''Musings of a Creek Dipper'' is an album by the American musician Victoria Williams, released in 1998. The album cover artwork is a photograph of Williams in an Oxnard, California, creek. Williams supported the album with a short tour, which included playing the Calgary Folk Music Festival.

Production

''Musings of a Creek Dipper'' was produced by Williams and

Trina Shoemaker Kathryn "Trina" Shoemaker is an American mixer, record producer and sound engineer responsible for producing/engineering and/or mixing records for bands such as Queens of the Stone Age, Sheryl Crow, Emmylou Harris, Something for Kate, Nanci Griff ...

. Joey Burns and John Convertino played on the album, as did Greg Leisz. Williams employed more horns and strings than on previous albums. She experienced occasional flareups of her

multiple sclerosis Multiple (cerebral) sclerosis (MS), also known as encephalomyelitis disseminata or disseminated sclerosis, is the most common demyelinating disease, in which the insulating covers of nerve cells in the brain and spinal cord are damaged. This d ...

during the recording sessions. Many of the album's songs were inspired by living near Joshua Tree, California. Williams's husband, Mark Olson, cowrote some of the songs and also played on the album. Wendy & Lisa provided much of the musical instrumentation to "Train Song (Demise of the Caboose)". The vocals on "Kashmir's Corn" were recorded with Williams's head positioned in the bell of a sousaphone. "Humming Bird" first appeared on ''

The Original Harmony Ridge Creek Dippers ''The Original Harmony Ridge Creek Dippers'' is the first album by the Original Harmony Ridge Creekdippers, released in 1997. For his first post- Jayhawks recording, Mark Olson returned to his folk and country roots and with the help of his wife ...

''. Julie Miller sang on "Rainmaker". " Nature Boy" is a cover of the Nat King Cole song.

Critical reception

Robert Christgau Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and ...

wrote that "there's eccentric and then there's loopy, and this fragile, well-named follow-up is loopy." '' Trouser Press'' thought that "the album's relaxed pace rests the singer comfortably in her own jazz-folk niche, and she has never sounded more at home." '' The Boston Globe'' stated: "High and quavery as a child at points, her Melanie-like voice makes even her most sophisticated songs sound as simple as a sing-along." The '' Chicago Tribune'' opined that "too often Williams sounds like Olive Oyl at a twee party." '' Entertainment Weekly'' determined that "what's truly remarkable about these songs is how they manage to radiate a sense of wonder without sounding cloyingly precious." ''

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'' concluded that Williams "is unapologetic about her lazy pace and sappy disposition, spinning take-it-or-leave-it tales of cozy cabins and pretty clouds." '' The Hamilton Spectator'' noted that "by providing an atmosphere conducive to Williams' charms, Shoemaker ... has produced a bewitching, gratifying record that finally capitalizes on the singer's unique gifts." AllMusic wrote that Williams "expands her musical skills on ''Musings of a Creekdipper'', finding an original, eclectically rural sound that enhances the off-center originality of her songs."

Track listing

References

{{reflist 1998 albums Atlantic Records albums