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A modello (plural modelli), from Italian, is a preparatory study or model, usually at a smaller scale, for a work of art or architecture, especially one produced for the approval of the commissioning patron. The term gained currency in art circles in
Tuscany Tuscany ( ; it, Toscana ) is a Regions of Italy, region in central Italy with an area of about and a population of about 3.8 million inhabitants. The regional capital is Florence (''Firenze''). Tuscany is known for its landscapes, history, art ...
in the fourteenth century. Modern definitions in reference works vary somewhat. Alternative and overlapping terms are "
oil sketch An oil sketch or oil study is an artwork made primarily in oil paint in preparation for a larger, finished work. Originally these were created as preparatory studies or modelli, especially so as to gain approval for the design of a larger commissi ...
" (''schizzo'') and "cartoon" for
painting Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ...
s,
tapestry Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may ...
, or
stained glass Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although tradition ...
,
maquette A ''maquette'' (French word for scale model, sometimes referred to by the Italian names ''plastico'' or ''modello'') is a scale model or rough draft of an unfinished sculpture. An equivalent term is ''bozzetto'', from the Italian word for "sketc ...
, plastico or bozzetto for sculpture or architecture, or
architectural model An architectural model is a type of scale model made to study aspects of an architectural design or to communicate design intent. They can be made from a variety of materials such as paper, plaster, plastic, resin, wood, glass and metal. They ...
.


Background

Though in Gothic figural arts bishops and abbots are often represented carrying small simulacra of buildings they had constructed – "models" in the familiar modern sense – ''modello'' is only used of pieces which pre-date the finished work, and were at least in part produced by the main artist involved. The less frequently found term ricordo (Italian for "record" or "memory") means a similar piece produced as a small copy ''after'' completion of the work as a record for the workshop. Naturally it is not always easy for art historians to decide whether a particular piece is one or the other, and, especially in the Late Renaissance and Baroque periods, when several versions of a painting were made, the ''ricordo'' for the
prime version In the art world, if an artwork exists in several versions, the one known or believed to be the earliest is called the prime version. Many artworks produced in media such as painting or carved sculpture which create unique objects are in fact r ...
might serve in the atelier as the ''modello'' for the subsequent ones. No doubt a modello was often modified after the main work was completed to reflect any changes in the composition during painting, thus making it a ricordo also; this would normally be impossible for art historians to distinguish from a modello altered during its original production. The
Tiepolo Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an import ...
above right was catalogued as a modello by
Michael Levey Sir Michael Vincent Levey, LVO, FBA, FRSL (8 June 1927 – 28 December 2008) was a British art historian and was the director of the National Gallery from 1973 to 1986. Biography Levey was born in Wimbledon, London, and grew up in Leigh-on-S ...
, but recent
x-ray An X-ray, or, much less commonly, X-radiation, is a penetrating form of high-energy electromagnetic radiation. Most X-rays have a wavelength ranging from 10  picometers to 10  nanometers, corresponding to frequencies in the range 30&nb ...
investigation of the huge finished work in Munich has revealed that in its
underpainting In art, an underpainting is an initial layer of paint applied to a ground, which serves as a base for subsequent layers of paint. Underpaintings are often monochromatic and help to define color values for later painting. Underpainting gets its name ...
it was closer to another, very different and less finished modello, now in the
Courtauld Institute The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist coll ...
, and it has been asserted that the National Gallery picture illustrated is a ricordo. The National Gallery still describe it as "probably a modello", presumably produced after work had already begun. "Cartoon", named for the sturdy ''cartone'' paper on which they were generally executed, is usually used of working drawings, often at full scale, but the distinction is not a firm one, and the terms ''cartoon'' and ''working drawing'' are often used interchangeably. Often, for example in tapestries, the ''modello'' is a design at a considerably reduced scale by the main artist, which is then (after approval by the patron) worked up into a full scale cartoon by the artist or others – probably his assistants; the
Raphael Cartoons The Raphael Cartoons are seven large cartoons for tapestries, belonging to the British Royal Collection but since 1865 on loan to the Victoria and Albert Museum in London, designed by the High Renaissance painter Raphael in 1515–16 and showi ...
are much the most famous of the few surviving examples. The weavers then worked from this. ''Modello'' is especially used of older Italian art and architecture from the late Middle Ages onwards; initially these were mostly drawings, perhaps with some colour from chalk or
watercolour Watercolor (American English) or watercolour (British English; see spelling differences), also ''aquarelle'' (; from Italian diminutive of Latin ''aqua'' "water"), is a painting method”Watercolor may be as old as art itself, going back to t ...
, or with colours indicated in writing. The diminutive term modeletto will always be used of small-scale versions. As an Italian word, ''modello'' may be printed in italics, or not. The French version of the word, ''modèle'', may be used of French works, and is normally italicised. Especially in the case of oil sketches, many ''modelli'' are greatly valued in their own right, as they may show a freedom in execution and freshness of inspiration missing in the final work, and also may show changes in composition from the finished work, throwing light on the process of artistic creation. Earlier stages of the creative process may be recorded in "preparatory drawings" or "studies", either for the whole composition, or a part of it, such as a single figure.


Examples

An example of a modello of a fresco cycle, which was rescued for its intrinsic value is in
Giorgio Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculpt ...
's ''
vita Vita or VITA (plural vitae) is Latin for "life", and may refer to: * ''Vita'', the usual start to the title of a biography in Latin, by which (in a known context) the work is often referred to; frequently of a saint, then called hagiography * Vit ...
'' of
Rosso Fiorentino Giovanni Battista di Jacopo (8 March 1495 in Gregorian style, or 1494 according to the calculation of times in Florence where the year began on 25 March – 14 November 1540), known as Rosso Fiorentino (meaning "Red Florentine" in Italian) ...
: Vasari reports that a modello for Rosso's frescoes in Santa Maria delle Lagrime, Arezzo, was carried out by Rosso for Giovanni Pollastra, the inventor of the complex program there, "un bellisimo modello di tutto l'opera, che è oggi nelle nostre case di Arezzo." A preliminary ''modello colorito'' in the form of a painted three-dimensional model was especially important to prejudge the finished effect of illusionistic ''sotto-in-su'' perspectives on the curved surfaces of vaulted ceilings, as
Andrea Pozzo Andrea Pozzo (; Latinized version: ''Andreas Puteus''; 30 November 1642 – 31 August 1709) was an Italian Jesuit brother, Baroque painter, architect, decorator, stage designer, and art theoretician. Pozzo was best known for his grandiose fresc ...
, the perfector of the illusionistic ceiling, noted in his ''Perspectiva pictorum et architectorum'' (1700–17) Many modelli show versions of works which were never actually realised, or have been lost. Famous examples are the alternative designs produced for the competition in 1401 to design the North doors of the
Florence Baptistry The Florence Baptistery, also known as the Baptistery of Saint John ( it, Battistero di San Giovanni), is a religious building in Florence, Italy, and has the status of a minor basilica. The octagonal baptistery stands in both the Piazza del D ...
.
Lorenzo Ghiberti Lorenzo Ghiberti (, , ; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery ...
won, beating six other artists, including
Filippo Brunelleschi Filippo Brunelleschi ( , , also known as Pippo; 1377 – 15 April 1446), considered to be a founding father of Renaissance architecture, was an Italian architect, designer, and sculptor, and is now recognized to be the first modern engineer, p ...
,
Donatello Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and use ...
and
Jacopo della Quercia Jacopo della Quercia (, ; 20 October 1438), also known as Jacopo di Pietro d'Agnolo di Guarnieri, was an Italian sculptor of the Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelangelo. ...
; the modelli survive, for a single panel, of the first two named (
Bargello The Bargello, also known as the Palazzo del Bargello, Museo Nazionale del Bargello, or Palazzo del Popolo (Palace of the People), was a former barracks and prison, now an art museum, in Florence, Italy. Terminology The word ''bargello'' appears ...
– picture above). There are alternative, unrealised, modelli for many famous buildings, including
St Peter's, Rome The Papal Basilica of Saint Peter in the Vatican ( it, Basilica Papale di San Pietro in Vaticano), or simply Saint Peter's Basilica ( la, Basilica Sancti Petri), is a church built in the Renaissance style located in Vatican City, the papal e ...
and the "Great Model" of
St Paul's Cathedral, London St Paul's Cathedral is an Anglican cathedral in London and is the seat of the Bishop of London. The cathedral serves as the mother church of the Diocese of London. It is on Ludgate Hill at the highest point of the City of London and is a Grad ...
, showing a different design by
Sir Christopher Wren Sir Christopher Wren PRS FRS (; – ) was one of the most highly acclaimed English architects in history, as well as an anatomist, astronomer, geometer, and mathematician-physicist. He was accorded responsibility for rebuilding 52 churches ...
from that actually built.Explore St Paul's – Wren's Great Model
/ref> When accepted, such models were retained during the work, as concrete expressions of what was expected under the terms of the contract, and afterwards were preserved in storage through salutary neglect.


See also

*
Pentimento A pentimento (plural pentimenti), in painting, is "the presence or emergence of earlier images, forms, or strokes that have been changed and painted over". The word is , from the verb , meaning 'to repent'. Significance Pentimenti may show that ...


References

{{reflist, 30em Art history Visual arts genres Italian words and phrases