Maine accent

The Maine accent is the local traditional accent of Eastern New England English spoken in parts of Maine, especially along the " Down East" and "Mid Coast" seaside regions. It is characterized by a variety of features, particularly among older speakers, including ''r''-dropping (non-rhoticity), resistance to the horse–hoarse merger, a deletion or "breaking" of certain syllables, and some unique vocabulary. The traditional Maine accent is rapidly declining; a 2013 study of Portland speakers found the older horse–hoarse merger to be currently embraced by all ages; however, it also found the newer cot–caught merger to be resisted, despite the latter being typical among other Eastern New England speakers, even well-reported in the 1990s in Portland itself. The merger is also widely reported elsewhere in Maine as of 2018, particularly outside the urban areas. In the northern region of Maine along the Quebec and the New-Brunswick border, Franco-Americans may show French-language influences in their English.

Phonology

Maine English often features phonetic change or phonological change of certain characteristics. One such characteristic is that, like in all traditional Eastern New England English, Maine English pronounces the "r" sound only when it comes before a vowel, but not before a consonant or in any final position. For example, "car" may sound to listeners like "cah" and "Mainer" like "Mainah."

Also, as in much New England English, the final "-ing" ending in multi-syllable words sounds more like "-in," for example, in ''stopping'' and ''starting'' .

The Maine accent follows the pronunciation of Eastern New England English, like the Boston accent, but with the following additional features:
* The tense vowels tend to be somewhat longer than the lax ones, but they differ more in quality than length. and can be diphthongized to . Neither length nor the diphthongal varieties of and are taken into account in transcriptions found in this article (save for one transcription of ''forward'' below).
* may be a pure vowel without r-coloring, much like in British Received Pronunciation: . This makes vowel length marginally phonemic in unstressed (but not stressed) syllables, as in the near-minimal pair ''foreword'' vs. ''forward'' . (In rhotic American English, the unstressed syllables in these two words are not distinguished.) As in RP, the symbols and denote a difference between stressable (long) and unstressable (short) schwas (according to the old IPA value of as a 'variety of '), ''not'' a consistent difference in quality.
* , and are not separate phonemes but rather disyllabic sequences, same as , , + : ''here'' , ''there'' and ''more'' , in all cases with a possible glide after the stressed vowel: .
* , and are merged to (phonetically a centering diphthong ), so that ''horse'' is pronounced , rhyming with ''loss'' .
* Many speakers also produce a dipping tone when they pronounce the extended word; they lower their tone for the first syllable and raise it for the second syllable. The phrase "You can't get there from here," coined in an episode of the mid-1900s humor stories collection Bert & I, is a quintessential example of the principle of syllable extension.

Lexicon

The traditional Maine dialect has a fairly rich vocabulary. Some of this vocabulary is shared with other New England dialects, however much of it is specific to Maine. This vocabulary includes, but is not limited to, the following terms:

*''apiece'' — an undetermined distance (as in "He lives down the road apiece")
*''ayuh'' — yes; okay; sure; that's right
*''beater'' — a (beaten up) motor vehicle with value so diminished by extensive road salt corrosion there is little concern about additional collision damage from driving on icy roads
*''blueback trout'' — arctic char (''Salvelinus alpinus'')
*''bug'' — lobster
*''Kout!'' — a warning to be alert (Look out!)
*''chupta?'' — What are you doing? (What are you up to?)
*''corner'' — the neighborhood surrounding an intersection of rural roads (usually prefixed by the surname of an early resident of that intersection, as in "Woodfords Corner")
*''culch'' — trash or rubbish
*''cunning'' — cute (as in "She's a cunnin' one, she is")
*''cutter'' — an active child or younger person (from comparison to the harbor behavior of small, maneuverable cutters among larger ships)
*''dinner pail'' — lunch box
*''dite'' — a tiny amount (as in "Just a dite")
*''divan'' as a generic term for ''couch'' (as opposed to the more specific, non-dialectal meaning). Derived from French.
*''door yard'' () — the yard or occupant's space outside a dwelling's exterior door—sometimes decorated with ornamental plants, and often used for temporary storage of tools, toys, sleds, carts, or bicycles
*''Down East'' — loosely refers to the coastal regions of Hancock and Washington counties; because boats traveled ''down''wind from Boston to Maine, as well as east as they travelled farther north up the coast of Maine (as in "I'm headin' Down East this weekend") - also used in Canadian English, possibly as the aforementioned Maine counties are close to parts of Atlantic Canada.
*''dressing'' — application of manure to a garden
*''dry-ki'' — an accumulation of floating dead wood on the downwind shore of a lake
*''fart'' (''old faht'') — an inflexibly meticulous individual
*''flatlander'' — visitor from elsewhere, often from Massachusetts due to its flat topography
*''gawmy'' — clumsy and awkward
*''honkin'' — extraordinarily large
*''hot top'' — asphaltic pavement
*''Italian sandwich'' or ''Italian'' — submarine sandwich
*''jimmies'' — colored sugar dessert sprinkles
*''johnny'' — hospital gown
*''kife'' — to steal (usually a small, useful item of low cost)
*''lawn sale'' — yard sale
*''nippy'' — cold enough to stiffen one's nipples
*''notional'' — stubborn
*''numb'' — dumb; stupid (as in "Numb son you got there")
*''pahtridge'' — ruffed grouse (''Bonasa umbellus'') (from partridge)
*''pekid'' — feeling unwell
*''pot'' — lobster trap
*''prayer handle'' — knee
*''quahog'' — thick-shelled clam (''Mercenaria mercenaria'')

*''scrid'' — a tiny piece; a little bit
*''right out straight'' — too busy to take a break
*''spleeny'' — overly sensitive
*''squaretail'' () — brook trout (''Salvelinus fontinalis'')
*''steamers'' — soft-shell clams (''Mya arenaria'')
*''stove in/stove up'' — nautical term meaning bash in (as in "Stoved all ta hell")
*''togue'' — lake trout (''Salvelinus namaycush'')

In popular culture

* John Neal (1793–1876) was one of the first authors to feature regional American accents and colloquialisms in his writing, some of which is considered primary source material for studies on the Maine accent. His 1835 play, ''Our Ephraim, or The New Englanders, A What-d'ye-call-it?–in three Acts'', is considered his most significant work in this regard.
*Maine humorist Marshall Dodge (1935–1982) based much of his humor from the Maine dialect, beginning first with his involvement with the series ''Bert & I'', a " Down East" collection of humor stories created during the 1950s and 1960s.
*Well-known author, musician, and former television broadcaster Tim Sample is known nationally for his use of Maine vernacular.
*Jud Crandall, main character in Stephen King's 1983 novel ''Pet Sematary'', is written to have a thick Down East accent, his pronunciations often spelled phonetically throughout the novel.

References

External links

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{{English dialects by continent

Maine culture
American English