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In Hawaiian religion, Māui is a
culture hero A culture hero is a mythological hero specific to some group ( cultural, ethnic, religious, etc.) who changes the world through invention or discovery. Although many culture heroes help with the creation of the world, most culture heroes are impor ...
and ancient
chief Chief may refer to: Title or rank Military and law enforcement * Chief master sergeant, the ninth, and highest, enlisted rank in the U.S. Air Force and U.S. Space Force * Chief of police, the head of a police department * Chief of the bo ...
who appears in several different genealogies. In the
Kumulipo In Hawaiian religion, the Kumulipo is the creation chant, first recorded by Westerners in the 18th century. It also includes a genealogy of the members of Hawaiian royalty and was created in honor of Kalaninuiamamao and passed down orally to his ...
, he is the son of Akalana and his wife Hina-a-ke-ahi ( Hina). This couple has four sons, Māui-mua, Māui-waena, Māui-kiikii, and Māui-a-kalana. Māui-a-kalana's wife is named Hinakealohaila, and his son is named Nanamaoa. Māui is one of the
Kupua In Hawaiian mythology, the Kupua are a group of supernatural entities which might be considered gods or spirits (see also ''Atua''). Hawaiian myths and legends abound with such characters. They are traditionally described as monsters having the ...
. His name is the same as that of the Hawaiian island
Maui The island of Maui (; Hawaiian: ) is the second-largest of the islands of the state of Hawaii at 727.2 square miles (1,883 km2) and is the 17th largest island in the United States. Maui is the largest of Maui County's four islands, which ...
, although native tradition holds that it is not named for him directly, but instead named after the son of Hawaii's discoverer (who was named after Māui himself).


Legendary exploits


Hauling up the islands of Hawaii

The great fish-hook of Māui is called ''Manaiakalani'', and it is baited with the wing of Hina's pet bird, the ''alae''. Māui is said to have created Hawaii's islands by tricking his brothers. He convinced them to take him out fishing, but caught his hook on the ocean floor. He told his brothers that he had caught a big fish and told them to paddle as hard as they could. His brothers paddled with all their might, and being intent with their effort, did not notice the island rising behind them. Māui repeated this trick several times, creating the Hawaiian Islands (Tregear 1891:236). Another tradition states that as Māui planted his hook at Hamakua to fish up the god of fish, Pimoe, Māui ordered his brethren not to look back, or the expedition would fail. Hina, in the shape of a baling-gourd, appeared at the surface of the water, and Māui unwittingly grasped the gourd and placed it in front of his seat. Suddenly, there appeared a beautiful woman whose beauty none could resist, and so the brothers looked behind them to watch the beautiful water-goddess. The line parted, Hina disappeared, and the effort to unite the chain of islands into one solid unit failed.


Restraining the Sun

Māui's next feat is to stop the sun from moving so fast. His mother Hina complains that her '' kapa'' (bark cloth) is unable to dry because the days are so short. Māui climbs to the mountain Hale-a-ka-lā (''house of the sun'') and lassoes the sun’s rays as the sun comes up, using a rope made from his sister's hair. The sun pleads for life and agrees that the days shall be long in summer and short in winter (Pukui, Elbert, & Mookini 1974:36).Westervelt (1910). Chapter IV: Maui Snaring the Sun. pp. 40–55. In another version, Hina sends him to a big '' wiliwili'' tree where he finds his old blind grandmother setting out bananas and steals them one by one until she recognises him and agrees to help him. He sits by the trunk of the tree to rope the sun (Beckwith 1970:230). The constellation ''Māui's fishhook'' (known in the West as Scorpio) is named after this.


Fisherman

Māui would go fishing in the broken coral reefs below Haleakala with his brothers. Māui was a poor fisherman; even though he had a magical hook that could catch anything, he did not use it for ordinary tasks. Māui's brothers would sometimes tease him for the small amount of fish that he would bring in, but Māui would get them back by playing tricks on them.Westervelt (1910). Chapter II: Maui the Fisherman. pp. 12–30.


Lifting the sky

One day, Māui realized that men were being constrained by the sky. The sky was too low and people were not able to stand upright. Māui felt terrible when he saw the people of Earth suffering from this and wanted to help. So Māui searched for his father in order to help him raise the sky so that the men would not suffer from the falling sky. Māui traveled to the town Lahaina in order to meet his father and push the sky up. Māui then lay parallel to the sky in order to brace himself and push the sky up with his great power. Māui then gave the signal to his father to start pushing the sky up as well, and the strength of father and son together was able to push the sky up high enough for the people of the earth to be able to continue doing daily tasks. Some say if Māui and his father, Ru, had not worked together, the sky would have fallen completely and made the earth uninhabitable for humans. Thus, they saved mankind.Westervelt (1910). Chapter III: Maui Lifting the Sky. pp. 31–39.


Defeating the Long Eel

After Māui had fished up the islands, he began to wonder what was actually on these islands. He then traveled to the different islands and realised that they were all inhabitable. There were kapa houses but with no one living inside of them. The Ahupua'a was completely deserted, with no one inhabiting it at all. Māui learned a lot of new lessons while visiting these new islands, so he decided to return home and live with respect to the fashion of the new houses he had seen on the islands. Māui then pursued Hina and made her his wife. She was living in a thatched house at the time, of which she took very good care. One day Hina went down to the river bank to fetch some water for Māui and herself. Hina encountered the Long Eel ''Tuna'' at the bank, and ''Tuna'' struck her and covered her with slime. Hina was able to escape back to the house but did not tell Māui what had just happened. But the next day it happened again and Hina told Māui. Māui then ventured to the banks to find and kill Tuna. Māui was very flustered and was going to punish the long eel, so then he laid out traps in order for the Eel to come out of hiding. When Tuna came out of hiding, Māui pulled out his stone axe and killed Tuna. The Long Eel had been causing trouble to a lot of the townsfolk, but thanks to Māui they were all safe now. Then Maui buried Tuna, causing a palm tree to grow and creating the first coconuts.


In popular culture

In the 2016 Disney computer-animated musical film '' Moana'', the demigod
Maui The island of Maui (; Hawaiian: ) is the second-largest of the islands of the state of Hawaii at 727.2 square miles (1,883 km2) and is the 17th largest island in the United States. Maui is the largest of Maui County's four islands, which ...
is voiced by Dwayne Johnson. Abandoned by his human parents as a baby, the gods took pity on him and made him a demigod and gave him a magic fish hook that gives him the ability to shapeshift. He went on to perform miracles to win back the love of humanity, each of which earned him an animated tattoo. He is fabled to have stolen the heart of Te Fiti, a powerful island goddess who creates life. The protagonist of the film, Moana, persuades him to help her return it. In his song "You're Welcome," composed by Lin-Manuel Miranda, Maui mentions and takes credit for several of the deeds he is credited with in folklore. In the song "Shiny" composed by Lin-Manuel Miranda and
Mark Mancina Mark Mancina is an American film composer. A veteran of Hans Zimmer's Media Ventures, Mancina has scored over sixty films and television series including ''Speed'', '' Bad Boys'', '' Twister'', ''Tarzan'', ''Training Day'', '' Brother Bear'', '' ...
, Tamatoa called Maui "Ya little semi-demi-mini-god". This version of Maui incorporates elements of the Māui from Māori mythology and other
Polynesian narrative The Polynesian narrative or Polynesian mythology encompasses the oral traditions of the people of Polynesia (a grouping of Central and South Pacific Ocean island archipelagos in the Polynesian Triangle) together with those of the scattered cul ...
s. Maui was also the subject of
Israel Kamakawiwo'ole Israel (; he, יִשְׂרָאֵל, ; ar, إِسْرَائِيل, ), officially the State of Israel ( he, מְדִינַת יִשְׂרָאֵל, label=none, translit=Medīnat Yīsrāʾēl; ), is a country in Western Asia. It is situated ...
's song "Maui Hawaiian Sup'pa Man" in his most well-known album,
Facing Future ''Facing Future'' is the second album by Native Hawaiians, Hawaiian singer Israel Kamakawiwoʻole, released in 1993. The best-selling album of all time by a Hawaiian artist, ''Facing Future'' combines traditional Hawaiian language, Hawaiian-lang ...
, which is the highest selling Hawaiian album of all time.


See also

* Maui (Mangarevan mythology) * Māui (Māori mythology) * Maui (Tahitian mythology) *
Maui (Tongan mythology) The island of Maui (; Hawaiian: ) is the second-largest of the islands of the state of Hawaii at 727.2 square miles (1,883 km2) and is the 17th largest island in the United States. Maui is the largest of Maui County's four islands, which ...
*
Tiʻitiʻi In Samoan legend, the mythological figure Tiitii Atalaga appears in legends very similar to those recounting the tales of the demigod Māui, found in other island cultures. In one such legend, which is almost identical to the New Zealand fire myth ...
* Ghosts in Polynesian culture *
Polynesian explorers of the Pacific Polynesian is the adjectival form of Polynesia. It may refer to: * Polynesians, an ethnic group * Polynesian culture, the culture of the indigenous peoples of Polynesia * Polynesian mythology, the oral traditions of the people of Polynesia * Polyn ...
, historically attested travellers *
Polynesian navigation Polynesian navigation or Polynesian wayfinding was used for thousands of years to enable long voyages across thousands of kilometers of the open Pacific Ocean. Polynesians made contact with nearly every island within the vast Polynesian Triangl ...


Notes


Bibliography

* *


References

* E.R. Tregear, ''Maori-Polynesian Comparative Dictionary'' (Lyon and Blair: Lambton Quay, 1891). * M. Beckwith, ''Hawaiian Mythology'' (University of Hawaii Press: Honolulu, 1970). * M.K. Pukui, S.H. Elbert, and E.T. Mookini, ''Place Names of Hawaii'' (University of Hawaii Press: Honolulu, 1974).


External links


Hawaiian legends of Maui


{{DEFAULTSORT:Maui (Hawaiian Mythology) Legendary Hawaiian people Ancient Hawaiian royalty Hawaii Mythological tricksters Heroes in mythology and legend