Midwestern Gothic (musical)
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''Midwestern Gothic'' is a
horror Horror may refer to: Arts, entertainment, and media Genres *Horror fiction, a genre of fiction ** Japanese horror, Japanese horror fiction **Korean horror, Korean horror fiction * Horror film, a film genre *Horror comics, comic books focusing o ...
musical Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narr ...
with book and lyrics by Royce Vavrek and music and lyrics by
Joshua Schmidt Joshua Schmidt is an American composer, lyricist, bookwriter and theatrical sound designer. He is known for the musicals '' Adding Machine'', ''A Minister's Wife'' and ''Midwestern Gothic''. Musical theatre * '' Adding Machine'' (2007, Jason Loe ...
. The work was commissioned and premiered by Signature Theatre on March 28, 2017.


Plot and influences

In a frozen little town in the middle of nowhere lives Stina, a young woman filled with a desperate hope to escape her humdrum surroundings. Following her mind's twisted flights of fancy, it isn't long before Stina's imagination is driving her to create more and more bizarre diversions, leading to a sudden and shocking twist of events. The authors have suggested that this piece is influenced by their upbringings on the Canadian and American prairies, as well as the work of Sam Shepard,
Andrea Arnold Andrea Arnold, OBE (born 5 April 1961) is an English filmmaker and former actor. She won an Academy Award for her short film ''Wasp'' in 2005. Her feature films include ''Red Road'' (2006), ''Fish Tank'' (2009), and ''American Honey'' (2016), ...
,
Martin McDonagh Martin Faranan McDonagh (; born 26 March 1970) is a British-Irish playwright, screenwriter, producer, and director. Born and brought up in London, he is the son of Irish parents. He is known as one of the most acclaimed modern playwrights whose ...
and Catherine Breillat.


Characters and original cast


Critical reception

In '' The Washington Post'' critic Peter Marks wrote "embedded in “Midwestern Gothic” are intriguing conceits, one of them being the ways in which the musical twists our perceptions of horror archetypes — in particular, that of the naive, imperiled ingenue. Here, she's anything but innocent, and in the casting of the persuasive Morgan Keene, the archetype is turned totally on its head: It's as if Ann-Margret had been chosen to play the role of Hannibal Lecter." But noted that he felt there was "work still to be done." Talkin' Broadway wrote that " offers an unflinching look at the underside of rural America and the ways in which people break out when they have nothing to lose; as a mood piece, it isn't for everyone, but it's extremely well done." And Whisk and Quill noted "the musical is spellbindingly dark, think Truman Capote’s classic “In Cold Blood” and Vladimir Nabokov's “Lolita”, and yet utterly riveting."


References

{{Reflist 2017 musicals American musicals Horror plays Musicals set in the United States