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Maya ceramics are ceramics produced in the
Pre-Columbian In the history of the Americas, the pre-Columbian era spans from the original settlement of North and South America in the Upper Paleolithic period through European colonization, which began with Christopher Columbus's voyage of 1492. Usually, ...
Maya Maya may refer to: Civilizations * Maya peoples, of southern Mexico and northern Central America ** Maya civilization, the historical civilization of the Maya peoples ** Maya language, the languages of the Maya peoples * Maya (Ethiopia), a popul ...
culture of
Mesoamerica Mesoamerica is a historical region and cultural area in southern North America and most of Central America. It extends from approximately central Mexico through Belize, Guatemala, El Salvador, Honduras, Nicaragua, and northern Costa Rica ...
. The vessels used different colors, sizes, and had varied purposes. Vessels for the elite could be painted with very detailed scenes, while utilitarian vessels were undecorated or much simpler. Elite pottery, usually in the form of straight-sided beakers called "vases", used for drinking, was placed in burials, giving a number of survivals in good condition. Individual examples include the Princeton Vase and the Fenton Vase. Used for a plethora of daily activities, such as the storage of food and beverages,
ceramics A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain ...
were also a canvas of commemoration. There were three main types of ceramics used in daily life: bowls, plates, and cylinders. They were often
monochrome A monochrome or monochromatic image, object or palette is composed of one color (or values of one color). Images using only shades of grey are called grayscale (typically digital) or black-and-white (typically analog). In physics, monochrom ...
, meaning that only one type of mineral slip was used. Polychrome pottery was more complex in nature and therefore more commonly used by the elite. Not only was polychrome pottery used as decoration, it was also used as a form of social currency—a physical display of status and others' approval. As time progressed, various features were added to ceramics to go beyond the fundamental needs of vessels; For example pellets were put in larger bowls to not only serve as something to hold food, but would also become instruments used in the same feasts. Archaeological evidence has been found that suggests ceramics were used for industrial purposes. The discovery of highly uniform ceramic cylinders along with tools used in the production of salt indicate that the ceramics were used to mass-produce salt from brine. Surveys of Maya ceramics a major part of the ongoing controversy over the degree of elite political control over aspects the subsistence economy, the extent of economic centralization, and how it reinforces power (a common debate in the archaeology of complex societies).


Typology

As defined and used by Southwestern archaeologists, a ware is "a large grouping of pottery types which has little temporal or spatial implication but consists of stylistically varied types that are similar technologically and in method of manufacture", and "a defined ware is a ceramic assemblage in which all attributes of paste composition (with the possible exception of temper) and of surface finish remain constant." Generally each pottery classification and terminology system then becomes rather specific to a particular archaeological site and/or period. A classification system can be epistemologically useful:
What does a ceramic system “mean”? Most obviously, it means that Postclassic Petén potters recognized and adhered to a decorative canon—a set of rules—for design structure, layout, and colors. Vessel forms and proportions varied from ware to ware and settlement to settlement, but the principles that structured what kinds of decoration were to be applied, and where and how, were strictly adhered to in at least three production resource-groups (minimally defined by paste compositions) throughout the lakes area (approximately seventy-five kilometers east–west) over three hundred years. In addition, we were eventually able to successfully predict the decorative types we would find (which would otherwise be a process of categorization) in each ceramic group.
A type-variety classification system's criticisms include that it leaves a lot of variability unaccounted for, it should be accompanied by modal analysis, and it has limited use with whole vessels.


Petén Lakes Postclassic system

"Postclassic slipped and decorated pottery at sites in the Petén Lakes region was manufactured of three distinctive paste wares. These indicate minimally three production nodes of Petén Postclassic pottery, at least one for each paste. ... These paste wares were used to manufacture the three most common red-slipped ceramic groups of the Postclassic.... tters across the Petén Lakes area had a fairly uniform and widely shared set of ideas about what constituted proper pottery decoration regardless of their different clay and temper resources." * ''Vitzil Orange-red Ware'': coarse red-orange carbonate; used to manufacture ''Augustine'' ware. * ''Snail-Inclusion Paste Ware'': silty gray-to-brown with snail inclusions; used to manufacture ''Paxcamán'' ware. * ''Clemencia Cream Paste Ware'': marly “white” or cream; used to manufacture ''Topoxté'' ware. "Whether painted or incised, decoration appeared in circumferential bands on the interior walls of tripod dishes (Rice 1983, 1985, 1989). The bands are defined above and below by multiple lines and divided into two or four panels by vertical lines or placement of simple motifs, which also may appear inside the panels (see Rice and Cecil 2009). This decorative coherence structures the classificatory coherence of types and varieties in the slipped ceramic groups across the three paste wares: monochrome, black-painted, red-painted, and incised."


Chocholá style

Northern Yucatán; as they did not come directly from digs they are often "labeled as 'unprovenanced' and hence 'unusable'. ... In 1973, the name Chocholá was first assigned to the waxy, chocolatey, bowls and cylinders, which due to their uniquely carved surfaces, stand out from the majority of ancient Maya ceramics. ... Coe named the style after a small village 30 kilometers southwest of Mérida, near the larger settlement of Maxcanu, from which he was told the ceramics originated" "On a significant number of Chocholá pots the decorative information is restricted to hieroglyphics, either the diagonal band described above, or a more elaborate combination of diagonal glyph bands, rim texts, or a single large Calendar Round date." The Primary Standard Sequences are text that occurs usually as a rim text on many ceramic vessels from all parts of the Maya Lowlands. The PSS is a glyphic formula that refers to the dedication of a vessel, its method of adornment, the class of vessel involved, its use and content (cacao drinks and maize gruels), and sometimes the owner or artisan.


Monte Albán typology

A ceramic classification by paste color and texture first defined in is commonly used: ''gris'' (gray, abbreviated "G"), ''crema'' (cream, abbreviated "C"), ''café'' (brown, abbreviated "K"), and ''amarillo'' (yellow or orange, abbreviated "A"). "Most ceramic types produced after the founding of Monte Albán are designated by an alphanumeric code indicating their ware and type number (e.g., G.12, C.11, K.17, A.9). In contrast, ceramic types dating to pre-Monte Albán phases generally have descriptive names (e.g., Socorro Fine Gray, Atoyac Yellow-White). Although Oaxaca archaeologists do not formally assign these types to the four ware categories defined by Caso et al. (1967), similar gray, brown, and buff/cream pastes were used by earlier (Middle Formative) potters, and several pre-Monte Albán types clearly were "ancestral" to particular types in the Monte Albán sequence (e.g., Drennan, 1976: 22; also Flannery and Marcus, 2005: 473; 2015: 115-116)."


Crema ware (cream)

Designs could be incised or carved post-firing. "In the Rosario phase and Early MA I, production loci generally produced both “costly” and utilitarian vessels. By Late MA I, the production of costly vessels was dominated by potters in the Cacaotepec-Atzompa locality northwest of Monte Albán, who specialized in the manufacture of elaborate cream ware (crema) vessels, while other communities produced primarily (though not exclusively) utilitarian vessels. We suspect that these patterns reflect the efforts of rulers at Monte Albán to control the production and distribution of elite pottery, particularly crema vessels." "Many other sites in which crema-ware ceramics were found were interpreted to have had close ties to
Monte Albán Monte Albán is a large pre-Columbian archaeological site in the Santa Cruz Xoxocotlán Municipality in the southern Mexico, Mexican state of Oaxaca (17.043° N, 96.767°W). The site is located on a low mountainous range rising above the plain i ...
, because these ceramics were only produced from clay sources located near the ancient city." The distribution of crema ware in combination with other archaeological evidence suggests "efforts by the leaders of Monte Albán to control, perhaps because of trade, the valleys lying between the Valley of Oaxaca and the coast."


Gris ware (gray)


Cafe ware (brown)


Amarillo ware (yellow or orange)


Slate ware

characterized by its waxy and lustrous surface finishing, Late Classic to Early Postciassic in northwestern Yucatan peninsula. one of the most sophisticated ceramic traditions of Northern Yucatán, and encompasses a multitude of elite wares.


Color types: red ware, orange ware, polychrome


Gralisa ware

"A distinctive incised and graphite-painted red ware pottery known only from Bajos de Chila and four other sites on Oaxaca’s central coast." Their great abundance and variety in Bajos de Chila and the Guatemala highlands have suggested a possible greater extent of Maya trade and influence, but Oaxaca coast excavations have been limited.


Chocolate pots

Spouted vessels of the Middle Preclassic (1000–400 B. C.) and Late Preclassic (400 B. C.-A. D. 250) Maya are traditionally called "chocolate pots", but lacked direct evidence that they had use in association with cacao until recently.


Unique styles

Stamped or mould-made pottery are generally rare among Maya ceramics.


Decoration

The utilitarians ware of the common people usually had simple decoration that reflected its use. Vessels in the palace were more elaborately decorated by carved forms or highly skilled polychrome paintings with hieroglyphs which named their function, the patron and rarely, the artist signature. For example, cylindrical bowls used for cacao drinks often had the plant species ''Q. guatemalteca'' depicted on them because that flower was used to enhance the flavor of the cacao drink. Designs often included rituals, supernatural figures or common day practices. Rulers were often depicted next to deities and shown to be equal, or nearly equal, in power and status as them. Other pots functioned more as storytelling devices, with glyphs from the
Maya script Maya script, also known as Maya glyphs, is historically the native writing system of the Maya civilization of Mesoamerica and is the only Mesoamerican writing system that has been substantially deciphered. The earliest inscriptions found which ...
that likely were guides for songs or other ritualistic texts. For many potters, decoration and imagery was more important than the structure of each vessel. Cylindrical vases and plates were popular because they maximized the surface area for storytelling through imagery on each piece. There was more evolution in pictorial representations than shapes. As the complexity of painting increased, vessel shapes remained fairly simple. Different regions in Mesoamerica also featured different color schemes regarding the area. In
Holmul Holmul is a pre-Columbian archaeological site of the Maya civilization located in the northeastern Petén Basin region in Guatemala near the modern-day border with Belize. Location In spite of its relatively modest size, Holmul was important t ...
the color scheme surrounded reds and oranges on a white background. Black backgrounds often indicate supernatural forces featured in the plate's scene or the depiction of the underworld because of the dark color used. Different regions also featured a variety of regional symbols depicted on pottery. In
Tikal Tikal () (''Tik’al'' in modern Mayan orthography) is the ruin of an ancient city, which was likely to have been called Yax Mutal, found in a rainforest in Guatemala. It is one of the largest archeological sites and urban centers of the pre-C ...
, the Tikal Dancer represents the young Maize God, often depicted with his arms outspread and one leg bent, and has been seen on eighty-two compiled plates. The Maize God was incredibly important to Maya culture because the god not only symbolized the Maya's main resource but rebirth as well. In the
Popol Vuh ''Popol Vuh'' (also ''Popol Wuj'' or ''Popul Vuh'' or ''Pop Vuj'') is a text recounting the mythology and history of the Kʼicheʼ people, one of the Maya peoples, who inhabit Guatemala and the Mexican states of Chiapas, Campeche, Yucatan and ...
, the Maize God is represented in a cyclical nature in order for the Maya to understand the human life cycle. By placing an important figure in Maya culture onto pieces of pottery, it provides a higher importance of the pottery itself and its purpose. The Holmul Dancer, although similar to the Tikal Dancer in positioning, features a male dancing with a small dwarf or hunchback figure off to one side and has been seen on forty-five compiled vessels. Although the decoration had a higher importance, structure was still taken in to account. Specific pieces often featured other characteristics such as rattle feet, hollow cylinders located on the bottom of the plate that hold a ball on the inside. The rattle feet were often used for ritual purposes in the form of music because when shaken, the plate rattles. Pieces created with a diameter over 0.3m were often used for ceremonial feasts and those with smaller diameters, often including jars, were used for storage.


Ceramics in society

Maya ceramics are made from two main types of materials that relate to their social structure,
limestone Limestone ( calcium carbonate ) is a type of carbonate sedimentary rock which is the main source of the material lime. It is composed mostly of the minerals calcite and aragonite, which are different crystal forms of . Limestone forms whe ...
and volcanic ash. Most of the land around the Mayans was limestone, which is where calcite comes from. These were mainly made as gifts and given to make local alliances, and these vessels are found in a more localized area. Whereas the ones made from volcanic ash are more widespread because they were thought to be given as gifts from the upper class to make very large alliances, through the Maya trade systems. Although the Maya are well known for creating a multitude of art, they are perhaps known for their pottery. they used these potteries also to perform The Mayas used to perform their sacrifice rituals with melodic tones because these rituals were a way of praying for rain, the blood dropped by the wars captive was a form of asking their gods for rain and agriculture, since these two components are connected, with rain the Mayas would have grown with their agriculture. Ceramics play a big role in society during the
Maya Classic Period Mesoamerican chronology divides the history of prehispanic Mesoamerica into several periods: the Paleo-Indian (first human habitation until 3500 BCE); the Archaic (before 2600 BCE), the Preclassic or Formative (2500 BCE –&nbs ...
, when the Maya elite used ceramics not only to give gifts to foreign dignitaries, but they were also used in feasts during the Classic Period. Specialized pottery was made for the graves of nobles. Not anyone could make this pottery as it was very important they knew about the Maya history, mythology, and more. On these ceramics, intricate scenes were depicted which showed the palace life of the elite. The decorative scenes needed to feature the elite because they were the primary customers and wanted to have artwork that featured themselves. On each ceramic piece near the rim, its contents would be listed out, a type of beverage for a vase or food for a plate, then who it belonged to was written next. The rim also may feature Saurian head labels which may indicate a specific location where the piece was made or where the scene on the piece took place. Since these ceramics were traded and gifted, many end up in differing environments. In Teotihuacan, many ceramics from Tikal have been found due to being traded between traveling merchants between different cities in Mesoamerica. Specialists mainly pay attention to the writing, drawings, and hieroglyphs, since they were different for the different people and cultures they were made by. As for the everyday use more simple ware was made, generally of only one color, and would be produced in large quantities for the general public use. Maya pottery only weakly correlates to socio-economic levels of Maya society because of the value the culture emphasized ceramics. Rituals were where the Maya registered status rather than in pottery.


Economics

There is evidence in Postclassic Oaxaca that there was significant local production and trade of ceramics independent of the markets at the region imperial capital of Tututepec.


Production techniques

The Maya had specific techniques to create, inscribe, paint, and design
pottery Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and ...
. To begin creating a ceramic vessel the Maya had to locate the proper resources for
clay Clay is a type of fine-grained natural soil material containing clay minerals (hydrous aluminium phyllosilicates, e.g. kaolin, Al2 Si2 O5( OH)4). Clays develop plasticity when wet, due to a molecular film of water surrounding the clay par ...
and
temper Temper, tempered or tempering may refer to: Heat treatment * Tempering (metallurgy), a heat treatment technique to increase the toughness of iron-based alloys ** Temper mill, a steel processing line * Tempering (spices), a cooking technique where ...
. The present-day
indigenous Indigenous may refer to: *Indigenous peoples *Indigenous (ecology), presence in a region as the result of only natural processes, with no human intervention *Indigenous (band), an American blues-rock band *Indigenous (horse), a Hong Kong racehorse ...
Maya, who currently live in Guatemala,
Belize Belize (; bzj, Bileez) is a Caribbean and Central American country on the northeastern coast of Central America. It is bordered by Mexico to the north, the Caribbean Sea to the east, and Guatemala to the west and south. It also shares a wate ...
and southern
Mexico Mexico (Spanish: México), officially the United Mexican States, is a country in the southern portion of North America. It is bordered to the north by the United States; to the south and west by the Pacific Ocean; to the southeast by Guatema ...
still create wonderful ceramics. Prudence M. Rice provides a look at what the current Guatemalan Maya use today for clay. Highland Guatemala has a rich geological history comprised mainly from a
volcanic A volcano is a rupture in the crust of a planetary-mass object, such as Earth, that allows hot lava, volcanic ash, and gases to escape from a magma chamber below the surface. On Earth, volcanoes are most often found where tectonic plates a ...
past. The
metamorphic Metamorphic rocks arise from the transformation of existing rock to new types of rock in a process called metamorphism. The original rock (protolith) is subjected to temperatures greater than and, often, elevated pressure of or more, causi ...
and
igneous Igneous rock (derived from the Latin word ''ignis'' meaning fire), or magmatic rock, is one of the three main rock types, the others being sedimentary and metamorphic. Igneous rock is formed through the cooling and solidification of magma or ...
rock, as well as the sand and ash from the pumice areas provide many types of tempering. In the area, there are a range of clays that create varied colors and strengths when fired. Today's Maya locate their clays in the exposed
river A river is a natural flowing watercourse, usually freshwater, flowing towards an ocean, sea, lake or another river. In some cases, a river flows into the ground and becomes dry at the end of its course without reaching another body of w ...
systems of the highland valleys. It is hypothesized that the ancient people obtained their clay by the same method as today's Maya. The clays are located in exposed river systems of the highland valleys. Most likely, due to the climatic similarities over the last millennia it is likely that these same deposits or similar ones could have been used in early times. Once the
clay Clay is a type of fine-grained natural soil material containing clay minerals (hydrous aluminium phyllosilicates, e.g. kaolin, Al2 Si2 O5( OH)4). Clays develop plasticity when wet, due to a molecular film of water surrounding the clay par ...
and temper were collected, pottery creation began. The maker would take the clay and mix it with the temper (the rock pieces, ash, or sand). Temper served as a strengthening device for the pottery. Once worked into a proper consistency, the shape of the piece was created. A
potter's wheel In pottery, a potter's wheel is a machine used in the shaping (known as throwing) of clay into round ceramic ware. The wheel may also be used during the process of trimming excess clay from leather-hard dried ware that is stiff but malleable, a ...
was not used in creating this pottery. Instead, they used coil and slab techniques. The coil method most likely involved the formation of clay into long coiled pieces that were wound into a vessel. The coils were then smoothed together to create walls. The slab method used square slabs of clay to create boxes or types of additions like feet or lids for vessels. Once the pot was formed into the shape, then it would have been set to dry until it was leather hard. Then, the pot was painted, inscribed, or slipped. The last step was the firing of the vessel. Kilns were used to fire the vessels, and they were normally found outside in the open air. Unlike many modern kilns, they were fired by wood, charcoal, or even grass. Like the
Ancient Greeks Ancient Greece ( el, Ἑλλάς, Hellás) was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity ( AD 600), that comprised a loose collection of cult ...
, the Maya created clay slips from a mixture of clays and
mineral In geology and mineralogy, a mineral or mineral species is, broadly speaking, a solid chemical compound with a fairly well-defined chemical composition and a specific crystal structure that occurs naturally in pure form.John P. Rafferty, ed. (2 ...
s. The clay slips were then used to decorate the pottery. By the fourth century, a broad range of colors including yellow, purple, red, and orange were being made. However, some Mayan painters refrained from using many colors and used only black, red, and occasionally cream. This series of ceramics is termed the " Codex-style", it being similar to the style of the Pre-Columbian
book A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physi ...
s. From the 5th century onwards, post-firing stucco was adopted from
Teotihuacan Teotihuacan (Spanish: ''Teotihuacán'') (; ) is an ancient Mesoamerican city located in a sub-valley of the Valley of Mexico, which is located in the State of Mexico, northeast of modern-day Mexico City. Teotihuacan is known today as t ...
. By preparing a thin quicklime, the Maya added mineral pigments that would dissolve and create rich blues and greens that added to their artistic culture. The original use of the
Maya Blue Maya blue ( es, azul maya) is a unique bright azure blue pigment manufactured by cultures of pre-Columbian Mesoamerica, such as the Mayans and Aztecs. Manufacture The Maya blue pigment is a composite of organic and inorganic constituents, prima ...
that is so well known was for ritualistic purposes in pre-columbian times by combining
indigo Indigo is a deep color close to the color wheel blue (a primary color in the RGB color space), as well as to some variants of ultramarine, based on the ancient dye of the same name. The word "indigo" comes from the Latin word ''indicum'', m ...
,
copal Copal is tree resin, particularly the aromatic resins from the copal tree ''Protium copal'' (Burseraceae) used by the cultures of pre-Columbian Mesoamerica as ceremonially burned incense and for other purposes. More generally, copal includes re ...
, and
palygorskite Palygorskite or attapulgite is a magnesium aluminium phyllosilicate with the chemical formula ) that occurs in a type of clay soil common to the Southeastern United States. It is one of the types of fuller's earth. Some smaller deposits of thi ...
to burn as incense which left a blue hue used for many other types of art later on in Maya history. Many times this post-fire stucco technique was mixed with painting and incising. Incising is carving deeply or lightly into partially dried clay to create fine detailed designs. This technique was mostly popular during the Early Classic Period.


Development chronology

The Maya were a diverse people whose culture has developed through the centuries. As they developed, so did their pottery. Archaeologists have found stages of commonality between types of ceramics, and these phases coincide with the Mayan timeline. Middle Preclassic (900/800-250 BC) Late Preclassic (250 BC- AD 250) Early Mayan ceramics stemmed from a past that began even years before the Maya became a group. Originally, the early Maya used
gourd Gourds include the fruits of some flowering plant species in the family Cucurbitaceae, particularly ''Cucurbita'' and '' Lagenaria''. The term refers to a number of species and subspecies, many with hard shells, and some without. One of the ear ...
s cut into useful shapes to create vessels to carry liquids and foodstuffs. These portable and durable gourds made excellent containers. The first ceramics closely resembled gourds and many were decorated with rocker stamps and simple slips. During the Late Preclassic period, many of the ceramics took on appendages of tetrapod mammiform supports. These supports were four legs underneath the pot holding it up. Tetrapods are relatively rare in the Maya Lowlands- even in the Peten where they were first described. Characteristic cream-on-red stripes colored these unique vessels. The pottery of the Maya Early Classic dated from AD 250 to 550. The Maya soon began using polychrome slip paint, meaning they used many different colors to decorate the pots. This method of decoration became almost homogeneous for Mayan potters, thus signaling the beginning of the Classic Period. Across the Classic period, Maya pottery has little comparisons between its assemblages. Polychrome pottery was a luxury item not commonly available to the general population. Most Early Classic Ceramics were monochrome types. Figural Polychromes were an elite prerogative, probably produced by and for other elites. The Classic Period of the Maya provided beautiful ceramics in many forms. The lidded basal flange bowl was a new style of potter to add to the already growing repertoire. This type vessel usually had a knob on top in the form of an animal or human head, while the painted body of the animal or human spreads across the pot. Many of these pots also had mammiform supports, or legs. These unique vessels are usually found in great condition signaling a ritual function. The reason many are in good condition is their frequent use as burial goods. As such, they are often the target of looters who cut deep trenches through many Maya buildings in search of a marketable vessel.


Sample timelines

There is no 'standard' timetable for Maya ceramics. There is significant variability in timing and content between sites. The first table below lists the ceramic complexes for
Uaxactun Uaxactun (pronounced ) is an ancient sacred place of the Maya civilization, located in the Petén Basin region of the Maya lowlands, in the present-day department of Petén, Guatemala. The site lies some north of the major center of Tikal. T ...
(1955, modified, 2000), and may not apply to any other site. Version of a Maya ceramic timetable, adapted from a tourist booklet for Chichen Itza, 1984, based on Valliant's work from 1927, and modified from Smith's 1955 work at Uaxactun. It is a mix of phases, types, and technology, and therefore of no indicative value.


Notes


References

:* :* :* :* :* :* :* :* :* Zidar, C. & Elisens, "Sacred Giants: Depiction of Bombacoideae on Maya Ceramics in Mexico, Guatemala, and Belize", W. Econ Bot (2009) 63: 119.


External links

{{DEFAULTSORT:Maya Ceramics
Ceramics A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain ...
Pre-Columbian art Pre-Columbian pottery Ceramic art Maya science and technology Mesoamerican artifacts