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Music Law refers to legal aspects of the music industry, and certain legal aspects in other sectors of the entertainment industry. The music industry includes
record label A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the produ ...
s, music publishers, merchandisers, the live events sector and of course performers and artists. The terms "music law" and "entertainment law", along with "business affairs", are used by the music and entertainment industry and should not be thought of as academic definitions. Indeed, music law covers a range of traditional legal subjects including
intellectual property Intellectual property (IP) is a category of property that includes intangible creations of the human intellect. There are many types of intellectual property, and some countries recognize more than others. The best-known types are patents, cop ...
law (
copyright A copyright is a type of intellectual property that gives its owner the exclusive right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, education ...
law,
trademark A trademark (also written trade mark or trade-mark) is a type of intellectual property consisting of a recognizable sign, design, or expression that identifies products or services from a particular source and distinguishes them from others ...
s, image publicity rights, design rights),
competition law Competition law is the field of law that promotes or seeks to maintain market competition by regulating anti-competitive conduct by companies. Competition law is implemented through public and private enforcement. It is also known as antitrust l ...
,
bankruptcy law Bankruptcy is a legal process through which people or other entities who cannot repay debts to creditors may seek relief from some or all of their debts. In most jurisdictions, bankruptcy is imposed by a court order, often initiated by the deb ...
,
contract law A contract is a legally enforceable agreement between two or more parties that creates, defines, and governs mutual rights and obligations between them. A contract typically involves the transfer of goods, services, money, or a promise to tran ...
,
defamation Defamation is the act of communicating to a third party false statements about a person, place or thing that results in damage to its reputation. It can be spoken (slander) or written (libel). It constitutes a tort or a crime. The legal defini ...
and, for the live events industry,
immigration law Immigration law refers to the national statutes, regulations Regulation is the management of complex systems according to a set of rules and trends. In systems theory, these types of rules exist in various fields of biology and society, but the ...
,
health and safety law Occupational safety and health (OSH), also commonly referred to as occupational health and safety (OHS), occupational health, or occupational safety, is a multidisciplinary field concerned with the safety, health, and welfare of people at wor ...
, and licensing.


Definitions

*A "compilation" refers to work formed from already existing materials in a way that forms its own original work, including collective works. *"Copies" are physical objects that hold, fix, or embody a work such as a music tape, film, CD, statue, play, or printed sheet music. *"Sound recordings" can refer to any audio recording including the sound accompanying motion pictures. *"Copyright owner" is the entity that legally owns rights to a work. *"Performance" The copyright holder has the exclusive right to perform the work in public, or to license others to perform it. The right applies to “literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works.".17 U.S.C. § 106(4) Playing a CD in public, or showing a film in public is "performing" the work.


Copyright


Publishing

Publishing is the primary source of income for musicians writing their own music. Money collected from the 'publishing' rights is ultimately destined for songwriters - the composers of works, whether or not they are the recording artist or performer. Often,
songwriter A songwriter is a musician who professionally composes musical compositions or writes lyrics for songs, or both. The writer of the music for a song can be called a composer, although this term tends to be used mainly in the classical music gen ...
s will work for a musical ensemble to help them with musical aspects of the composition, but here again, the writer of the song is the owner of it and will own the copyrights in the song and thus will be entitled to the publishing revenues. Copyrights in compositions are not the same as
sound recording Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording te ...
s. A recording artist can record a song and sell it to another band or company. As a result, that particular company will own the recording, but not the song. The original writer will always maintain the copyright for that particular song. The publishing money is connected to the copyright, so the owner will be the only one making money off of the song itself. All successful songwriters will join a collection society (such as ASCAP and BMI in the USA, SOCAN in Canada, JASRAC in Japan, GEMA in Germany and PRS for Music in the UK, etc.) and many will enter into agreements with music publishing companies who will exploit their works on the songwriters behalf for a share of ownership, although many of these deals involve the transfer (assignment) of copyright from the songwriter to the music publisher, Both the recorded music sector and music publishing sector have their foundations in
intellectual property Intellectual property (IP) is a category of property that includes intangible creations of the human intellect. There are many types of intellectual property, and some countries recognize more than others. The best-known types are patents, cop ...
law and all of the major recording labels and major music publishers and many independent record labels and publishers have dedicated "business and legal affairs" departments with in-house lawyers whose role is not only to secure intellectual property rights from recording artists, performers and songwriters but also to exploit those rights and protect those rights on a global basis. There are a number of specialist independent law firms around the world who advise on music and entertainment law whose clients include recording artists, performers, producers, songwriters, labels, music publishers, stage and set designers, choreographers, graphic artists, games designers, merchandisers, broadcasters, artist managers, distributors, collection societies and the live events sector (which further includes festivals, venues, promoters, booking agents and production service providers such as lighting and staging companies).


Performance Licensing


Business

The US Government views artists that give concerts and sell merchandise as a business. Bands that tour internationally will also face a plethora of legislation around the world including health and safety laws, immigration laws and tax legislation. Also, many relationships are governed by often complex contractual agreements. In the US it is important for musicians to get legal business licenses. These can be obtained at a city hall or local government center. The business license will require the tracking of sales, wages, and gigs. A tax ID is also necessary for all businesses. Musicians that fail to comply with the tax ID process and do not report their profits and losses to the government can face serious consequences with the IRS.


References


Further reading

* Hill, Iain; Kemp, Chris (Eds). ''Health & Safety Aspects in the Live Music Industry'', Cambridge: Entertainment Technology Press. * Schulenberg, Richard. ''Legal Aspects of the Music Industry'', New York: Billboard Books (Watson-Guptill publications). * Kanaar, Nicholas; Phillips, Chris. ''Music Business Agreements'' London: Sweet & Maxwell, 3rd Edition. * Rosen, Ronald S. ''Music and Copyright'', Oxford: Oxford University Press. * Harrison, Ann. ''Music The Business'' London: Virgin Books, 3rd Edition. * Lindenbaum, John. "Music Sampling and Copyright Law." Princeton University Center for the Arts and Cultural Studies, April 1999
online
* Standler, Ronald B. "Music Copyright Law in the USA." 2008-2009
online
* Richard, Phillip, "Lawyers in the Music Industry", No Bullshit Management, Nov. 2012
online
* Music: Copyright Law. Educational CyberPlayGround, Inc. 1997

* Frith, Simon; Lee Marshall (Eds). ''Music and Copyright'', Edinburgh: Edinburgh University Press, 2nd Edition.


External links


Music Law Updates

International Association of Entertainment Lawyers

Independent Federation of Phonographic Industries
{{law Intellectual property law
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