Main characters
*Bohatyrowicz family (Anzelm, Janek, Fabian): their lifestyle is elegant, not to say festive, very seldom coarse. Many proverbs, sayings, rhymes and aphorisms are present in their speech. The Bohatyrowicz family cultivates also the folk-songs which contrasts with the traditions of the Korczyński family which lives in the manor house, where folk-singing seems to be inappropriate. The other cultural heritage they cherish is a sense of social order regulated by the specific customs, gestures and the type of interaction with neighbours. They avoid formalism and stiffening of behaviour. Their religiousness is based on obeying the Ten Commandments rather than God-fearing practices. (Orzeszkowa did not put the emphasis on Polish Catholicism and deprived her fictitious village of a priest). *Benedykt Korczyński: his characteristic feature is bitterness (caused by the adversities of fate, choices between evil and evil, fight for patrimony with the occupant etc.) and loneliness. He fenced himself off from the Bohatyrowiczes because they were the first to bring an action against him, that was the reason of their mutual dislike. The only person he can rely on is Marta. *Witold Korczyński: an univocally positive hero; Witold symbolises young people who draw conclusions from the past and believe in the rebirth of the nation. At the same time he is a colourless and conventional character. In all the conflicts with his father he is always the one that is right. *Remaining characters: Teofil Różyc, Andrzejowa Korczyńska, Zygmunt Korczyński, Marta Korczyńska, Emilia Korczyńska, Bolesław Kirło, Maria Kirłowa, Justyna Orzelska, Jadwiga Domuntówna.Motifs appearing in the novel
*January uprising – introduced to the novel through the motif of a common mound of 40 insurgents situated in the middle of the forest. The area belongs to the Korczyński family. The insurgents are strongly idealised, there is no pondering of the rebels’ mistakes or questions concerning the peasantry’s attitude towards the uprising. Emilia Korczyńska, Teresa Pilińska, Bolesław Kirło, Ignacy Orzelski, Deneccy, Teofil Różyc are the people that have no interest in the tomb because they do not commemorate the memory of people who died there. Son of one of the insurgents, Zygmunt Korczyński, is even audacious enough to ridicule them during the conversation with his mother, declaring his father, Andrzej, to have been a madman to take part in the uprising. *Misalliance – introduced to the work mainly through the legend of Jan and Cecylia . That particular misalliance was “blessed” by the national authority. The marriage of Jan and Justyna is the repetition of the mythical model. The third misalliance appearing in the book is the marriage of Witold and Marynia Kirło, the fourth – marriage of Andrzejowa Korczyńska and the last one – marriage of Ładyś Bohatyrowicz with a peasant woman. *The lack of books in the novel. There are almost no books mentioned in the work, only Anzelm keeps three books: '' Pan Tadeusz'', ''Adaptations
The novel has been adapted twice for film, in 1939 and again in 1986. The 1986 film led to a 1988 television miniseries.See also
*Notes and references