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A mechane (; el, μηχανή, ''mēkhanḗ'') or machine was a crane used in
Greek theatre Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was ...
, especially in the 5th and 4th centuries BC. Made of wooden beams and pulley systems, the device was used to lift an actor into the air, usually representing flight. This stage machine was particularly used to bring gods onto the stage from above,
Plato Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution ...
, '' Crat.'' 425d; '' Clit''. 407a
hence the Latin term ''
deus ex machina ''Deus ex machina'' ( , ; plural: ''dei ex machina''; English "god out of the machine") is a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and unlikely occurrence. Its function ...
'' ("god from the
machine A machine is a physical system using power to apply forces and control movement to perform an action. The term is commonly applied to artificial devices, such as those employing engines or motors, but also to natural biological macromolecule ...
").
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars at ...
' use of the mechane in ''
Medea In Greek mythology, Medea (; grc, Μήδεια, ''Mēdeia'', perhaps implying "planner / schemer") is the daughter of King Aeëtes of Colchis, a niece of Circe and the granddaughter of the sun god Helios. Medea figures in the myth of Jason an ...
'' (431 BC) is a notable use of the machine for a non-divine character. It was also often used by
Aeschylus Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Gree ...
. It was used to allow actors playing gods to fly through the air.


Use in ancient Rome

Stage machines were also used in
ancient Rome In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 ...
, e.g. during the sometimes highly dramatic performances at funerals. For
Julius Caesar Gaius Julius Caesar (; ; 12 July 100 BC – 15 March 44 BC), was a Roman general and statesman. A member of the First Triumvirate, Caesar led the Roman armies in the Gallic Wars before defeating his political rival Pompey in a civil war, an ...
's funeral service,
Appian Appian of Alexandria (; grc-gre, Ἀππιανὸς Ἀλεξανδρεύς ''Appianòs Alexandreús''; la, Appianus Alexandrinus; ) was a Greek historian with Roman citizenship who flourished during the reigns of Emperors of Rome Trajan, H ...
reports a mechane that was used to present a blood-stained wax
effigy An effigy is an often life-size sculptural representation of a specific person, or a prototypical figure. The term is mostly used for the makeshift dummies used for symbolic punishment in political protests and for the figures burned in certai ...
of the deceased
dictator A dictator is a political leader who possesses absolute power. A dictatorship is a state ruled by one dictator or by a small clique. The word originated as the title of a Roman dictator elected by the Roman Senate to rule the republic in times ...
to the funeral crowd. The mechane was used to turn the body in all directions.App. ''B.C.'' 2.147. ''τὸ μὲν γὰρ σῶμα, ὡς ὕπτιον ἐπὶ λέχους, οὐχ ἑωρᾶτο. τὸ δὲ ἀνδρείκελον ἐκ μηχανῆς ἐπεστρέφετο πάντῃ''.
Suetonius Gaius Suetonius Tranquillus (), commonly referred to as Suetonius ( ; c. AD 69 – after AD 122), was a Roman historian who wrote during the early Imperial era of the Roman Empire. His most important surviving work is a set of biographi ...
only reports a ''tropaeum'' to which the effigy (''simulacrum'') was affixed. (''Jul.'' 84)
Geoffrey Sumi proposes that the use of the mechane "hinted at Caesar's
divinity Divinity or the divine are things that are either related to, devoted to, or proceeding from a deity.divine< ...
."Geoffrey S. Sumi: ''Ceremony and Power — Performing Politics in Rome between Republic and Empire'' (Ann Arbor 2005. 107–109, chapter ''Caesar ex machina''). This is highly unlikely because Appian doesn't describe the mechane as a genuine ''deus-ex-machina'' device. Furthermore Caesar's
apotheosis Apotheosis (, ), also called divinization or deification (), is the glorification of a subject to divine levels and, commonly, the treatment of a human being, any other living thing, or an abstract idea in the likeness of a deity. The term h ...
wasn't legally conducted until 42 BC and Caesar had only been worshipped unofficially as '' divus'' during his lifetime. First and foremost,
Marcus Antonius Marcus Antonius (14 January 1 August 30 BC), commonly known in English as Mark Antony, was a Roman politician and general who played a critical role in the transformation of the Roman Republic from a constitutional republic into the auto ...
attempted to arouse the masses as a means to strengthen Caesar's esteem as well as his own political power.That Caesar's '' resurrectio'' as god happened later during the funeral as he was cremated, and that it spawned the early Caesarian cult by the Pseudo-Marius, can't explain Antonius' intentions for using a mechane during the funeral.


Religious significance

In
Christian liturgy Christian liturgy is a pattern for worship used (whether recommended or prescribed) by a Christian congregation or denomination on a regular basis. The term liturgy comes from Greek and means "public work". The majority of Christian denominati ...
the mechane has also been identified with the
cross A cross is a geometrical figure consisting of two intersecting lines or bars, usually perpendicular to each other. The lines usually run vertically and horizontally. A cross of oblique lines, in the shape of the Latin letter X, is termed a sa ...
. Ignatius calls the cross the "theatre mechane" of
Jesus Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious ...
Christ Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious ...
.Ignatius of Antioch: ''Letter to the Ephesians'' IX, I. ''ἀναφερόμενοι εἰς τὰ ὕψη διὰ τῆς μηχανῆς Ἰησοῦ Χριστοῦ, ὅς ἐστιν σταυρός''.


See also

* Divus Julius


Notes

Ancient Greek theatre Christian terminology {{stagecraft-stub