N. H. Pritchard
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Norman Henry Pritchard, or N. H. Pritchard (October 22, 1939 – February 8, 1996),Aldon Lynn Nielsen, ''Black Chant: Languages of African-American Postmodernism''
Cambridge University Press, pp. 130-133, 136.
was an American poet. He was a member of the Umbra poets, a collective of Black writers in Manhattan's Lower East Side founded in 1962. Pritchard's poetry is considered avant-garde. His poems often include unconventional typography and spacing, as in "Harbour," or lack sentences entirely, as in " " ".


Biography

Pritchard was born in New York City. He studied for a B.A. degree at New York University, where he was president of his campus Fine Arts Society and an active contributor to his college's literary magazine. He did graduate work at Columbia University, and taught briefly at the
New School for Social Research The New School for Social Research (NSSR) is a graduate-level educational institution that is one of the divisions of The New School in New York City, United States. The university was founded in 1919 as a home for progressive era thinkers. NSSR ...
and was a poet-in-residence at Friends Seminary. During the years he was a member of the Umbra poets, his work appeared in magazines and journals such as ''Athanor'', ''Liberator'', ''Season'', '' Negro Digest'', ''Sail'', ''
Poetry Northwest ''Poetry Northwest'' was founded as a quarterly, poetry-only journal in 1959 by Errol Pritchard, with Carolyn Kizer, Richard Hugo, Edith Shiffert and Nelson Bentley as co-editors. The first issue was 32 pages and included the work of Richmond Latt ...
'', the '' East Village Other'', and ''Gathering'', as well as in several anthologies of African-American writing, including
Walter Lowenfels Walter Lowenfels (May 10, 1897 – July 7, 1976) was an American poet, journalist, and member of the Communist Party USA. He also edited the Pennsylvania Edition of ''The Worker'', a weekend edition of the Communist-sponsored ''Daily Worker' ...
's ''In a Time of Revolution'' (1969) and ''Natural Process'', edited by Ted Wilentz and Tom Weatherly. Pritchard's work was published in two books and three journals: ''The Matrix: Poems, 1960-1970'' (Doubleday, 1970) and ''Eecchhooeess'' (New York University Press, 1971) ''New Jazz Poet''(1967), ''The New Black Poetry''(1969), and ''In a Time of Revolution: Poems from Our Third World''(1969). As Richard Kostelanetz states: "Only one one-man collection of visual poetry, for instance, has ever been commercially published in the United States, even though 'concrete' is reportedly 'faddish'; and since that single book, N. H. Pritchard’s ''The Matrix'' (1970), was neither reviewed nor touted, it seemed unlikely that any others would ever appear—another example of how the rule of precedent in literary commerce produces de facto censorship." Pritchard “stopped publishing in the early 1970s, and before his early death from cancer was residing in eastern Pennsylvania.”


References


External links


N. H. Pritchard: books at Eclipse
*On N. H. Prichard by Charles Bernstein (2004/2015)
Jacket2
Recovery Project by Zachary Schomburg. Octopus Magazine.

The Devil's Accountant, June 17, 2010. {{DEFAULTSORT:Pritchard, Norman American male poets Living people 1939 births African-American poets 21st-century African-American people 20th-century African-American people African-American male writers