Minor Swing (composition)
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"Minor Swing" is a
gypsy jazz Gypsy jazz (also known as gypsy swing, jazz manouche or hot club-style jazz) is a style of small-group jazz originating from the Romani guitarist Jean "Django" Reinhardt (1910–53), in conjunction with the French swing violinist Stéphane Gr ...
tune composed by
Django Reinhardt Jean Reinhardt (23 January 1910 – 16 May 1953), known by his Romani nickname Django ( or ), was a Romani-French jazz guitarist and composer. He was one of the first major jazz talents to emerge in Europe and has been hailed as one of its most ...
and
Stéphane Grappelli Stéphane Grappelli (; 26 January 1908 – 1 December 1997, born Stefano Grappelli) was a French jazz violinist. He is best known as a founder of the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the firs ...
. It was recorded by The Quintet of the Hot Club of France in 1937. It was recorded five other times throughout Reinhardt's career and is considered to be one of his signature compositions. The composition was first released as a 78 single by Swing in 1937 with Django Reinhardt and Stéphane Grappelli in the Quintette du Hot Club de France. The song appears in the 2002 video game '' Mafia: The City of Lost Heaven'' as the theme song of the fictional New Ark district within the game.


Structure

Minor Swing is written in the key of A minor. Apart from the brief introduction and final coda or playout, there is no discernable melody, just a repeated sequence of chord changes over which the key players improvise continuously until by some mutual agreement the end is decided and the playout performed. The introduction comprises a set of partial arpeggios over the chords Am/Dm/Am/Dm/Am/Dm/E7, followed by the main changes which are Am/-/Dm/-/E7/-/Am/-/ which are followed by Dm/-/Am/-/E7/-/Am/E7/, then the cycle begins again, until the playout which comprises some set arpeggios following the pattern of the first half of the tune with one repeat. In some modern treatments, the E7 in the middle of the second stanza may be replaced with Bb7 (a
tritone In music theory, the tritone is defined as a musical interval composed of three adjacent whole tones (six semitones). For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three a ...
substitution) and/or the second stanza sometimes replaced with a
cycle of fifths In music theory, the circle of fifths is a way of organizing the 12 chromatic pitches as a sequence of perfect fifths. (This is strictly true in the standard 12-tone equal temperament system — using a different system requires one interval ...
based treatment for effect, i.e. Dm7/G7/Cmaj7/Fmaj7/Bø/E7/Am (etc.). Although the chord changes may appear unremarkable and the entire structure somewhat repetitive, in live performance it is a well known vehicle which permits the soloist or soloists to demonstrate their virtuosity and musical skill for creating interesting melodic and rhythmic excursions over the familiar chord patterns, as well as the opportunity to quote from Django's own recorded melodic inventions over his own tune.


Recordings

The discography section of Charles Delaunay's Django Reinhardt biography lists the following sessions at which versions of "Minor Swing" were recorded: *Paris, 25 November 1937: Django Reinhardt, guitar; Stéphane Grappelli, violin; Joseph Reinhardt & Eugène Vées, rhythm guitars; Louis Vola, double bass *Paris, March 1947: Django Reinhardt, guitar; Eddie Bernard, piano (French Radio broadcast; as "No Name Blues") *Paris, 29 August 1947: Django Reinhardt, guitar; Maurice Mernier, clarinet; Eugène Vées, rhythm guitar; Emmanuel Soudieux, double bass; André Jourdan, drums *Brussels, December 1948: Django Reinhardt, guitar; Hubert Rostaing, clarinet; Henri "Lousson" Baumgartner, rhythm guitar; Louis Vola, double bass; Arthur Motta, drums *Rome, January/February 1949: Django Reinhardt, guitar; Stéphane Grappelli, violin; Gianni Safred, piano; Carlo Pecori, double bass; Aurelio de Carolis, drums *Rome, April–May 1950: Django Reinhardt, guitar; André Ekyan, clarinet; Raph Schecroun, piano; Alf Masselier, double bass; Roger Paraboschi, drums


References

{{authority control Instrumentals 1937 compositions 1930s jazz standards Swing music 1937 songs


External links


1937 Recording