Mukhariq
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Abu’l-Muhannāʾ Mukhāriq ibn Yaḥyā ibn Nāwūs () (), was one of the most distinguished singers of the
Abbasid period The Abbasid Caliphate ( or ; ar, الْخِلَافَةُ الْعَبَّاسِيَّة, ') was the third caliphate to succeed the Islamic prophet Muhammad. It was founded by a dynasty descended from Muhammad's uncle, Abbas ibn Abdul-Muttalib ...
, and a protege of the
Barmakids The Barmakids ( fa, برمکیان ''Barmakiyân''; ar, البرامكة ''al-Barāmikah''Harold Bailey, 1943. "Iranica" BSOAS 11: p. 2. India - Department of Archaeology, and V. S. Mirashi (ed.), ''Inscriptions of the Kalachuri-Chedi Era'' vol ...
and the caliphs from Harun al-Rashid to al-Wathiq.


Life

He was born in Madma (although some sources claim Kufa), and was the son of a butcher. He was a slave of the famous singer
Atika bint Shuhda Atika bint Shuhda () was an 8th-century Arabian Qiyan musician, composer, singer and poet.Hilary Kilpatrick: Making the Great Book of Songs: Compilation and the Author's Craft in Abū L' She was born in Medina, but settled in Basra. She was the ...
, who at an early age first noticed his talent and trained him. She then sold him to the great court musician
Ibrahim al-Mawsili Abū Isḥāq Ibrāhīm al-Mawṣilī (; 742–804) was an Arab musician of Persian origin who was among the greatest composers of the early Abbasid period. After Arab and Persian musical training in Ray, Iran, Ray, he was called to the Abbasid ...
, who appreciated his talent, completed Mukhariq's education and considered him as his successor. Mukhariq entered the court circles after Ibrahim sent him to entertain the powerful
Barmakids The Barmakids ( fa, برمکیان ''Barmakiyân''; ar, البرامكة ''al-Barāmikah''Harold Bailey, 1943. "Iranica" BSOAS 11: p. 2. India - Department of Archaeology, and V. S. Mirashi (ed.), ''Inscriptions of the Kalachuri-Chedi Era'' vol ...
with some of Ibrahim's newest compositions. The Barmakids were so enthusiastic about his performance, that Ibrahim made a gift of him to
al-Fadl ibn Yahya al-Barmaki Al-Fadl ibn Yahya al-Barmaki () (February 766 – October/November 808Zetterstéen (1987), p. 37) was a member of the distinguished Barmakid family, attaining high offices in the Abbasid Caliphate under Harun al-Rashid (r. 786–809). Fadl was th ...
, who then gifted him to the Caliph Harun al-Rashid (r. 786–809). The Caliph was also impressed by Mukhariq, granting him his freedom and showing him his favour by gifts and tokens of esteem, such as allowing him to sit on the same seat as he, or disposing of the curtain that usually separated the court musicians from the caliphal presence. Mukhariq continued to enjoy caliphal favour by Harun's heirs until his death in 844/5. Following the death of his erstwhile master Ibrahim al-Mawsili, and Ibn Jami, by the time of
al-Ma'mun Abu al-Abbas Abdallah ibn Harun al-Rashid ( ar, أبو العباس عبد الله بن هارون الرشيد, Abū al-ʿAbbās ʿAbd Allāh ibn Hārūn ar-Rashīd; 14 September 786 – 9 August 833), better known by his regnal name Al-Ma'mu ...
(r. 813–833) Mukhariq was easily the most pre-eminent singer of his day, rivalling as a musician the Abbasid prince Ibrahim ibn al-Mahdi, Ishaq al-Mawsili (son of Ibrahim), and
Alluya Allawayh al-Asar () (or Alluya; flourished ) was a singer of Sogdian origin at the Abbasid court of Harun al-Rashid and his successors. His grandfather, a captive from Sogdia, was a "freedman" (''mawla'') in Umayyad times. Allawayh al-Asar was a st ...
. Mukhariq ascribed to a school, begun by Ibrahim ibn al-Mahdi and much in vogue at the time, whereby he altered the notes or the rhythm of a song at every performance. This reportedly disappointed Caliph al-Wathiq (r. 842–847), who was himself a composer, when he was asked to perform one of the Caliph's compositions. Later authors in the '' Kitab al-Aghani'' and the '' Iqd al-farid'' rejected this school, and considered it to have caused the loss of traditional Arabic music. Despite such criticism, Mukhariq enjoyed a firm reputation as one of the best singers of his time, with the quality of his voice being known to captivate audiences. According to the 15th-century historian Ibn al-Taghribirdi, for instance, while Ibrahim and Ishaq al-Mawsili "sang well to the accompaniment of the
lute A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can ref ...
, in pure vocal work Mukhariq outshone them both". Such was his eminence that the 10th-century scholar al-Farabi only mentions two musicians of the entire Abbasid period, Muhkariq and Ishaq al-Mawsili. Mukhariq himself had several pupils, the best known being Ahmad ibn Abdallah Abi'l-Ala, and Hamdun ibn Isma'il ibn Dawud al-Katib, the patriarch of a family of musicians.


References


Sources

* {{Medieval Perso-Arab music 8th-century births 844 deaths 9th-century people from the Abbasid Caliphate Courtiers of the Abbasid Caliphate Musicians from the Abbasid Caliphate Medieval singers Arabian freedmen Arabian slaves and freedmen Slaves from the Abbasid Caliphate Medieval Arabic singers