014. * Koshare Indian Museum, La Junta, CA * Millicent Rogers Museum, Taos, NM * Museum of Northern Arizona, Flagstaff, AZBetsey Bruner
"A Family Connection: New MNA Exhibit Focuses on Family Legacy"
''Arizona Daily Sun''. November 10, 2013. Retrieved April 7, 2014. * National Museum of the American Indian, Smithsonian Institution, Washington, DC * Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, MA * Union Station, Kansas City, MO * Museum of Indian Arts and Culture/Laboratory of Anthropology, Santa Fe, NM * Haffenreffer Museum of Anthropology at
Brown University
Brown University is a private research university in Providence, Rhode Island. Brown is the seventh-oldest institution of higher education in the United States, founded in 1764 as the College in the English Colony of Rhode Island and Providenc ...
, Providence, RI
See also
* Fannie Nampeyo, daughter *Daisy Hooee
Daisy Hooee Nampeyo (1906 or 1910 - 1994 or 1998) was a Hopi-Tewa potter. She studied at École des Beaux-Arts. Hooee taught pottery making on the Zuni reservation and helped preserve the traditional techniques she learned from her grandmother, Na ...
, granddaughter
* Elva Nampeyo, granddaughter
* Dextra Nampeyo Quotskuyva
Dextra Quotskuyva Nampeyo (born September 7, 1928, Polacca, Arizona) is a Native American potter and artist. She is in the fifth generation of a distinguished ancestral line of Hopi potters.
In 1994 Dextra Quotskuyva was proclaimed an “Ariz ...
, great-granddaughter
* Priscilla Namingha, great-granddaughter
* Dan Namingha, great-great grandson
* Ida Sahmie Ida Sahmie (born Nobell 1960) is a Navajo potter. Sahmie combines Hopi traditional pottery making methods and Navajo iconography in her work. She has work in the Smithsonian American Art Museum and the Wheelwright Museum of the American Indian.
Bi ...
, great-great daughter-in-law
* Nampeyo (crater)
Nampeyo is a crater on Mercury
Mercury commonly refers to:
* Mercury (planet), the nearest planet to the Sun
* Mercury (element), a metallic chemical element with the symbol Hg
* Mercury (mythology), a Roman god
Mercury or The Mercury may a ...
, named to honor Nampeyo
References
Further reading
* Elmore, Steve. 2015. ''In Search of Nampeyo'', Santa Fe, Spirit Bird Press and Steve Elmore Indian Art. * * Graves, Laura. ''Thomas Varker Keam, Indian Trader''. Norman: University of Oklahoma Press, 1998. . * Collins, John E. Nampeyo, ''Hopi Potter: Her Artistry and Her Legacy.'' Fullerton CA: Muckenthaler Cultural Center. 1974 * Rubenstein, Charlotte Streifer. ''American Women Artists: From Early Indian Times to the Present''. New York: Avon, 1982.External links
Photographic Resources Guide to the North American Collection
Thomas Keam's Southwest Expedition
Nampeyo – Hopi master potter
{{DEFAULTSORT:Nampeyo 1859 births 1942 deaths Hopi people Native American potters American women ceramists American ceramists Artists from Arizona Tewa 20th-century American women artists Native American women artists Women potters 20th-century Native Americans 20th-century Native American women 19th-century Native American women Native American people from Arizona