Moondog Wenzel

Louis Thomas Hardin (May 26, 1916 – September 8, 1999), known professionally as Moondog, was an American composer, musician, performer, music theoretician, poet and inventor of musical instruments. Largely self-taught as a composer, his prolific work widely drew inspiration from jazz, 20th-century classical music, classical, Native American music which he had become familiar with as a child, and Latin American music in the United States, Latin American music. His strongly rhythmic, contrapuntal pieces and arrangements later influenced composers of minimal music, in particular American composers Steve Reich and Philip Glass.

Due to an accident, Moondog was blind from the age of 16. He lived in New York City from the late 1940s until 1972, during which time he was often found on Sixth Avenue, between 52nd and 55th Streets, busking, selling records and performing poetry. Regularly appearing in a cloak and a horned helmet, he was recognized as "the Viking of Sixth Avenue" by thousands of passersby and residents who were not aware of his musical career.

Biography and career

Early life

Hardin was born in Marysville, Kansas, to Louis Thomas Hardin, an Episcopal Church (United States), Episcopalian minister, and Norma Alves. Hardin started playing a set of drums that he made from a cardboard box at the age of five. His family relocated to Wyoming, where his father opened a trading post at Fort Bridger. At one point, his father took him to an Arapaho Sun Dance where he sat on the lap of Chief Yellow Calf and played a Tom-tom drum, tom-tom made from Bison hunting, buffalo skin. He also played drums for the high school band in Hurley, Missouri.

On July 4, 1932, the 16-year-old Hardin found an object in a field which he did not realise was a detonator, dynamite cap. While he was handling it, the explosive detonated in his face and permanently blinded him. His older sister, Ruth, would read to him daily after the accident for many years. Here he had his first encounters with philosophy, science and myth that formed his character. One book in particular, ''The First Violin'', inspired him to pursue music. Up to that point he had been interested mainly in Percussion instrument, percussion instruments, but from then on, he became obsessed with the desire to become a composer.

After learning the principles of music in several schools for blind young men across middle America, he taught himself the skills of ear training and composition. He studied with Burnet Tuthill at the Iowa School for the Blind.

He then moved to Batesville, Arkansas, where he lived until 1942, when he obtained a scholarship to study in Memphis, Tennessee. Although he was largely self-taught in music, learning predominantly by ear, he learned some music theory from books in braille during his time in Memphis.

In 1943, Hardin moved to New York, where he met classical musicians including Leonard Bernstein and Arturo Toscanini, as well as jazz performers such as Charlie Parker and Benny Goodman, whose upbeat tempos and often humorous compositions would influence Hardin's later work. One of his early street posts was near the 52nd Street (Manhattan), 52nd Street nightclub strip, and he was known to jazz musicians. By 1947, Hardin had adopted the name "Moondog" in honor of a dog "who used to howl at the moon more than any dog I knew of."

New York City

From the late 1940s until 1972, Moondog lived as a busking, street musician and poet in New York City, playing in midtown Manhattan, eventually settling on the corner of 53rd or 54th Street and Sixth Avenue in Manhattan. He was rarely if ever homeless, and maintained an apartment in upper Manhattan and had a country retreat in Candor, New York, to which he moved full-time in 1972.Scotto, Robert. ''Moondog, The Viking of 6th Avenue: The Authorized Biography''. Process Music edition (22 November 2007) He partially supported himself by selling copies of his poetry and his musical philosophy. In addition to his music and poetry, he was also known for the distinctive fanciful "Viking" cloak that he wore. Already bearded and long-haired, he added a Viking-style horned helmet to avoid the occasional comparisons of his appearance with that of Christ or a monk, as he had rejected Christianity in his late teens. He developed a lifelong interest in Norse mythology, Nordic mythology, and maintained an altar to Thor in his country home in Candor.

In 1949, he traveled to a Blackfoot Sun Dance in Idaho where he performed on percussion and flute, returning to the Native American music he first came in contact with as a child. It was this Native music, along with contemporary jazz and classical, mixed with the Ambient noise level, ambient sounds from his environment (city traffic, Wind wave, ocean waves, babies crying, etc.) that created the foundation of Moondog's music.

In 1954, he won a case in the New York State Supreme Court against disc jockey Alan Freed, who had branded his radio show, "The Moondog Rock and Roll Matinee", around the name "Moondog", using "Moondog's Symphony" (the first record that Moondog ever cut) as his "calling card". Moondog believed he would not have won the case had it not been for the help of musicians such as Benny Goodman and Arturo Toscanini, who testified that he was a serious composer. Freed had to apologize and stop using the nickname "Moondog" on air, on the basis that Hardin was known by the name long before Freed began using it.

Germany

Along with his passion for Germanic peoples, Nordic culture, Moondog had an idealised view of Germany ("The Holy Land with the Holy River" — the Rhine), where he settled in 1974.

Moondog revisited the United States briefly in 1989, for a tribute at the New Music America Festival in Brooklyn, in which festival director Yale Evelev asked him to conduct the Brooklyn Philharmonic Chamber Orchestra, stimulating a renewed interest in his music.

Eventually, a young German student named Ilona Goebel (later known as Ilona Sommer) helped Moondog set up the primary holding company for his artistic endeavors and hosted him, first in Oer-Erkenschwick, and later on in Münster in Westphalia. Moondog lived with Sommer's family and they spent time together in Münster. During that period, Moondog created hundreds of compositions which were transferred from Braille to sheet music by Sommer. Moondog spent the remainder of his life in Germany.

On 8 September 1999, he died in Münster from heart failure. He is buried at the Central Cemetery Münster. His tomb was designed by the artist Ernst Fuchs (artist), Ernst Fuchs after the death mask.

He recorded many albums, and toured both in the U.S. and in Europe—France, Germany and Sweden.

Music

In the process of establishing himself as a composer, Moondog drew inspiration from a wide variety of styles of music. His first works were immediately inspired by the music of pow wow gatherings that he had attended as a child; as his career progressed, his music encompassed influences from bebop, Swing music, swing, Cuban rumba, rumba, Modernism (music), modernism and Renaissance music. It was characterized by what he called "snaketime" and described as "a slithery rhythm, in times that are not ordinary [...] I'm not gonna die in 4/4 time". During the 1950s, he began to incorporate city sounds such as subway trains and foghorns into his work, inspired by his experiences busking.

Inventions

Moondog invented several musical instruments, some of which were played on studio albums or in live performances by him and his subsequent ensembles. They include the "oo", a small triangular-shaped harp, a larger harp which he named the "ooo-ya-tsu", and a triangular stringed instrument played with a bow that he called the "hüs" (after the Norwegian "hus", meaning "house"). His best known instrument is the Trimba, a triangular percussion instrument that the composer invented in the late 1940s. The original Trimba is still played today by Moondog's friend Stefan Lakatos, a Swedish percussionist, to whom Moondog also explained the methods for building such an instrument.

Legacy

Moondog's music from the 1940s and 1950s has been cited by American composers Philip Glass and Steve Reich as a major influence on their styles, saying they took Moondog's work "very seriously and understood and appreciated it much more than what we were exposed to at Juilliard School, Juilliard". Moondog was also admired by Charlie Parker, whom he mutually admired and paid tribute to with the piece "Bird's Lament", Frank Zappa and Igor Stravinsky, and met on several occasions with Lenny Bruce, William S. Burroughs and Allen Ginsberg.

Moondog inspired other musicians with several songs dedicated to him. These include "Moondog" on Pentangle (band), Pentangle's 1968 album ''Sweet Child'' and "Spear for Moondog" (parts I and II) by jazz organist Jimmy McGriff on his 1968 ''Electric Funk'' album. Glam rock musician Marc Bolan and T. Rex (band), T. Rex referenced him in the song "Rabbit Fighter" with the line "Moondog's just a prophet to the end…". The English pop group Prefab Sprout included the song "Moondog" on their album ''Jordan: The Comeback'' released in 1990. Big Brother and the Holding Company featuring Janis Joplin covered his song "All Is Loneliness" on their 1967 Big Brother & the Holding Company (album), self-titled album. The song was also covered by Antony and the Johnsons during their 2005 tour. Mr. Scruff's single "Get a Move On" from his album ''Keep It Unreal'' is structured around samples from "Bird's Lament". New York band The Insect Trust play a cover of Moondog's song "Be a Hobo" on their album ''Hoboken Saturday Night''. The track "Stamping Ground", with its preamble of Moondog reciting one of his epigrams, was featured on the sampler double album ''Fill Your Head with Rock'' (CBS, 1970). Canadian composer and producer Daniel Lanois included a track called "Moondog" on his album/video-documentary ''Here Is What Is''.

Between 1970 and 1980, a blind bearded mystic called "Moondog" appeared as the title character in a four issue series of Underground comix written and illustrated by George Metzger (artist), George Metzger.

Since the early 1970s, a number of professional wrestlers have been named The Moondogs (professional wrestling), The Moondogs, taking inspiration from the artist.

Personal life

Moondog was married briefly to Virginia Sledge in 1943, but the marriage was dissolved in 1947.

In 1952, he married Mary Suzuko Whiteing, a single mother of mixed American-Japanese heritage. She had grown up in Japan then came to New York with her mother that year. Suzuko and Hardin met on the streets of New York. According to his daughter, June, Mary was struck by his appearance and moved by his music; Moondog was stirred by the music of her voice.

The June 4, 1952 issue of the ''New York Journal-American'' features a photograph of Moondog playing a flute on a rooftop while Mary looks on endearingly: the caption indicates it is a "skyline serenade" to a "June bride." The marriage lasted eight years. They had one daughter, June Hardin, born June 1, 1953. On the Prestige (1956) ''Moondog'' LP, Moondog's wife, Suzuko is credited in "Lullaby", singing to June, their six-week-old daughter. Hardin later fathered another daughter, Lisa Colins, out of wedlock.

Discography

Singles

*"Snaketime Rhythms (5 Beat) / Snaketime Rhythms (7 Beat)" (1949), SMC
*"Moondog's Symphony" (1949–1950), SMC
*"Organ Rounds" (1949–1950), SMC
*"Oboe Rounds" (1949–1950), SMC
*"Surf Session" (c. 1953), SMC
*"Caribea Sextet"/"Oo Debut" (1956), Moondog Records
*"Stamping Ground Theme" (from the Kralingen Music Festival) (1970), CBS

EPs

*1953 ''Improvisations at a Jazz Concert'', Brunswick Records, Brunswick
*1953 ''Moondog on the Streets of New York'', Decca/Mars
*1953 ''Pastoral Suite / Surf Session'', SMC
*1955 ''Moondog & His Honking Geese Playing Moondog's Music'', Moondog Records

Albums

*1953 ''Moondog and His Friends'', Epic Records, Epic
*1956 ''Moondog (1956 album), Snaketime Series'' (not the same as the 1954 LP), Moondog Records
*1956 ''Moondog (1956 album), Moondog'', Prestige Records, Prestige
*1956 ''More Moondog'', Prestige
*1957 ''The Story of Moondog'', Prestige
*1969 ''Moondog (1969 album), Moondog'' (not the same as the 1956 LP), Columbia Records, Columbia
*1971 ''Moondog 2'', Columbia (with insert: Round the World of Sound: Moondog Madrigals with scores)
*1977 ''Moondog in Europe'', Kopf
*1978 ''H'art Songs'', Kopf
*1978 ''Moondog: Instrumental Music by Louis Hardin'', Musical Heritage Society
*1979 ''A New Sound of an Old Instrument'', Kopf
*1981 ''Facets'', Managarm
*1986 ''Bracelli'', Kakaphone
*1992 ''Elpmas'', Kopf
*1994 ''Sax Pax for a Sax'' with the London Saxophonic, Kopf/Atlantic Records, Atlantic
*1995 ''Big Band'', Trimba
*2005 ''Bracelli und Moondog'', Laska Records

With Julie Andrews and Martyn Green

*1957 ''Songs of Sense and Nonsense - Tell it Again'', Angel Records, Angel/Capitol Records, Capitol

Compilations

*1991 ''More Moondog/The Story of Moondog'', Original Jazz Classics (reissue of Prestige albums listed above)
*2001 ''Moondog/Moondog 2'', Beat Goes On (reissue of the two Columbia albums issued above)
*2004 ''The Viking of Sixth Avenue'', Honest Jon's
*2005 ''The German Years 1977–1999'', ROOF Music
*2005 ''Un hommage à Moondog'' tribute album, trAce label
*2006 ''Rare Material'', ROOF Music
*2007 ''The Viking Of 6th Avenue''(disc inside biographical book), Process (). Reissue, Honest Jon, 2008
*2017 ''The Viking of Sixth Ave.'', Manimal

Various artist compilations

*1954 ''New York 19'' (recorded and edited by Tony Schwartz (American sound archivist), Tony Schwartz), Folkways Records, Folkways
*1954 ''Music in the Streets'' (recorded and edited by Tony Schwartz (American sound archivist), Tony Schwartz), Folkways
*1958 ''Rosey 4 Blocks'' (arrangement by Andy Forsythe), Rosey Records, Rosey
*1970 ''Fill Your Head With Rock'', CBS
*1998 ''The Big Lebowski'' motion picture soundtrack, Mercury Records, Mercury
*2000 ''Miniatures 2'', Cherry Red
*2006 ''DJ-Kicks: Henrik Schwarz'', Studio !K7, K7 Records
*2006 ''The Trip: Curated By Jarvis Cocker and Steve Mackey'', Disc 1 Track 19: "Pastoral"
*2008 ''Pineapple Express (film), Pineapple Express'' Motion Picture Sound Track, Track 9 "Birds Lament," Moondog & The London Saxophonic.

Performed by other musicians

*1957 ''Moondog and Suncat Suite'' by British jazz musician Kenny Graham (musician), Kenny Graham features one side of interpretations of the work of Moondog
*1967 "All Is Loneliness" by Big Brother and the Holding Company, featuring Janis Joplin, on their self-titled first album
*1968 "Moon Dog" by Pentangle (band), Pentangle on ''Sweet Child''
*1968 "Spear for Moondog (parts 1 and 2)" by jazz organist Jimmy McGriff on ''Electric Funk''
*1970 "Be a Hobo" by The Insect Trust on ''Hoboken Saturday Night''
*1978 ''Canons on the Keys'' by Paul Jordan, unreleased
*1983 ''Here's to John Wesley Hardin'' by R. Stevie Moore, unreleased
*1985 "Theme and Variations" performed by John Fahey (musician), John Fahey on the album ''Rain Forests, Oceans and Other Themes''
*1990 ''Love Child (band), Love Child Plays Moondog'', EP, ''Forced Exposure''
*1990 "Moondog" by Prefab Sprout on Jordan: The Comeback
*1993 "All is Loneliness" by Motorpsycho (band), Motorpsycho on ''Demon Box (album)'' and ''Roadwork Vol. 4: Intrepid Skronk''
*1995 ''Alphorn of Plenty'' by Hans Kennel, Hat Art
*1997 "Synchrony Nr. 2" by Kronos Quartet
*1998 ''Trees Against the Sky'' compilation album, SHI-RA-Nui 360°
*1998 "Paris" by NRBQ, live, on ''You Gotta Be Loose'' and ''NRBQ: High Noon - A 50-Year Retrospective''
*1999 "Get a Move On" (structured around samples from "Bird's Lament (In Memory of Charlie Parker)") by Mr. Scruff on ''Keep It Unreal''
*2004 ''Bracelli und Moondog'' CD Ensemble Bracelli, Germany w Stefan Lakatos. LASKA records
*2005 "All Is Loneliness" by Antony and the Johnsons, live
*2005 ''Sidewalk Dances'' by Joanna MacGregor & Britten Sinfonia, Sound Circus SC010
*2006 ''Moondog Sharp Harp'' by Xenia Narati, Ars Musici
*2007 "Paris" by Jens Lekman, live
*2009 "Rabbit Hop" by Hypnotic Brass Ensemble
*2009 "New Amsterdam" by Pink Martini on ''Splendor in the Grass (album), Splendor in the Grass''
*2010 ''The Orastorios - Moondog rounds'' by Stefan Lakatos/Andreas Heuser, Makro
*2011 ''Making Moonshine - Moondog Songs by Moondog Fans'' by Various Artists, SL Records
*2011 ''Chaconne 1'' & ''Viking 1'' by R. Stevie Moore, unreleased
*2013 ''Seeds of Immortality'' Spirit of Moondog w Stefan Lakatos. Moondog music for saxophones.
*2013 ''tRío lucas - homage to Moondog in the introduction of the song ''desintegración de la antimateria'' by tRío lucas''
*2013 ''Moondog Mask'' by Hobocombo
*2014 ''Perpetual Motion (A Celebration of Moondog)'' by Sylvain Rifflet & Jon Irabagon
*2015 ''Beyond Horizons'' Moondog Piano/Percussion by Mariam Tonoyan and Stefan Lakatos and friends. CD Moondogscorner.de/Rockwerk records
*2015 ''Cabaret Contemporain Plays Moondog'' by Cabaret Contemporain
*2016 ''A Tribute To Moondog'' by Condor Gruppe (2016) on Condor Men Records – Format: Vinyl, LP, Mini-Album
*2017 ''New Sound'' by Ensemble Minisym (2017) on Association Bongo Joe Records (Genève) – Format : Vinyl, CD, LP
*2018 ''Moondog'' by Katia Labèque & Triple Sun
*2018 ''Erk-Moondog'' Ensemble Bracelli w Stefan Lakatos. CD Moondogscorner.de/Rockwerk records Germany
*2019 ''The Witch of Endor'' by Kreiz Breizh Akademi #7 "Hed" (Brittany, France)
*2019 ''Moondog Piano Trimba'' by Dominique Ponty and Stefan Lakatos, SHIIN Records CD (France)
*2019 ''Moondog - The Stockholm 1981 Recordings'' Moondog & Stefan Lakatos w friends. Vinyl LP brus&knaster KNASTER 048. Sweden
*2022 ''Seahorse'' by Moondog. Album: ''Lost & Found'' by Sean Shibe
*2022 ''Pastoral'' by Moondog. Album: ''Lost & Found'' by Sean Shibe
*2022 ''High on a Rocky Ledge (Second Movement)'' by Moondog. Album: ''Lost & Found'' by Sean Shibe

References

Further reading

Articles

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Books

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External links

Moondog's Corner

Moondog discography
at Discogs

Moondog: the Man on the Street
WBAI; ubu.com

Moondog's Artist Page on Spotify
{{Authority control

1916 births
1999 deaths
Musicians from Kansas
Musicians from New York City
Musicians from Wyoming
People from Marysville, Kansas
American street performers
American jazz composers
American male jazz composers
Blind musicians
Street people
American modern pagans
Outsider musicians
People from Uinta County, Wyoming
American experimental musicians
Inventors of musical instruments
Avant-garde jazz percussionists
Minimalist composers
20th-century American poets
20th-century American composers
Modern pagan poets
Jazz musicians from New York (state)
20th-century American inventors
20th-century American male musicians
20th-century jazz composers
Performers of modern pagan music