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A mobile (,) is a type of kinetic sculpture constructed to take advantage of the principle of equilibrium. It consists of a number of rods, from which weighted objects or further rods hang. The objects hanging from the rods balance each other, so that the rods remain more or less horizontal. Each rod hangs from only one string, which gives it the freedom to rotate about the string. An ensemble of these balanced parts hang freely in space, by design without coming into contact with each other. Mobiles are popular in the nursery, where they hang over cribs to give infants entertainment and visual stimulation. Mobiles have inspired many
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Defi ...
s, including
Morton Feldman Morton Feldman (January 12, 1926 â€“ September 3, 1987) was an American composer. A major figure in 20th-century classical music, Feldman was a pioneer of indeterminate music, a development associated with the experimental New York School ...
and
Earle Brown Earle Brown (December 26, 1926 – July 2, 2002) was an American composer who established his own formal and notational systems. Brown was the creator of "open form," a style of musical construction that has influenced many composers since†...
who were inspired by
Alexander Calder Alexander Calder (; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and hi ...
's mobiles to create mobile-like indeterminate pieces. John Cage wrote the music for the short film Works of Calder that focused on Calder's mobiles.
Frank Zappa Frank Vincent Zappa (December 21, 1940 â€“ December 4, 1993) was an American musician, composer, and bandleader. His work is characterized by wikt:nonconformity, nonconformity, Free improvisation, free-form improvisation, sound experimen ...
stated that his compositions employ a principle of balance similar to Calder mobiles.


Origin

The meaning of the term "mobile" as applied to sculpture has evolved since it was first suggested by
Marcel Duchamp Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso ...
in 1931 to describe the early, mechanized creations of
Alexander Calder Alexander Calder (; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and hi ...
. At this point, "mobile" was synonymous with the term "kinetic art", describing sculptural works in which motion is a defining property. While motor or crank-driven moving sculptures may have initially prompted it, the word "mobile" later came to refer more specifically to Calder's free-moving creations. Calder in many respects invented an art form where objects (typically brightly coloured, abstract shapes fashioned from sheet metal) are connected by wire much like a balance scale. By the sequential attachment of additional objects, the final creation consists of many balanced parts joined by lengths of wire whose individual elements are capable of moving independently or as a whole when prompted by air movement or direct contact. Thus, "mobile" has become a more well-defined term with its origin in the many such hanging constructs Calder produced in a prolific manner between the 1930s and his death in 1976.


Similar works

Calder's work is the only one defined by the term "mobile"; however, three other notable artists worked on a similar concept.
Man Ray Man Ray (born Emmanuel Radnitzky; August 27, 1890 â€“ November 18, 1976) was an American visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealist movements, although his ties to eac ...
experimented with this idea around 1920,
Armando Reverón Armando Reverón (May 10, 1889 – September 17, 1954) was a Venezuelan painter and sculptor, precursor of Arte Povera and considered one of the most important of the 20th century in Latin America. While his mental health deteriorated throughou ...
who during the 30s made a series of movable skeletons and
Bruno Munari Bruno Munari (October 24, 1907 in Milan – September 29, 1998 in Milan) was an Italian artist, designer, and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in ...
created his "Useless Machines" in 1933, made in cardboard and playful colors.Munari, Bruno: ''Air Made Visible'', 288 pages, Lars Müller Publishers, 2001.


See also

*
Dreamcatcher In some Native American and First Nations cultures, a dreamcatcher ( oj, asabikeshiinh, the inanimate form of the word for 'spider') is a handmade willow hoop, on which is woven a net or web. It may also be decorated with sacred items such as ...
* Suncatcher *
Wind chime Wind chimes are a type of percussion instrument constructed from suspended tubes, rods, bells or other objects that are often made of metal or wood. The tubes or rods are suspended along with some type of weight or surface which the tubes or rod ...


References


External links


Alexander Calder's Mobiles
by
Jean-Paul Sartre Jean-Paul Charles Aymard Sartre (, ; ; 21 June 1905 – 15 April 1980) was one of the key figures in the philosophy of existentialism (and phenomenology), a French playwright, novelist, screenwriter, political activist, biographer, and lit ...
, ''
Les Temps Modernes ''Les Temps Modernes'' (''Modern Times'') is a French journal, founded by Simone de Beauvoir, Jean-Paul Sartre, and Maurice Merleau-Ponty. It first issue was published in October 1945. It was named after the 1936 film by Charlie Chaplin. ''L ...
'', 1963 {{Authority control Types of sculpture 1931 introductions Motion (physics)